17.ly (5271B)
1 \version "2.20" 2 \language "english" 3 4 \paper { 5 print-all-headers = ##t 6 tagline = ##f 7 } 8 9 %% Commentary: 10 % This is another annoying double stop filled etude. It is split into 11 % two parts combined into a single voice. The parts are sometimes 12 % split into separate voices where needed. 13 14 global = \relative c' { 15 \tempo "Con brio" 16 \key c \minor 17 \time 4/4 18 \clef "bass" 19 \autoPageBreaksOff 20 } 21 22 top = \relative c' { 23 \global 24 25 % bar 1 26 s8 c16-3( d-3 ef4-4->) s8 c16( d ef4->) | 27 s8 c16-3( d-3 ef-4 f-3 fs-4 g-3 28 af-4) g-3( fs-3 g-4 f-4) e-3( d-3 e-3) | 29 s8 f16-4( g-3 af4-4->) s8 f16( g af4->) | \break 30 31 % bar 4 32 s8 af16-4( g-3 f-4 ef-2 d-3 c-3) 33 b-2( c-3 cs-4 d-3 ef-4) d-3( c-3 b-2) | 34 s8 c16-3( d-3 ef4-4->) s8 c16( d ef4->) | 35 s8 c16-2( d-4 e-3 f-4 g-4 f-2 36 ef8-1) bf'!16-3\downbow bf( af-2 g-4 f-4 e-3) | \break 37 38 % bar 7 39 s8^\markup{\italic "a tempo"} f16-4( g-3 af4-4->) 40 s8 d,!16( ef-2 f4-4->) | 41 s8 ef16-2( f-4 g4-4->) s8 c,16-3( d-3 ef4-4->) | 42 s8 d16-3( ef-2 f4-4->) s8 b,16-2( c-3 d4-3->) | 43 c16-3 c( g'-4) g( c,-3) c\(( g-4) g-.\) c,4.\fermata r8 | 44 \key c \major \clef "tenor" \bar "||" \break 45 \tempo "Andante quasi Adagio" 46 47 % bar 11 48 e'8\thumb( g-2 a-3 g-2 e) g c,\thumb e-2 | \clef "bass" 49 \new Voice { 50 \stemUp 51 a,8-1 c4^( b8) <e, c'>4.\upbow s8 | 52 a8\downbow c f4-2 53 } 54 e8-1 d-2( c-1 bf-1 | 55 a8) g!-0-3 f-4 g,-0 a4.-1 r8 | \break 56 57 % bar 15 58 a8-1\downbow( a'-0 d-4 fs-3) \clef "tenor" 59 a\thumb-0\upbow( d-3) 60 \new Voice { 61 \stemUp 62 <g,-3 b-1>4\downbow | \clef "bass" 63 } 64 g,,8\upbow( g'-0-3 c-2^I) e-3\downbow( \clef "tenor" 65 g\thumb) c-3\upbow( a4-1) | \clef "treble" 66 \new Voice { 67 \stemUp 68 a4\downbow\thumb-0^( f'8-3) a,\upbow^( b\thumb) 69 b\downbow^( g'-3) b,\upbow\thumb^( | \break 70 71 % bar 18 72 c8\thumb) c\downbow^( a'-3) g-3 f-2^( 73 \clef "bass" e,-4) e( d) | \clef "tenor" 74 } 75 e8\thumb( g-2 a-3 g-2 e\thumb) g-2( c,\thumb e-2 | \clef "bass" 76 a,8) 77 \new Voice { 78 \stemUp 79 c4\downbow^( b8) 80 <e, c'>4.\fermata 81 } 82 r8 | \bar "||" \key c \minor \break 83 84 % bar 21 85 s8 c'16-3( d-3 ef4-4->) s8 c16( d ef4->) | 86 s8 c16-3( d-3 ef-4 f-3 fs-4 g-3 87 af-4) g-3( fs-3 g-4 f-4) e-3( d-3 e-3) | \break 88 89 % bar 23 90 s8 f16-4( g-3 af4-4->) s8 f16( g af4->) | 91 s8 af16-4( g-3 f-4 ef-2 d-3 c-3) 92 b-2( c-3 cs-4 d-3 ef-4) d-3( c-3 b-2) | 93 s8 c16-3( d-3 ef4-4->) s8 c16( d ef4->) | \break 94 95 % bar 26 96 s8 c16-2( d-4 e-3 f-4 g-4 f-2 97 ef8-1) bf'!16-3\downbow bf( af-2 g-4 f-4 e-3) | 98 s8 f16-4( g-3 af4-4->) s8 d,!16( ef-2 f4-4->) | 99 s8 ef16-2( f-4 g4-4->) s8 c,16-3( d-3 ef4-4->) | \break 100 101 % bar 29 102 s8 d16-3( ef-2 f4-4->) s8 b,16-2( c-3 d4-3->) | 103 c16-3 c( g'-4) g( c,-3) c\(( g-4) g-.\) c,4.