popper

Popper ├ętudes 1-20
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      1 \version "2.20"
      2 \language "english"
      3 
      4 \paper {
      5   print-all-headers = ##t
      6   tagline = ##f
      7 }
      8 
      9 %% Commentary:
     10 % This is another annoying double stop filled etude.  It is split into
     11 % two parts combined into a single voice.  The parts are sometimes
     12 % split into separate voices where needed.
     13 
     14 global = \relative c' {
     15   \tempo "Con brio"
     16   \key c \minor
     17   \time 4/4
     18   \clef "bass"
     19   \autoPageBreaksOff
     20 }
     21 
     22 top = \relative c' {
     23   \global
     24 
     25 % bar 1
     26   s8 c16-3( d-3 ef4-4->) s8 c16( d ef4->) |
     27   s8 c16-3( d-3 ef-4 f-3 fs-4 g-3
     28   af-4) g-3( fs-3 g-4 f-4) e-3( d-3 e-3) |
     29   s8 f16-4( g-3 af4-4->) s8 f16( g af4->) | \break
     30 
     31 % bar 4
     32   s8 af16-4( g-3 f-4 ef-2 d-3 c-3)
     33   b-2( c-3 cs-4 d-3 ef-4) d-3( c-3 b-2) |
     34   s8 c16-3( d-3 ef4-4->) s8 c16( d ef4->) |
     35   s8 c16-2( d-4 e-3 f-4 g-4 f-2
     36   ef8-1) bf'!16-3\downbow bf( af-2 g-4 f-4 e-3) | \break
     37 
     38 % bar 7
     39   s8^\markup{\italic "a tempo"} f16-4( g-3 af4-4->)
     40   s8 d,!16( ef-2 f4-4->) |
     41   s8 ef16-2( f-4 g4-4->) s8 c,16-3( d-3 ef4-4->) |
     42   s8 d16-3( ef-2 f4-4->) s8 b,16-2( c-3 d4-3->) |
     43   c16-3 c( g'-4) g( c,-3) c\(( g-4) g-.\) c,4.\fermata r8 |
     44   \key c \major \clef "tenor" \bar "||" \break
     45   \tempo "Andante quasi Adagio"
     46 
     47 % bar 11
     48   e'8\thumb( g-2 a-3 g-2 e) g c,\thumb e-2 | \clef "bass"
     49   \new Voice {
     50     \stemUp
     51     a,8-1 c4^( b8) <e, c'>4.\upbow s8 |
     52     a8\downbow c f4-2
     53   }
     54   e8-1 d-2( c-1 bf-1 |
     55   a8) g!-0-3 f-4 g,-0 a4.-1 r8 | \break
     56 
     57 % bar 15
     58   a8-1\downbow( a'-0 d-4 fs-3) \clef "tenor"
     59   a\thumb-0\upbow( d-3)
     60   \new Voice {
     61     \stemUp
     62     <g,-3 b-1>4\downbow | \clef "bass"
     63   }
     64   g,,8\upbow( g'-0-3 c-2^I) e-3\downbow( \clef "tenor"
     65   g\thumb) c-3\upbow( a4-1) | \clef "treble"
     66   \new Voice {
     67     \stemUp
     68     a4\downbow\thumb-0^( f'8-3) a,\upbow^( b\thumb)
     69     b\downbow^( g'-3) b,\upbow\thumb^( | \break
     70 
     71 % bar 18
     72     c8\thumb) c\downbow^( a'-3) g-3 f-2^(
     73     \clef "bass" e,-4) e( d) | \clef "tenor"
     74   }
     75   e8\thumb( g-2 a-3 g-2 e\thumb) g-2( c,\thumb e-2 | \clef "bass"
     76   a,8)
     77   \new Voice {
     78     \stemUp
     79     c4\downbow^( b8)
     80     <e, c'>4.\fermata
     81   }
     82   r8 | \bar "||" \key c \minor \break
     83 
     84 % bar 21
     85   s8 c'16-3( d-3 ef4-4->) s8 c16( d ef4->) |
     86   s8 c16-3( d-3 ef-4 f-3 fs-4 g-3
     87   af-4) g-3( fs-3 g-4 f-4) e-3( d-3 e-3) | \break
     88 
     89 % bar 23
     90   s8 f16-4( g-3 af4-4->) s8 f16( g af4->) |
     91   s8 af16-4( g-3 f-4 ef-2 d-3 c-3)
     92   b-2( c-3 cs-4 d-3 ef-4) d-3( c-3 b-2) |
     93   s8 c16-3( d-3 ef4-4->) s8 c16( d ef4->) | \break
     94 
     95 % bar 26
     96   s8 c16-2( d-4 e-3 f-4 g-4 f-2
     97   ef8-1) bf'!16-3\downbow bf( af-2 g-4 f-4 e-3) |
     98   s8 f16-4( g-3 af4-4->) s8 d,!16( ef-2 f4-4->) |
     99   s8 ef16-2( f-4 g4-4->) s8 c,16-3( d-3 ef4-4->) | \break
    100 
    101 % bar 29
    102   s8 d16-3( ef-2 f4-4->) s8 b,16-2( c-3 d4-3->) |
    103   c16-3 c( g'-4) g( c,-3) c\(( g-4) g-.\) c,4.\fermata r8 | \bar "||" \pageBreak
    104 % end
    105 }
    106 
    107 bottom = \relative c, {
    108   \global
    109   \stemDown % Stem down for first couple of lines
    110 
    111 % bar 1
    112   c8\f ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 |
    113   c,,8 ef'16_1 f_1 g_3 af_1 a_2 bf_1
    114   c_3 bf_1 a_1 bf_2 af_2 g_1 f_1 g_1 |
    115   f,8-1 af'16_2 bf_1 c4_3 f,,8-1 af'16 bf c4 | \break
    116 
    117 % bar 4
    118   f,,8-1 c''16_3 bf_1 af_2 g_1 f_1 ef_1
    119   <g, d'> ef'_1 e_2 f_1 g_3 f_1 ef_1 d_0 |
    120   c,8 ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 |
    121   c,,8\< e'16_1 f_2 g_1 af_2 bf_2 b_3
    122   c8_4 df16_1_\markup{\italic "ritard."} df c_1 bf_2 af_2 g_1 | \break
    123 
    124 % bar 7
    125   \stemNeutral
    126   f,8-1\f af'16_2 bf_1 c4_3 d,,!8-1 f'16_2 g_1 af4_2 |
    127   ef,8-1 g'16_1 af_2 bf4_2 c,,8-0 ef'16_1 f_1 g4_3 |
    128   f,8-3 f'16_1 g_1 af4_2 g,8_0 d'16_0 ef_1 f4_1 |
    129   <c, g' ef'>16 ef' b'_3 b ef,_1 ef g,_0 g c,4.\fermata r8 |
    130   \key c \major \clef "tenor" \bar "||" \break
    131   \tempo "Andante quasi Adagio"
    132 
    133 % bar 11
    134   c''8_2_\markup{\dynamic p \italic "dolce"}
    135   b_1 a_\thumb b_1 c_2 b_1 a_2 g_1 | \clef "bass"
    136   \new Voice {
    137     \stemDown
    138     f8_2 e_1( <g, d'> g') r g, c, r |
    139     f'8_( e d_0 b'_3)
    140   }
    141   c_4 gs_3 a_4 e_2 |
    142   f8 c_0_3_( a_3 c,) f4._4 r8 | \break
    143   
    144 % bar 15
    145   d8_1\p d'_0 fs_3 a_1 \clef "tenor" d_\thumb_0 fs_2
    146   \new Voice {
    147     \stemDown
    148     r8 g,,_"pizz." | \clef "bass"
    149   }
    150   c,8 c'_0_3 e_1_II g_1 \clef "tenor" c_\thumb e_2 f4_3 | \clef "treble"
    151   \new Voice {
    152     \stemDown
    153     f8_2( e_1 d_\thumb) f_2_( g_2) f_1_( e_\thumb) g_2_( | \break
    154 
    155 % bar 18
    156     a8_2) g_1_( f_\thumb) g_\thumb a_1\>_(
    157     \clef "bass" fs,_1) g4\! | \clef "tenor"
    158   }
    159   c8\p_2 b_1 a_\thumb b_1 c_2 b_1 a_2 g_1 | \clef "bass"
    160   f8_2
    161   \new Voice {
    162     \stemDown
    163     e8_1( <g, d'> g') r8 g,[ c,]
    164   }
    165   r8 | \bar "||" \key c \minor \break
    166 
    167 % bar 21
    168   \stemDown
    169   c8\f ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 |
    170   c,,8 ef'16_1 f_1 g_3 af_1 a_2 bf_1
    171   c_3 bf_1 a_1 bf_2 af_2 g_1 f_1 g_1 | \break
    172 
    173 % bar 23
    174   f,8-1 af'16_2 bf_1 c4_3 f,,8-1 af'16 bf c4 |
    175   f,,8-1 c''16_3 bf_1 af_2 g_1 f_1 ef_1
    176   <g, d'> ef'_1 e_2 f_1 g_3 f_1 ef_1 d_0 |
    177   c,8 ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 | \break
    178   
    179 % bar 26
    180   c,,8\< e'16_1 f_2 g_1 af_2 bf_2 b_3
    181   c8_4 df16_1_\markup{\italic "ritard."} df c_1 bf_2 af_2 g_1 |
    182   f,8-1\f af'16_2 bf_1 c4_3 d,,!8-1 f'16_2 g_1 af4_2 |
    183   ef,8-1 g'16_1 af_2 bf4_2 c,,8-0 ef'16_1 f_1 g4_3 | \break
    184 
    185 % bar 29
    186   \stemNeutral
    187   f,8-3 f'16_1 g_1 af4_2 g,8_0 d'16_0 ef_1 f4_1 |
    188   <c, g' ef'>16 ef' b'_3 b ef,_1 ef g,_0 g c,4.\fermata r8 | \bar "|." \pageBreak
    189 % end
    190 }
    191 
    192 \score {
    193   \new Voice << \top \bottom >>
    194   \header {
    195     title = "17"
    196   }
    197   \layout {
    198   }
    199   \midi {
    200   }
    201 }
    202 
    203 % Local Variables:
    204 % compile-command: "make -B 17.pdf"
    205 % End: