12.ly (8432B)
1 \version "2.20" 2 \language "english" 3 4 \paper { 5 print-all-headers = ##t 6 tagline = ##f 7 } 8 9 twelve = \relative c'' { 10 \tempo "Allegro" 11 \key c \major 12 \time 4/4 13 \clef "treble" 14 \autoPageBreaksOff % Lilypond was trying to put the last line on its own page 15 16 % bar 1 17 c16\f-3( g\thumb e-2 c\thumb ds-1-> fs-3 a-1 c-3) 18 c( g\thumb e c d-> f a c) | 19 c16( g\thumb e c\thumb e\thumb g-2 c-1 e-3) 20 e( c g e g\thumb c-3 e-1 g-3) | \break 21 22 % bar 3 23 g16-3( d\thumb b-2 g\thumb as-1-> cs-3 e-1 g-3) 24 g( d b g as-> cs e g) | 25 g16( d b g d\thumb g-3 b-1 d-3) 26 d( b g d b\thumb d-2 g-1 b-3) | \break 27 28 % bar 5 29 b16( g-1 f\thumb d-2-II f-2 g-3 b-1_I d-3) 30 d( c g e-1_II g-1 c\thumb_"I" f-3 e) | 31 e16-2( cs-2 a\thumb g-3 e-1 g a cs-2 32 e-2) d-1( a-2 f\thumb a-2 d-1 e-2 f-3) | \break 33 34 % bar 7 35 f16-3( d-1 b'-3 a-2 f-2 d\thumb b-2_II a-1 36 f-2) d-0\thumb( b'-1_I a-0\thumb \clef "bass" f-2_II d-0\thumb b-3 a-1 | 37 f16-2) d-0( b'-3 a-1 f-2 d-0 b-3_III a 38 f-4_IV) d-1( b'-3 a g-0 a'-4_II fs-1 g-2) | \break 39 % allow fermata to be at end of line 40 \once \override Score.RehearsalMark.break-visibility = #begin-of-line-invisible 41 \mark \markup{ \fermata } 42 43 % bar 9 44 c16-4->_II\f( e-1_I g-4 e b-3->_II e_"I" g e) 45 a,-0->( e' g e b-3->_II e_"I" g e) | 46 c16-4->( e g e b-3-> e g e) 47 a,-0->( e'-1 g e b-3-> e g e) | \break 48 49 % bar 11 50 c16-4( e g-4 e \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble" 51 e'-3-0) b-2( c-3 g\thumb a e g c,\thumb) | \clef "bass" 52 c16\thumb( e-2 g\thumb e-2 \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble" 53 e'-3-0) b-2( c-3 g\thumb a e g c,\thumb) | \break 54 55 % bar 13 56 d16_>-2_II( f\thumb_"I" a-2 f cs_>-1_II f_"I" a f) 57 c_>-1( f a f cs_>-1 f a f) | 58 d16_>-2( f-0 a-2 f cs_>-1 f a f) 59 c_>-1( f a f cs_>-1 f a f) | \pageBreak 60 61 % PAGE TWO 62 63 % bar 15 64 d16-2_II( f\thumb_"I" a-2 f\thumb bf-1 a\thumb d-3 a 65 f'-4) cs-2( d-3 a\thumb b-1 f-2 a\thumb d,\thumb) | 66 d16\thumb-0_II( f-2 a\thumb-0 f-2 bf-1 a\thumb d-3 a 67 f'-4) cs-2( d-3 a\thumb b-1 f-2 a\thumb d,\thumb) | \break 68 69 % bar 17 70 d16_>-2_II( f\thumb_"I" b!-3 f cs_>-1_II f\thumb b-3 f) 71 d_>-2( f\thumb b f e_>-3 f\thumb b f) | 72 d16_>-2( f\thumb b! f cs_>-1 f\thumb b f) 73 d_>-2( f\thumb b f e_>-3 f\thumb b-3 f) | \break 74 75 % bar 19 76 d16( f\thumb_"I" b!-3 f d'-3 b-1 f'!-3 d-1 77 b-1 d-3 b g-3_II f-2 g-3 f d\thumb-0) | 78 d16\thumb( f-2 b-1 f d'-3 b f'-3 d 79 b-1 d b g-3 f-2 g f d\thumb) | \break 80 81 % bar 21 82 e16_>-2_II( g\thumb_"I" c-3 g ds_>-1 g\thumb c g) 83 e_>-2( g\thumb c g f_>-3 a-1 c-3 a) | 84 e16_>-2( g\thumb c g ds_>-1 g\thumb c g) 85 e_>-2( g\thumb c g f_>-2 a-1 c-3 a) | \break 86 87 % bar 23 88 e16-2( g\thumb c-3 g\thumb e'-2 c\thumb g'-4 e-2 89 c\thumb) f-3( df-1c af\thumb c-2 af f_"II" | 90 d!16-2) f\thumb_"I"( bf-3 f d'-2 bf\thumb f'-4 d 91 bf\thumb) ef-3( c-1 bf\thumb g\thumb bf-2 g\thumb ef-2_II | \break 92 93 % bar 25 94 c16-2) ef\thumb_"I"( af-3 ef c'-2 af\thumb ef'-4 c-2 95 af\thumb) df-3( bf-1 af\thumb f\thumb af-2 f df-3_II | 96 b!16-2) d!\thumb_"I"( g-3 d b'!-2 g\thumb d'!-4 b 97 g\thumb) c-3( af-1 g\thumb ef\thumb g-2 ef c-2_II | \break 98 99 % bar 27 100 af16-2) c\thumb^I( ef-2 c af'-3 ef\thumb c'-2 af\thumb 101 g\thumb df'-3 bf-2 g ff-3_II df-1 bf-3_III g-1) | 102 af16-2( c\thumb_"II" ef c af'-1_I ef-2_II c'-3_I af-1 103 g\thumb) df'-3( bf-2 g\thumb ff-3_II df-1 bf-3_III g-1) | \break 104 105 % bar 29 106 af16-2( c\thumb_"II" ef-2 c af'-1_I ef-2_II c'-3_I af-1 107 ef'-3) c-1( af'-3 ef-1 c'-2 af-1 ef'-2 c-1) | 108 af'2.-3\fermata r4 | \pageBreak 109 110 % PAGE THREE 111 112 % bar 31 113 af,,16-3_I\downbow\mf( g-2 fs-1 ef' d-2 b!\thumb fs!-1_II g-2 114 gf-3) f( e! df'-3_I c-2 a\thumb-0 e-1_II f | 115 ff16-3) ef-2\dim( d-1 cf'-3_I bf-2 g\thumb d!-1_II ef-2 116 d-3) cs-2( c-1 a'-3_I af-2 f\thumb c-1_II df-2 | \break 117 118 % bar 33 119 c16-3\!) b!-2\<( bf-1 g'-3_I fs-2 ef-1 \clef "bass" c-2 a-0 120 fs-3) ef( c-4 a-1 fs-4 ef-1 c-0 a'-1) | 121 g16_0( c e g b-1 c a'_2_0 g_4) 122 g,,_0( cs_4 e a_0 cs_1 e bf'_3 a) | \break 123 124 % bar 35 125 g,,16-0( d' f-2 a-0 d-1 f bf a) 126 g,,-0( d'-0 f-2 b!-1 d-1 f \clef "treble" c'-3 b-2) | 127 c16-3\f( g\thumb e-2 c\thumb ds->-1 fs-3 a-1 c-3) 128 c( g\thumb e c ds-> fs a c) | \break 129 130 % bar 37 131 c16( g e c e\thumb g-2 c-1 e-3) 132 e( c g e\thumb g\thumb c-3 e-1 g-3) | 133 g16( d\thumb b-2 g\thumb as-1-> cs-3 e-1 g-3) 134 g( d b g a-> c e g) | \break 135 136 % bar 39 137 g16( d b g d\thumb-0 g-3 b-1 d-3) 138 d( b g d b\thumb d-2 g-1 b-3) | 139 b16( g f\thumb d-2_II f-2 g-3 b-1_I d-3) 140 d( c g e-1_II g-1 c\thumb_"I" f-3 e) | \break 141 142 % bar 41 143 e16-2( cs-2 a\thumb-0 g-3 e-1 g a c-2 144 e-2-0) d-1( a-2 f\thumb a-2 d-1 e-2 f-3) | 145 f16-3( d-1 b'-3 a-2 f-2 d\thumb b-2_II a-1 146 f-2) d\thumb( b'-1_I a-0\thumb \clef "bass" f-2_II d\thumb b-3 a-1 | \break 147 148 % bar 43 149 f16-2) d-0( b'-3 a-1 f-2 d b-3_III a 150 f-4) d-1( b'-3 a g a'-4 fs-1 g-2) | \mark \markup { \fermata } 151 c16->-4_II( e-1_I g e b->-3_II e_"I" g e) 152 a,->-0( e'-1 g e b->-3_II e_"I" g e) | \break 153 154 % bar 45 155 c16->( e g e b-> e g e) 156 a,->-0( e'-1 g e b-> e g e) | 157 c16-4( e g-4 e \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble" 158 e'-3-0) b-2( c-3 g\thumb a e g c,\thumb) | \clef "bass" \break 159 160 % bar 47 161 c16\thumb( e-2 g\thumb e-2 \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble" 162 e'-0-3) b-2( c-3 g\thumb a-1 e-2 g\thumb c,\thumb) | 163 d16_>-2_II( f\thumb_"I" a-2 f cs_>-1 f a f) 164 c-1_>( f a f cs-1_> f a f) | \break 165 166 % bar 49 167 d16-2_>_II( f_"I" a f cs_>-1 f a f) 168 c_>-1( f a f cs_>-1 f a f) | 169 d16_2( f_\thumb a_2 f_\thumb bf-1 a\thumb-0 d a 170 f'-4) cs-2( d-3 a\thumb-0 b-1 f-2 a\thumb d,\thumb) | \break 171 172 % bar 51 173 d16_0_\thumb( f_2 a_\thumb f bf-1 a d-3 a 174 f'-4) cs-2( d-3 a\thumb-0 b_1 f_2 a_\thumb d,_\thumb) | 175 d16_>-2_II( f_1\thumb b!-3 f cs_>-1 f\thumb b-3 f) 176 d_>-2( f b f e_>-3 f b f) | \pageBreak 177 178 % PAGE FOUR 179 180 % bar 53 181 d16_>_II( f_"I" b! f cs_> f b f) 182 d_>( f b f e_> f b f) | 183 d16( f\thumb b!-3 f d'-3 b-1 f'-3 d-1 184 b-1 d-3 b g-3 f-2_II g-2 f d\thumb-0) | \break 185 186 % bar 55 187 d16\thumb-0( f-2 b!-1 f d'-3 b-1 f'-3 d-1 188 b-1 d-3 b g-3 f-2_II g-3 f d\thumb-0) | 189 e16_>-2_II( g\thumb_"I" c-3 g ds_>-1 g\thumb c g) 190 e_>-2( g c g f_>-3 a-1 c-3 a) | \break 191 192 % bar 57 193 e16_>_II( g_"I" c g ds_> g c g) 194 e_>( g c g f_> a c a ) | 195 e16_2( g_\thumb c_3 g e'-3 c\thumb g'-4 e-2 196 c\thumb) f-3( df-1 c\thumb af\thumb c-2 af f-2_II | \break 197 198 % bar 59 199 d!16-2) f\thumb_"I"( bf-3 f d'-2 bf\thumb f'-4 d 200 bf\thumb) ef-3( c-1 bf\thumb g\thumb bf-2 g\thumb ef-2_II | 201 c16-2) ef\thumb_"I"( af-3 ef c'-2 af\thumb ef'-4 c-2 202 af\thumb) df-3( bf-1 af f\thumb af-2 f df-2_II | \break 203 204 % bar 61 205 b!16-2) d!\thumb-0_I( g-3 d b'!-2 g\thumb d'!-4 b 206 g) c-3( af-1 g\thumb ef\thumb g-2 ef c-2_II | 207 af16-2) c\thumb_"I"( ef-2 c f-1 ef\thumb af ef\thumb 208 a,-1_II) gf'-3_I( f-2 df'-3 c a\thumb-0 f-2_II a,-1) | \break 209 210 % bar 63 211 bf16-2( df\thumb_"I" f-2 df gf-1 f\thumb bf-3 f 212 b,-1_II) af'-3_I( g-2 ef'-3 d-2 b\thumb g-2_II b,-1) | 213 c16-2( ef\thumb_"I" g-2 ef af-1 g\thumb c-3 g\thumb 214 cs,-1_II) bf'-3_I( a-2 f'-3 e cs\thumb a-2_II g-1) | \break 215 216 % bar 65 217 f!16\thumb( e'-2 d-1 a'-4) e,\thumb( d'-2 c!-1 g'-4) 218 d,\thumb( c'-2 b!-1 f'-4) c,\thumb( b'-2 a-1 e'-4) | 219 b,16\thumb( a'-2 g-1 d'-3 c-2 a\thumb-0 e-1_II fs-2 220 g-3) fs-2( f-2 d\thumb-0 \clef "bass" b-2_III g-0\thumb f-3_IV d-1) | \break 221 222 % bar 67 223 c16\f-0_IV\thumb( e-2 g-0_III\thumb b-2 \clef "tenor" c-3 e-1_II g-3 c-2_I 224 df-3) bf-1( af\thumb f-2_II df\thumb bf-2_III af-1 f-3_IV) | 225 d!16-1\<( fs-3 a!-1_III cs-3 d!\thumb-0_II fs a\thumb_"I" d-3 226 ef-3) c-1( bf\thumb g-2_II ef\thumb c-2_III bf-1 g-3_IV) | \break 227 228 % bar 69 229 e16-1( gs-3 b-1_III ds-3 e!\thumb_"II" gs-2 \clef "treble" b!\thumb_"I" e!-3 230 f!-3) d-1( c\thumb a-2_II f\thumb d-2_III c-1 a-1) | 231 g16\thumb( g'-3_II fs-2 g a-0\thumb g-3 fs g 232 gs-3) gs( a\thumb) a( bf-1) bf( b-2) b( | \break 233 234 % bar 71 235 c16_3\ff)( g_\thumb e_2 c ds_>_1 fs_3 a_1 c_3) 236 c( g e c ds_> fs a c) | 237 c16( g e c e_\thumb g_2 c_1 e_3) 238 e( c g e g\thumb c-3 e-1 g-3) | \break 239 240 % bar 73 241 g16( e c g c\thumb e-2 g\thumb c-3) 242 c\upbow( g e c) c\downbow( e g c) | 243 c16\ff\upbow 244 << 245 { 246 c-3\downbow( b-3 a-3 g-3 f-3 e-3 d \clef "tenor" 247 c-3) c\upbow( b-3 a-3 g-3 f-3 e-3 d-3) | 248 } 249 { 250 c'_\thumb b_\thumb a_\thumb g_\thumb f_\thumb e_\thumb d_\thumb \clef "tenor" 251 c_\thumb c b_\thumb a_\thumb g_\thumb f_\thumb e_\thumb d_\thumb | 252 } 253 >> 254 \clef "bass" <c,_0 c'-4>1\fermata \bar "|." \pageBreak 255 % end 256 } 257 258 \score { 259 \new Staff \twelve 260 \header { 261 title = "12" 262 } 263 \layout { } 264 \midi {} 265 } 266 267 % Local Variables: 268 % compile-command: "make -B 12.pdf" 269 % End: