popper

Popper ├ętudes 1-20
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      1 \version "2.20"
      2 \language "english"
      3 
      4 \paper {
      5   print-all-headers = ##t
      6   tagline = ##f
      7 }
      8 
      9 %% Commentary:
     10 % Similarly to nine.ly, most of this etude is double stops.  Where
     11 % there is only one part, it is written as though it were in the top
     12 % part, with spacers in the bottom.
     13 
     14 global = {
     15   \tempo "Allegro molto moderato"
     16   \key ef \major
     17   \time 6/8
     18   \clef "tenor"
     19   \autoPageBreaksOff
     20 }
     21 
     22 top = \relative c' {
     23   \global
     24 
     25 % bar 1
     26   ef8-3^I^( f-3 g-3) g^( af-3 bf-3) |
     27   bf8-3^( c-3 d-3) ef4.-3\upbow |
     28   ef8 bf\thumb^( c-1 bf) g\thumb^( af-1 |
     29   g8\thumb) ef\thumb^( f-1 ef4.\thumb) | \break
     30 
     31 % bar 5
     32   f8-3^( g-3 af-3) af^( bf c) | \clef "treble"
     33   c8^( d! e) f4.\upbow |
     34   f8 c\thumb^( d-1 c\thumb) af\thumb^( bf-1 |
     35   af8\thumb) f\thumb^( g-1 f4.) | \break
     36 
     37 % bar 9
     38   d8\thumb^I g-3^( a-3 b-3) c-3^( d-3 |
     39   ef8-3) c-1^( ef-3 g4.-3) |
     40   ef,8\thumb^I af!-3^( bf-3 c) d^( ef |
     41   f8-3) df-1^( f af4.-3) | \break
     42 
     43 % bar 13
     44   e,8\thumb^I a-3( b-3 cs-3) d-3( e-3 |
     45   fs8-3) d-1( fs-3 a4.-3-0) |
     46   bf,!16\thumb^( bf'!-3) a,\thumb^( a'-3) af,\thumb^( af'-3)
     47   g,\thumb^( g'-3) f,\thumb^( f'-3) ef,\thumb^( ef'-3) | \break
     48 
     49 % bar 16
     50   d,16( d') c,( c') bf,( bf')
     51   af,( af') g,( g') f,\thumb( f'-3) | \clef "tenor"
     52   ef8-3^( f-3 g) g^( af bf) |
     53   bf8^( c d) ef4.\upbow | \break
     54 
     55 % bar 19
     56   ef8 bf16\thumb bf c8-1^( bf) g16\thumb g af8->^( |
     57   g8) ef16\thumb ef f8-1->^( ef4.) |
     58   f8-3^( g-3 af-3) af( bf c) | \clef "treble"
     59   c8( d! e) f4.\upbow | \break
     60 
     61 % bar 23
     62   f8 c16\thumb c df8-1->^( c8) af16\thumb af bf8-1->^( |
     63   af8) f16\thumb f g8-1->^( f4.\thumb) |
     64   f8\thumb bf,16^( bf') c,^( c')
     65   d,!^( d'!) ef,^( ef') f,^( f') | \break
     66 
     67 % bar 26
     68   g,16\thumb^( g'-3) bf,-2^( ef-1) g,\thumb^( g') bf4.-3 |
     69   fs16-1( a-3 gs-3 f-1 e-1 g-3
     70   fs-3 ds-1 d-1 f-3 e-3 cs-1 | \break
     71 
     72 % bar 28
     73   c!16-1) ef-3 d!-3 b-1 bf-1 df-3
     74   c!-3 a!-1 gs-1 b-3 bf-3 g-1 |
     75   \new Voice {
     76     \stemUp
     77     fs4.-1^( a-1) |
     78     c4.-1^~^( c4 b8-1) | \pageBreak
     79 
     80 % PAGE TWO
     81 
     82 % bar 31
     83     b2.-1 |
     84     b2.\upbow |
     85     b4.\thumb^( cs4-1 b8) |
     86     e4.-3^( b\thumb) |
     87     gs4.\thumb^( a4-1 gs8) |
     88     cs4.-3^( gs\thumb) | \break
     89 
     90 % bar 37
     91     a4.-1^( b\thumb) |
     92     cs2.-1 |
     93     fs4.-3^~^( fs4 cs8\thumb) |
     94     e2.\thumb-0 |
     95     f4.-3^~^( f4 c8\thumb) |
     96     ef2.\thumb | \bar "||" \key ef \major \break
     97 
     98 % bar 43
     99     ef4.-1^( c-1) |
    100     af4.-1^( f-1) | \clef "tenor"
    101     f2.\thumb |
    102     f2. \thumb |
    103     f2. |
    104     bf-3\fermata | \clef "bass" \bar "||" \break
    105   } % end of tremolos
    106 
    107 % bar 49
    108   ef,,8-3^III f-3 g-3 g-3 af-3 bf-3 |
    109   bf8-3( c-3 d-3) ef4.-3 | \clef "tenor"
    110   ef'8-3^I bf\thumb^( c-1 bf) g\thumb^( af-1 |
    111   g8\thumb) ef\thumb^( f-1 ef4.) | \clef "bass"
    112   f,8-3^III^( g-3 af-3) af-3^( bf-3 c-3) | \break
    113 
    114 % bar 54
    115   c8-3^( d!-3 e-3) f4. | \clef "treble"
    116   f'8-3^I c\thumb( df-1 c) af\thumb( bf-1 |
    117   af8\thumb) f\thumb( g f4.\thumb) |
    118   f8 s4 s4. | \break
    119 
    120 % bar 58
    121   s4. bf'4.-3 |
    122   fs16-1( a-3 gs-3 f-1 e!-1 g-3
    123   fs-3 ds-1 d-1 f-3 e-3 cs-1 |
    124   c!16) ef!-3( d!-3 b-1 bf-1 df-3
    125   c!-3 a-1 gs-1 b-3 bf-3 g-1) | \clef "tenor" \break
    126 
    127 % bar 61
    128   \new Voice {
    129     \stemUp
    130     fs2.-1 |
    131     g2.-1 |
    132     f!2.\thumb |
    133     f4.\thumb^( bf-3) |
    134     ef,4.-3^II f\thumb^I
    135   }
    136   g8\thumb( af-1 bf\thumb c-1) bf\thumb( d-2) | \break
    137 
    138 % bar 67
    139   \new Voice {
    140     \stemUp
    141     ef4.-3 bf-3 | \clef "bass"
    142     ef,4.^II
    143   }
    144   c8-1^( af-3^III f-1) | \clef "tenor"
    145   \new Voice {
    146     \stemUp
    147     ef'4.-3^II f\thumb^I |
    148   }
    149   g8\thumb( af-1 bf\thumb c-1) bf\thumb( d-2) |
    150   \new Voice {
    151     \stemUp
    152     ef8-3( d-2 ef-3) df-3( c-2 df-3) | \break
    153 
    154 % bar 72
    155     cf8-3( bf-2 cf-3) bf-3( a-2 bf-3) |
    156   }
    157   b4.-3~^( b4 fs8-.\thumb) |
    158   \repeat tremolo 12 { g!32-1\upbow( fs\thumb) } |
    159   \repeat tremolo 6 { b32-3\downbow( fs\thumb) }
    160   \repeat tremolo 6 { b32-3\upbow( fs\thumb) } |
    161   \new Voice {
    162     \stemUp
    163     <d^\thumb b'-1>2.\downbow | \break
    164 
    165 % bar 77
    166     <d^\thumb b'-1>8\upbow
    167   }
    168   r8 r r4 r8 | \tempo "Allegro vivo"
    169   r4 r8 \clef "bass" <ef, df'>4\downbow r8 |
    170   <ef c'>4\downbow r8 <f c'>4\downbow r8 |
    171   <g ef'>4\downbow r8 <f d'>4\downbow r8\! |
    172   \new Voice {
    173     \stemUp
    174     <g ef'>2.\downbow |
    175     <g_\upbow ef'>2. |
    176 % end
    177   }
    178 }
    179 
    180 bottom = \relative c {
    181   \global
    182 
    183 % bar 1
    184   ef8\f_"II"_\thumb f_\thumb g_\thumb g_\thumb af_\thumb bf_\thumb |
    185   bf8_\thumb c_\thumb d_\thumb ef4._\thumb |
    186   ef8_\thumb g_2 af_3 g ef_2 c_\thumb |
    187   ef8_2 c_2 af_\thumb c4._2 | \break
    188 
    189 % bar 5
    190   f,8_\thumb g_\thumb af_\thumb af bf c | \clef "treble"
    191   c8 d! e f4. |
    192   f8 af_2 bf_3 af_2 f_2 df_\thumb |
    193   f8_2 df_2 bf_\thumb df4. | \break
    194 
    195 % bar 9
    196   b8_2_II g_\thumb a_\thumb b_\thumb c_\thumb d_\thumb |
    197   ef8_\thumb g_2 ef_\thumb g4._\thumb |
    198   c,8_2_II af_\thumb bf_\thumb c df ef |
    199   f8_\thumb af_2 f_\thumb af4._\thumb | \break
    200 
    201 % bar 13
    202   cs,8_2_II a_\thumb b_\thumb c_\thumb d_\thumb e_\thumb |
    203   fs8_\thumb a_2 fs_\thumb a4._\thumb_0 |
    204   s2.\p\< | \break
    205 
    206 % bar 16
    207   s2.\< | \clef "tenor"
    208   ef,8\f_\thumb( f_\thumb g g af bf |
    209   bf8 c d ef4. | \break
    210 
    211 % bar 19
    212   ef8 g16 g af8_3_( g8_2) ef16_2 ef c8_\thumb_( |
    213   ef8) c16 c af8_\thumb_( c4._2) |
    214   f,8_\thumb g_\thumb af_\thumb af bf c | \clef "treble"
    215   c8 d! e f4. | \break
    216 
    217 % bar 23
    218   f8_\thumb af16_2 af bf8_3_( af) f16_2 f df8_\thumb_( |
    219   f8) df16_2 df bf8_\thumb_( df4._2 |
    220   d!8_2 s4\p\< s4. | \break
    221 
    222 % bar 26
    223   s4.\< bf'4._\thumb |
    224   a16\mf_\thumb c_2 b_2 gs_\thumb g_\thumb bf_2
    225   a!_2 fs_\thumb f_\thumb af_2 g!_2 e_\thumb | \break
    226 
    227 % bar 28
    228   ef!16\> gf_2_( f!_2 d_\thumb cs_\thumb e_2
    229   ef_2 c_\thumb b_\thumb d_2 df_2 bf_\thumb)\! |
    230   \new Voice {
    231     \stemDown
    232     \repeat tremolo 6 { a32_\thumb\p c_2 }
    233     \repeat tremolo 6 { c_\thumb ef_2 } |
    234     \repeat tremolo 6 { ds32_\thumb fs_2 }
    235     \repeat tremolo 6 { ds fs } | \pageBreak
    236 
    237 % bar 31
    238     \repeat tremolo 12 { ds32_\thumb fs_2 } |
    239     s2. | \bar "||" \key e \major
    240     \acciaccatura e8_\thumb \repeat tremolo 12 { gs32_2 e } |
    241     \repeat tremolo 12 { gs32 e } |
    242     \repeat tremolo 12 { e32_2 cs_\thumb } |
    243     \repeat tremolo 12 { e32_2 cs_\thumb } | \break
    244 
    245 % bar 37
    246     \repeat tremolo 6 { cs32\<_( e_2 }
    247     \repeat tremolo 6 { e_\thumb gs_2)} |
    248     \repeat tremolo 12 { e32_\thumb a_3 } |
    249     \repeat tremolo 12 { as32_2\mf fs_\thumb } |
    250     \acciaccatura a!8_\thumb_0 \repeat tremolo 12 { c32_2\p a_\thumb } |
    251     \repeat tremolo 12 { a32_2\mf\< f_\thumb } |
    252     \acciaccatura af8_\thumb
    253     \repeat tremolo 12 { cf32_2\p af_\thumb } | \bar "||" \key ef \major \break
    254 
    255 % bar 43
    256     \repeat tremolo 6 { g32_\thumb bf_2 }
    257     \repeat tremolo 6 { ef,_\thumb g_2 } |
    258     \repeat tremolo 6 { c,32_\thumb ef_2 }
    259     \repeat tremolo 6 { af,_\thumb c_2 } | \clef "tenor"
    260     \repeat tremolo 12 { bf32_\thumb ef_3 } |
    261     \repeat tremolo 6 { bf32_\thumb d_2 }
    262     \repeat tremolo 6 { bf_\thumb c_1 } |
    263     \repeat tremolo 12 { bf32 d } |
    264     d2._2 | \clef "bass" \bar "||" \break
    265   } % end of tremolos
    266 
    267 % bar 49
    268   ef,,8\f_\thumb_"IV"_( f_\thumb g_\thumb) g_\thumb( af_\thumb bf_\thumb) |
    269   bf8_\thumb c_\thumb d_\thumb ef4. | \clef "tenor"
    270   ef'8_"II"_\thumb g_2 af_3 g ef_2 c_\thumb |
    271   ef8_2 c_2 af_\thumb c4. | \clef "bass"
    272   f,,8_\thumb_"IV" g_\thumb af_\thumb af_\thumb bf_\thumb c_\thumb | \break
    273 
    274 % bar 54
    275   c8_\thumb d!_\thumb e_\thumb f4. | \clef "treble"
    276   f'8_\thumb af_2 bf_3 af f_2 df_\thumb |
    277   f8_2 df_2 bf_\thumb df4._2 |
    278   d!8 bf16_\thumb( bf'-3) c,_\thumb( c')
    279   d,_\thumb( d'!) ef,_\thumb( ef') f,_\thumb( f') | \break
    280 
    281 % bar 58
    282   g,16\thumb( g'-3) bf,-2( ef-1) g,( g'-3) bf,4._\thumb |
    283   a16\mf_\thumb c_2 b_2 gs_\thumb g_\thumb bf_2
    284   a!_2 fs_\thumb f_\thumb af_2 g!_2 e_\thumb |
    285   ef16_\thumb\> gf_2 f!_2 d_\thumb cs_\thumb e_2
    286   ef_2 c_\thumb b_\thumb d_2 df_2 bf_\thumb\! | \clef "tenor" \break
    287 
    288 % bar 61
    289   \new Voice {
    290     \stemDown
    291     \repeat tremolo 12 { a32_\thumb\< c_2 } |
    292     \repeat tremolo 12 { bf32_\thumb ef_3 } |
    293     \repeat tremolo 12 { bf32_\thumb ef_3 } |
    294     \repeat tremolo 12 { bf32_\thumb ef_2 } |
    295     ef,8\f_"III"_\thumb( f_1 g_2) bf_"III"_\thumb( c_1 d_2) |
    296   }
    297   ef8_2 f_3 g_2 af_3 g_2 f_1 | \break
    298 
    299 % bar 67
    300   \new Voice {
    301     \stemDown
    302     g8_2( f_1 ef_\thumb) d_2( c_1 bf_\thumb) | \clef "bass"
    303     g8_2_III( f_1 ef_\thumb)
    304   }
    305   af8_3 c,_2_IV af_\thumb | \clef "tenor"
    306   \new Voice {
    307     \stemDown
    308     ef'8_\thumb_"III"( f_1 g_2) bf_\thumb_"II"( c_1 d_2) |
    309   }
    310   ef8_2 f_3 g_2 af_3 g_2 f_1 |
    311   \new Voice {
    312     \stemDown
    313     ef4._\thumb df_\thumb | \break
    314 
    315 % bar 72
    316     cf4._\thumb bf_\thumb |
    317   }
    318   b4. b4 b8_\thumb |
    319   \repeat tremolo 12 { ds32_3\< b!_\thumb } |
    320   \repeat tremolo 6 { ds32_2\f b!_\thumb }
    321   \repeat tremolo 6 { ds32_2 b_\thumb } |
    322   \new Voice {
    323     \stemDown
    324     g,!2._0\ff | \break
    325 
    326 % bar 77
    327     g8_"pizz."\fff
    328   }
    329   r8 r r4 r8 | \tempo "Allegro vivo"
    330   r4 r8 \clef "bass"
    331   g4\f r8 |
    332   af4\< r8 a4 r8 |
    333   bf4 r8 bf4 r8\! |
    334   \new Voice {
    335     \stemDown
    336     <ef, bf'>4\ff s2 |
    337     s2. |
    338   }
    339   ef2.~\downbow | ef4 r8 \bar "|." \pageBreak
    340 % end
    341 }
    342 
    343 \score {
    344   \new Voice << \top \bottom >>
    345   \header {
    346     title = "13"
    347   }
    348   \layout { }
    349   \midi { }
    350 }
    351 
    352 % Local Variables:
    353 % compile-command: "make -B 13.pdf"
    354 % End:
    355 
    356