13.ly (8957B)
1 \version "2.20" 2 \language "english" 3 4 \paper { 5 print-all-headers = ##t 6 tagline = ##f 7 } 8 9 %% Commentary: 10 % Similarly to nine.ly, most of this etude is double stops. Where 11 % there is only one part, it is written as though it were in the top 12 % part, with spacers in the bottom. 13 14 global = { 15 \tempo "Allegro molto moderato" 16 \key ef \major 17 \time 6/8 18 \clef "tenor" 19 \autoPageBreaksOff 20 } 21 22 top = \relative c' { 23 \global 24 25 % bar 1 26 ef8-3^I^( f-3 g-3) g^( af-3 bf-3) | 27 bf8-3^( c-3 d-3) ef4.-3\upbow | 28 ef8 bf\thumb^( c-1 bf) g\thumb^( af-1 | 29 g8\thumb) ef\thumb^( f-1 ef4.\thumb) | \break 30 31 % bar 5 32 f8-3^( g-3 af-3) af^( bf c) | \clef "treble" 33 c8^( d! e) f4.\upbow | 34 f8 c\thumb^( d-1 c\thumb) af\thumb^( bf-1 | 35 af8\thumb) f\thumb^( g-1 f4.) | \break 36 37 % bar 9 38 d8\thumb^I g-3^( a-3 b-3) c-3^( d-3 | 39 ef8-3) c-1^( ef-3 g4.-3) | 40 ef,8\thumb^I af!-3^( bf-3 c) d^( ef | 41 f8-3) df-1^( f af4.-3) | \break 42 43 % bar 13 44 e,8\thumb^I a-3( b-3 cs-3) d-3( e-3 | 45 fs8-3) d-1( fs-3 a4.-3-0) | 46 bf,!16\thumb^( bf'!-3) a,\thumb^( a'-3) af,\thumb^( af'-3) 47 g,\thumb^( g'-3) f,\thumb^( f'-3) ef,\thumb^( ef'-3) | \break 48 49 % bar 16 50 d,16( d') c,( c') bf,( bf') 51 af,( af') g,( g') f,\thumb( f'-3) | \clef "tenor" 52 ef8-3^( f-3 g) g^( af bf) | 53 bf8^( c d) ef4.\upbow | \break 54 55 % bar 19 56 ef8 bf16\thumb bf c8-1^( bf) g16\thumb g af8->^( | 57 g8) ef16\thumb ef f8-1->^( ef4.) | 58 f8-3^( g-3 af-3) af( bf c) | \clef "treble" 59 c8( d! e) f4.\upbow | \break 60 61 % bar 23 62 f8 c16\thumb c df8-1->^( c8) af16\thumb af bf8-1->^( | 63 af8) f16\thumb f g8-1->^( f4.\thumb) | 64 f8\thumb bf,16^( bf') c,^( c') 65 d,!^( d'!) ef,^( ef') f,^( f') | \break 66 67 % bar 26 68 g,16\thumb^( g'-3) bf,-2^( ef-1) g,\thumb^( g') bf4.-3 | 69 fs16-1( a-3 gs-3 f-1 e-1 g-3 70 fs-3 ds-1 d-1 f-3 e-3 cs-1 | \break 71 72 % bar 28 73 c!16-1) ef-3 d!-3 b-1 bf-1 df-3 74 c!-3 a!-1 gs-1 b-3 bf-3 g-1 | 75 \new Voice { 76 \stemUp 77 fs4.-1^( a-1) | 78 c4.-1^~^( c4 b8-1) | \pageBreak 79 80 % PAGE TWO 81 82 % bar 31 83 b2.-1 | 84 b2.\upbow | 85 b4.\thumb^( cs4-1 b8) | 86 e4.-3^( b\thumb) | 87 gs4.\thumb^( a4-1 gs8) | 88 cs4.-3^( gs\thumb) | \break 89 90 % bar 37 91 a4.-1^( b\thumb) | 92 cs2.-1 | 93 fs4.-3^~^( fs4 cs8\thumb) | 94 e2.\thumb-0 | 95 f4.-3^~^( f4 c8\thumb) | 96 ef2.\thumb | \bar "||" \key ef \major \break 97 98 % bar 43 99 ef4.-1^( c-1) | 100 af4.-1^( f-1) | \clef "tenor" 101 f2.\thumb | 102 f2. \thumb | 103 f2. | 104 bf-3\fermata | \clef "bass" \bar "||" \break 105 } % end of tremolos 106 107 % bar 49 108 ef,,8-3^III f-3 g-3 g-3 af-3 bf-3 | 109 bf8-3( c-3 d-3) ef4.-3 | \clef "tenor" 110 ef'8-3^I bf\thumb^( c-1 bf) g\thumb^( af-1 | 111 g8\thumb) ef\thumb^( f-1 ef4.) | \clef "bass" 112 f,8-3^III^( g-3 af-3) af-3^( bf-3 c-3) | \break 113 114 % bar 54 115 c8-3^( d!-3 e-3) f4. | \clef "treble" 116 f'8-3^I c\thumb( df-1 c) af\thumb( bf-1 | 117 af8\thumb) f\thumb( g f4.\thumb) | 118 f8 s4 s4. | \break 119 120 % bar 58 121 s4. bf'4.-3 | 122 fs16-1( a-3 gs-3 f-1 e!-1 g-3 123 fs-3 ds-1 d-1 f-3 e-3 cs-1 | 124 c!16) ef!-3( d!-3 b-1 bf-1 df-3 125 c!-3 a-1 gs-1 b-3 bf-3 g-1) | \clef "tenor" \break 126 127 % bar 61 128 \new Voice { 129 \stemUp 130 fs2.-1 | 131 g2.-1 | 132 f!2.\thumb | 133 f4.\thumb^( bf-3) | 134 ef,4.-3^II f\thumb^I 135 } 136 g8\thumb( af-1 bf\thumb c-1) bf\thumb( d-2) | \break 137 138 % bar 67 139 \new Voice { 140 \stemUp 141 ef4.-3 bf-3 | \clef "bass" 142 ef,4.^II 143 } 144 c8-1^( af-3^III f-1) | \clef "tenor" 145 \new Voice { 146 \stemUp 147 ef'4.-3^II f\thumb^I | 148 } 149 g8\thumb( af-1 bf\thumb c-1) bf\thumb( d-2) | 150 \new Voice { 151 \stemUp 152 ef8-3( d-2 ef-3) df-3( c-2 df-3) | \break 153 154 % bar 72 155 cf8-3( bf-2 cf-3) bf-3( a-2 bf-3) | 156 } 157 b4.-3~^( b4 fs8-.\thumb) | 158 \repeat tremolo 12 { g!32-1\upbow( fs\thumb) } | 159 \repeat tremolo 6 { b32-3\downbow( fs\thumb) } 160 \repeat tremolo 6 { b32-3\upbow( fs\thumb) } | 161 \new Voice { 162 \stemUp 163 <d^\thumb b'-1>2.\downbow | \break 164 165 % bar 77 166 <d^\thumb b'-1>8\upbow 167 } 168 r8 r r4 r8 | \tempo "Allegro vivo" 169 r4 r8 \clef "bass" <ef, df'>4\downbow r8 | 170 <ef c'>4\downbow r8 <f c'>4\downbow r8 | 171 <g ef'>4\downbow r8 <f d'>4\downbow r8\! | 172 \new Voice { 173 \stemUp 174 <g ef'>2.\downbow | 175 <g_\upbow ef'>2. | 176 % end 177 } 178 } 179 180 bottom = \relative c { 181 \global 182 183 % bar 1 184 ef8\f_"II"_\thumb f_\thumb g_\thumb g_\thumb af_\thumb bf_\thumb | 185 bf8_\thumb c_\thumb d_\thumb ef4._\thumb | 186 ef8_\thumb g_2 af_3 g ef_2 c_\thumb | 187 ef8_2 c_2 af_\thumb c4._2 | \break 188 189 % bar 5 190 f,8_\thumb g_\thumb af_\thumb af bf c | \clef "treble" 191 c8 d! e f4. | 192 f8 af_2 bf_3 af_2 f_2 df_\thumb | 193 f8_2 df_2 bf_\thumb df4. | \break 194 195 % bar 9 196 b8_2_II g_\thumb a_\thumb b_\thumb c_\thumb d_\thumb | 197 ef8_\thumb g_2 ef_\thumb g4._\thumb | 198 c,8_2_II af_\thumb bf_\thumb c df ef | 199 f8_\thumb af_2 f_\thumb af4._\thumb | \break 200 201 % bar 13 202 cs,8_2_II a_\thumb b_\thumb c_\thumb d_\thumb e_\thumb | 203 fs8_\thumb a_2 fs_\thumb a4._\thumb_0 | 204 s2.\p\< | \break 205 206 % bar 16 207 s2.\< | \clef "tenor" 208 ef,8\f_\thumb( f_\thumb g g af bf | 209 bf8 c d ef4. | \break 210 211 % bar 19 212 ef8 g16 g af8_3_( g8_2) ef16_2 ef c8_\thumb_( | 213 ef8) c16 c af8_\thumb_( c4._2) | 214 f,8_\thumb g_\thumb af_\thumb af bf c | \clef "treble" 215 c8 d! e f4. | \break 216 217 % bar 23 218 f8_\thumb af16_2 af bf8_3_( af) f16_2 f df8_\thumb_( | 219 f8) df16_2 df bf8_\thumb_( df4._2 | 220 d!8_2 s4\p\< s4. | \break 221 222 % bar 26 223 s4.\< bf'4._\thumb | 224 a16\mf_\thumb c_2 b_2 gs_\thumb g_\thumb bf_2 225 a!_2 fs_\thumb f_\thumb af_2 g!_2 e_\thumb | \break 226 227 % bar 28 228 ef!16\> gf_2_( f!_2 d_\thumb cs_\thumb e_2 229 ef_2 c_\thumb b_\thumb d_2 df_2 bf_\thumb)\! | 230 \new Voice { 231 \stemDown 232 \repeat tremolo 6 { a32_\thumb\p c_2 } 233 \repeat tremolo 6 { c_\thumb ef_2 } | 234 \repeat tremolo 6 { ds32_\thumb fs_2 } 235 \repeat tremolo 6 { ds fs } | \pageBreak 236 237 % bar 31 238 \repeat tremolo 12 { ds32_\thumb fs_2 } | 239 s2. | \bar "||" \key e \major 240 \acciaccatura e8_\thumb \repeat tremolo 12 { gs32_2 e } | 241 \repeat tremolo 12 { gs32 e } | 242 \repeat tremolo 12 { e32_2 cs_\thumb } | 243 \repeat tremolo 12 { e32_2 cs_\thumb } | \break 244 245 % bar 37 246 \repeat tremolo 6 { cs32\<_( e_2 } 247 \repeat tremolo 6 { e_\thumb gs_2)} | 248 \repeat tremolo 12 { e32_\thumb a_3 } | 249 \repeat tremolo 12 { as32_2\mf fs_\thumb } | 250 \acciaccatura a!8_\thumb_0 \repeat tremolo 12 { c32_2\p a_\thumb } | 251 \repeat tremolo 12 { a32_2\mf\< f_\thumb } | 252 \acciaccatura af8_\thumb 253 \repeat tremolo 12 { cf32_2\p af_\thumb } | \bar "||" \key ef \major \break 254 255 % bar 43 256 \repeat tremolo 6 { g32_\thumb bf_2 } 257 \repeat tremolo 6 { ef,_\thumb g_2 } | 258 \repeat tremolo 6 { c,32_\thumb ef_2 } 259 \repeat tremolo 6 { af,_\thumb c_2 } | \clef "tenor" 260 \repeat tremolo 12 { bf32_\thumb ef_3 } | 261 \repeat tremolo 6 { bf32_\thumb d_2 } 262 \repeat tremolo 6 { bf_\thumb c_1 } | 263 \repeat tremolo 12 { bf32 d } | 264 d2._2 | \clef "bass" \bar "||" \break 265 } % end of tremolos 266 267 % bar 49 268 ef,,8\f_\thumb_"IV"_( f_\thumb g_\thumb) g_\thumb( af_\thumb bf_\thumb) | 269 bf8_\thumb c_\thumb d_\thumb ef4. | \clef "tenor" 270 ef'8_"II"_\thumb g_2 af_3 g ef_2 c_\thumb | 271 ef8_2 c_2 af_\thumb c4. | \clef "bass" 272 f,,8_\thumb_"IV" g_\thumb af_\thumb af_\thumb bf_\thumb c_\thumb | \break 273 274 % bar 54 275 c8_\thumb d!_\thumb e_\thumb f4. | \clef "treble" 276 f'8_\thumb af_2 bf_3 af f_2 df_\thumb | 277 f8_2 df_2 bf_\thumb df4._2 | 278 d!8 bf16_\thumb( bf'-3) c,_\thumb( c') 279 d,_\thumb( d'!) ef,_\thumb( ef') f,_\thumb( f') | \break 280 281 % bar 58 282 g,16\thumb( g'-3) bf,-2( ef-1) g,( g'-3) bf,4._\thumb | 283 a16\mf_\thumb c_2 b_2 gs_\thumb g_\thumb bf_2 284 a!_2 fs_\thumb f_\thumb af_2 g!_2 e_\thumb | 285 ef16_\thumb\> gf_2 f!_2 d_\thumb cs_\thumb e_2 286 ef_2 c_\thumb b_\thumb d_2 df_2 bf_\thumb\! | \clef "tenor" \break 287 288 % bar 61 289 \new Voice { 290 \stemDown 291 \repeat tremolo 12 { a32_\thumb\< c_2 } | 292 \repeat tremolo 12 { bf32_\thumb ef_3 } | 293 \repeat tremolo 12 { bf32_\thumb ef_3 } | 294 \repeat tremolo 12 { bf32_\thumb ef_2 } | 295 ef,8\f_"III"_\thumb( f_1 g_2) bf_"III"_\thumb( c_1 d_2) | 296 } 297 ef8_2 f_3 g_2 af_3 g_2 f_1 | \break 298 299 % bar 67 300 \new Voice { 301 \stemDown 302 g8_2( f_1 ef_\thumb) d_2( c_1 bf_\thumb) | \clef "bass" 303 g8_2_III( f_1 ef_\thumb) 304 } 305 af8_3 c,_2_IV af_\thumb | \clef "tenor" 306 \new Voice { 307 \stemDown 308 ef'8_\thumb_"III"( f_1 g_2) bf_\thumb_"II"( c_1 d_2) | 309 } 310 ef8_2 f_3 g_2 af_3 g_2 f_1 | 311 \new Voice { 312 \stemDown 313 ef4._\thumb df_\thumb | \break 314 315 % bar 72 316 cf4._\thumb bf_\thumb | 317 } 318 b4. b4 b8_\thumb | 319 \repeat tremolo 12 { ds32_3\< b!_\thumb } | 320 \repeat tremolo 6 { ds32_2\f b!_\thumb } 321 \repeat tremolo 6 { ds32_2 b_\thumb } | 322 \new Voice { 323 \stemDown 324 g,!2._0\ff | \break 325 326 % bar 77 327 g8_"pizz."\fff 328 } 329 r8 r r4 r8 | \tempo "Allegro vivo" 330 r4 r8 \clef "bass" 331 g4\f r8 | 332 af4\< r8 a4 r8 | 333 bf4 r8 bf4 r8\! | 334 \new Voice { 335 \stemDown 336 <ef, bf'>4\ff s2 | 337 s2. | 338 } 339 ef2.~\downbow | ef4 r8 \bar "|." \pageBreak 340 % end 341 } 342 343 \score { 344 \new Voice << \top \bottom >> 345 \header { 346 title = "13" 347 } 348 \layout { } 349 \midi { } 350 } 351 352 % Local Variables: 353 % compile-command: "make -B 13.pdf" 354 % End: 355 356