\fermata r8 | \bar "||" \pageBreak 104 % end 105 } 106 107 bottom = \relative c, { 108 \global 109 \stemDown % Stem down for first couple of lines 110 111 % bar 1 112 c8\f ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 | 113 c,,8 ef'16_1 f_1 g_3 af_1 a_2 bf_1 114 c_3 bf_1 a_1 bf_2 af_2 g_1 f_1 g_1 | 115 f,8-1 af'16_2 bf_1 c4_3 f,,8-1 af'16 bf c4 | \break 116 117 % bar 4 118 f,,8-1 c''16_3 bf_1 af_2 g_1 f_1 ef_1 119 <g, d'> ef'_1 e_2 f_1 g_3 f_1 ef_1 d_0 | 120 c,8 ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 | 121 c,,8\< e'16_1 f_2 g_1 af_2 bf_2 b_3 122 c8_4 df16_1_\markup{\italic "ritard."} df c_1 bf_2 af_2 g_1 | \break 123 124 % bar 7 125 \stemNeutral 126 f,8-1\f af'16_2 bf_1 c4_3 d,,!8-1 f'16_2 g_1 af4_2 | 127 ef,8-1 g'16_1 af_2 bf4_2 c,,8-0 ef'16_1 f_1 g4_3 | 128 f,8-3 f'16_1 g_1 af4_2 g,8_0 d'16_0 ef_1 f4_1 | 129 <c, g' ef'>16 ef' b'_3 b ef,_1 ef g,_0 g c,4.\fermata r8 | 130 \key c \major \clef "tenor" \bar "||" \break 131 \tempo "Andante quasi Adagio" 132 133 % bar 11 134 c''8_2_\markup{\dynamic p \italic "dolce"} 135 b_1 a_\thumb b_1 c_2 b_1 a_2 g_1 | \clef "bass" 136 \new Voice { 137 \stemDown 138 f8_2 e_1( <g, d'> g') r g, c, r | 139 f'8_( e d_0 b'_3) 140 } 141 c_4 gs_3 a_4 e_2 | 142 f8 c_0_3_( a_3 c,) f4._4 r8 | \break 143 144 % bar 15 145 d8_1\p d'_0 fs_3 a_1 \clef "tenor" d_\thumb_0 fs_2 146 \new Voice { 147 \stemDown 148 r8 g,,_"pizz." | \clef "bass" 149 } 150 c,8 c'_0_3 e_1_II g_1 \clef "tenor" c_\thumb e_2 f4_3 | \clef "treble" 151 \new Voice { 152 \stemDown 153 f8_2( e_1 d_\thumb) f_2_( g_2) f_1_( e_\thumb) g_2_( | \break 154 155 % bar 18 156 a8_2) g_1_( f_\thumb) g_\thumb a_1\>_( 157 \clef "bass" fs,_1) g4\! | \clef "tenor" 158 } 159 c8\p_2 b_1 a_\thumb b_1 c_2 b_1 a_2 g_1 | \clef "bass" 160 f8_2 161 \new Voice { 162 \stemDown 163 e8_1( <g, d'> g') r8 g,[ c,] 164 } 165 r8 | \bar "||" \key c \minor \break 166 167 % bar 21 168 \stemDown 169 c8\f ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 | 170 c,,8 ef'16_1 f_1 g_3 af_1 a_2 bf_1 171 c_3 bf_1 a_1 bf_2 af_2 g_1 f_1 g_1 | \break 172 173 % bar 23 174 f,8-1 af'16_2 bf_1 c4_3 f,,8-1 af'16 bf c4 | 175 f,,8-1 c''16_3 bf_1 af_2 g_1 f_1 ef_1 176 <g, d'> ef'_1 e_2 f_1 g_3 f_1 ef_1 d_0 | 177 c,8 ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 | \break 178 179 % bar 26 180 c,,8\< e'16_1 f_2 g_1 af_2 bf_2 b_3 181 c8_4 df16_1_\markup{\italic "ritard."} df c_1 bf_2 af_2 g_1 | 182 f,8-1\f af'16_2 bf_1 c4_3 d,,!8-1 f'16_2 g_1 af4_2 | 183 ef,8-1 g'16_1 af_2 bf4_2 c,,8-0 ef'16_1 f_1 g4_3 | \break 184 185 % bar 29 186 \stemNeutral 187 f,8-3 f'16_1 g_1 af4_2 g,8_0 d'16_0 ef_1 f4_1 | 188 <c, g' ef'>16 ef' b'_3 b ef,_1 ef g,_0 g c,4.\fermata r8 | \bar "|." \pageBreak 189 % end 190 } 191 192 \score { 193 \new Voice << \top \bottom >> 194 \header { 195 title = "17" 196 } 197 \layout { 198 } 199 \midi { 200 } 201 } 202 203 % Local Variables: 204 % compile-command: "make -B 17.pdf" 205 % End: