popper

Popper ├ętudes 1-20
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12.ly (8432B)


      1 \version "2.20"
      2 \language "english"
      3 
      4 \paper {
      5   print-all-headers = ##t
      6   tagline = ##f
      7 }
      8 
      9 twelve = \relative c'' {
     10   \tempo "Allegro"
     11   \key c \major
     12   \time 4/4
     13   \clef "treble"
     14   \autoPageBreaksOff % Lilypond was trying to put the last line on its own page
     15 
     16 % bar 1
     17   c16\f-3( g\thumb e-2 c\thumb ds-1-> fs-3 a-1 c-3)
     18   c( g\thumb e c d-> f a c) |
     19   c16( g\thumb e c\thumb e\thumb g-2 c-1 e-3)
     20   e( c g e g\thumb c-3 e-1 g-3) | \break
     21 
     22 % bar 3
     23   g16-3( d\thumb b-2 g\thumb as-1-> cs-3 e-1 g-3)
     24   g( d b g as-> cs e g) |
     25   g16( d b g d\thumb g-3 b-1 d-3)
     26   d( b g d b\thumb d-2 g-1 b-3) | \break
     27 
     28 % bar 5
     29   b16( g-1 f\thumb d-2-II f-2 g-3 b-1_I d-3)
     30   d( c g e-1_II g-1 c\thumb_"I" f-3 e) |
     31   e16-2( cs-2 a\thumb g-3 e-1 g a cs-2
     32   e-2) d-1( a-2 f\thumb a-2 d-1 e-2 f-3) | \break
     33 
     34 % bar 7
     35   f16-3( d-1 b'-3 a-2 f-2 d\thumb b-2_II a-1
     36   f-2) d-0\thumb( b'-1_I a-0\thumb \clef "bass" f-2_II d-0\thumb b-3 a-1 |
     37   f16-2) d-0( b'-3 a-1 f-2 d-0 b-3_III a
     38   f-4_IV) d-1( b'-3 a g-0 a'-4_II fs-1 g-2) | \break
     39 % allow fermata to be at end of line
     40   \once \override Score.RehearsalMark.break-visibility = #begin-of-line-invisible
     41   \mark \markup{ \fermata }
     42 
     43 % bar 9
     44   c16-4->_II\f( e-1_I g-4 e b-3->_II e_"I" g e)
     45   a,-0->( e' g e b-3->_II e_"I" g e) |
     46   c16-4->( e g e b-3-> e g e)
     47   a,-0->( e'-1 g e b-3-> e g e) | \break
     48 
     49 % bar 11
     50   c16-4( e g-4 e \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble"
     51   e'-3-0) b-2( c-3 g\thumb a e g c,\thumb) | \clef "bass"
     52   c16\thumb( e-2 g\thumb e-2 \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble"
     53   e'-3-0) b-2( c-3 g\thumb a e g c,\thumb) | \break
     54 
     55 % bar 13
     56   d16_>-2_II( f\thumb_"I" a-2 f cs_>-1_II f_"I" a f)
     57   c_>-1( f a f cs_>-1 f a f) |
     58   d16_>-2( f-0 a-2 f cs_>-1 f a f)
     59   c_>-1( f a f cs_>-1 f a f) | \pageBreak
     60 
     61 % PAGE TWO
     62 
     63 % bar 15
     64   d16-2_II( f\thumb_"I" a-2 f\thumb bf-1 a\thumb d-3 a
     65   f'-4) cs-2( d-3 a\thumb b-1 f-2 a\thumb d,\thumb) |
     66   d16\thumb-0_II( f-2 a\thumb-0 f-2 bf-1 a\thumb d-3 a
     67   f'-4) cs-2( d-3 a\thumb b-1 f-2 a\thumb d,\thumb) | \break
     68 
     69 % bar 17
     70   d16_>-2_II( f\thumb_"I" b!-3 f cs_>-1_II f\thumb b-3 f)
     71   d_>-2( f\thumb b f e_>-3 f\thumb b f) |
     72   d16_>-2( f\thumb b! f cs_>-1 f\thumb b f)
     73   d_>-2( f\thumb b f e_>-3 f\thumb b-3 f) | \break
     74 
     75 % bar 19
     76   d16( f\thumb_"I" b!-3 f d'-3 b-1 f'!-3 d-1
     77   b-1 d-3 b g-3_II f-2 g-3 f d\thumb-0) |
     78   d16\thumb( f-2 b-1 f d'-3 b f'-3 d
     79   b-1 d b g-3 f-2 g f d\thumb) | \break
     80 
     81 % bar 21
     82   e16_>-2_II( g\thumb_"I" c-3 g ds_>-1 g\thumb c g)
     83   e_>-2( g\thumb c g f_>-3 a-1 c-3 a) |
     84   e16_>-2( g\thumb c g ds_>-1 g\thumb c g)
     85   e_>-2( g\thumb c g f_>-2 a-1 c-3 a) | \break
     86 
     87 % bar 23
     88   e16-2( g\thumb c-3 g\thumb e'-2 c\thumb g'-4 e-2
     89   c\thumb) f-3( df-1c af\thumb c-2 af f_"II" |
     90   d!16-2) f\thumb_"I"( bf-3 f d'-2 bf\thumb f'-4 d
     91   bf\thumb) ef-3( c-1 bf\thumb g\thumb bf-2 g\thumb ef-2_II | \break
     92 
     93 % bar 25
     94   c16-2) ef\thumb_"I"( af-3 ef c'-2 af\thumb ef'-4 c-2
     95   af\thumb) df-3( bf-1 af\thumb f\thumb af-2 f df-3_II |
     96   b!16-2) d!\thumb_"I"( g-3 d b'!-2 g\thumb d'!-4 b
     97   g\thumb) c-3( af-1 g\thumb ef\thumb g-2 ef c-2_II | \break
     98 
     99 % bar 27
    100   af16-2) c\thumb^I( ef-2 c af'-3 ef\thumb c'-2 af\thumb
    101   g\thumb df'-3 bf-2 g ff-3_II df-1 bf-3_III g-1) |
    102   af16-2( c\thumb_"II" ef c af'-1_I ef-2_II c'-3_I af-1
    103   g\thumb) df'-3( bf-2 g\thumb ff-3_II df-1 bf-3_III g-1) | \break
    104 
    105 % bar 29
    106   af16-2( c\thumb_"II" ef-2 c af'-1_I ef-2_II c'-3_I af-1
    107   ef'-3) c-1( af'-3 ef-1 c'-2 af-1 ef'-2 c-1) |
    108   af'2.-3\fermata r4 | \pageBreak
    109 
    110 % PAGE THREE
    111 
    112 % bar 31
    113   af,,16-3_I\downbow\mf( g-2 fs-1 ef' d-2 b!\thumb fs!-1_II g-2
    114   gf-3) f( e! df'-3_I c-2 a\thumb-0 e-1_II f |
    115   ff16-3) ef-2\dim( d-1 cf'-3_I bf-2 g\thumb d!-1_II ef-2
    116   d-3) cs-2( c-1 a'-3_I af-2 f\thumb c-1_II df-2 | \break
    117 
    118 % bar 33
    119   c16-3\!) b!-2\<( bf-1 g'-3_I fs-2 ef-1 \clef "bass" c-2 a-0
    120   fs-3) ef( c-4 a-1 fs-4 ef-1 c-0 a'-1) |
    121   g16_0( c e g b-1 c a'_2_0 g_4)
    122   g,,_0( cs_4 e a_0 cs_1 e bf'_3 a) | \break
    123 
    124 % bar 35
    125   g,,16-0( d' f-2 a-0 d-1 f bf a)
    126   g,,-0( d'-0 f-2 b!-1 d-1 f \clef "treble" c'-3 b-2) |
    127   c16-3\f( g\thumb e-2 c\thumb ds->-1 fs-3 a-1 c-3)
    128   c( g\thumb e c ds-> fs a c) | \break
    129 
    130 % bar 37
    131   c16( g e c e\thumb g-2 c-1 e-3)
    132   e( c g e\thumb g\thumb c-3 e-1 g-3) |
    133   g16( d\thumb b-2 g\thumb as-1-> cs-3 e-1 g-3)
    134   g( d b g a-> c e g) | \break
    135 
    136 % bar 39
    137   g16( d b g d\thumb-0 g-3 b-1 d-3)
    138   d( b g d b\thumb d-2 g-1 b-3) |
    139   b16( g f\thumb d-2_II f-2 g-3 b-1_I d-3)
    140   d( c g e-1_II g-1 c\thumb_"I" f-3 e) | \break
    141 
    142 % bar 41
    143   e16-2( cs-2 a\thumb-0 g-3 e-1 g a c-2
    144   e-2-0) d-1( a-2 f\thumb a-2 d-1 e-2 f-3) |
    145   f16-3( d-1 b'-3 a-2 f-2 d\thumb b-2_II a-1
    146   f-2) d\thumb( b'-1_I a-0\thumb \clef "bass" f-2_II d\thumb b-3 a-1 | \break
    147 
    148 % bar 43
    149   f16-2) d-0( b'-3 a-1 f-2 d b-3_III a
    150   f-4) d-1( b'-3 a g a'-4 fs-1 g-2) | \mark \markup { \fermata }
    151   c16->-4_II( e-1_I g e b->-3_II e_"I" g e)
    152   a,->-0( e'-1 g e b->-3_II e_"I" g e) | \break
    153 
    154 % bar 45
    155   c16->( e g e b-> e g e)
    156   a,->-0( e'-1 g e b-> e g e) |
    157   c16-4( e g-4 e \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble"
    158   e'-3-0) b-2( c-3 g\thumb a e g c,\thumb) | \clef "bass" \break
    159 
    160 % bar 47
    161   c16\thumb( e-2 g\thumb e-2 \clef "tenor" a-1 g\thumb c-3 a-1 \clef "treble"
    162   e'-0-3) b-2( c-3 g\thumb a-1 e-2 g\thumb c,\thumb) |
    163   d16_>-2_II( f\thumb_"I" a-2 f cs_>-1 f a f)
    164   c-1_>( f a f cs-1_> f a f) | \break
    165 
    166 % bar 49
    167   d16-2_>_II( f_"I" a f cs_>-1 f a f)
    168   c_>-1( f a f cs_>-1 f a f) |
    169   d16_2( f_\thumb a_2 f_\thumb bf-1 a\thumb-0 d a
    170   f'-4) cs-2( d-3 a\thumb-0 b-1 f-2 a\thumb d,\thumb) | \break
    171 
    172 % bar 51
    173   d16_0_\thumb( f_2 a_\thumb f bf-1 a d-3 a
    174   f'-4) cs-2( d-3 a\thumb-0 b_1 f_2 a_\thumb d,_\thumb) |
    175   d16_>-2_II( f_1\thumb b!-3 f cs_>-1 f\thumb b-3 f)
    176   d_>-2( f b f e_>-3 f b f) | \pageBreak
    177 
    178 % PAGE FOUR
    179 
    180 % bar 53
    181   d16_>_II( f_"I" b! f cs_> f b f)
    182   d_>( f b f e_> f b f) |
    183   d16( f\thumb b!-3 f d'-3 b-1 f'-3 d-1
    184   b-1 d-3 b g-3 f-2_II g-2 f d\thumb-0) | \break
    185 
    186 % bar 55
    187   d16\thumb-0( f-2 b!-1 f d'-3 b-1 f'-3 d-1
    188   b-1 d-3 b g-3 f-2_II g-3 f d\thumb-0) |
    189   e16_>-2_II( g\thumb_"I" c-3 g ds_>-1 g\thumb c g)
    190   e_>-2( g c g f_>-3 a-1 c-3 a) | \break
    191 
    192 % bar 57
    193   e16_>_II( g_"I" c g ds_> g c g)
    194   e_>( g c g f_> a c a ) |
    195   e16_2( g_\thumb c_3 g e'-3 c\thumb g'-4 e-2
    196   c\thumb) f-3( df-1 c\thumb af\thumb c-2 af f-2_II | \break
    197 
    198 % bar 59
    199   d!16-2) f\thumb_"I"( bf-3 f d'-2 bf\thumb f'-4 d
    200   bf\thumb) ef-3( c-1 bf\thumb g\thumb bf-2 g\thumb ef-2_II |
    201   c16-2) ef\thumb_"I"( af-3 ef c'-2 af\thumb ef'-4 c-2
    202   af\thumb) df-3( bf-1 af f\thumb af-2 f df-2_II | \break
    203 
    204 % bar 61
    205   b!16-2) d!\thumb-0_I( g-3 d b'!-2 g\thumb d'!-4 b
    206   g) c-3( af-1 g\thumb ef\thumb g-2 ef c-2_II |
    207   af16-2) c\thumb_"I"( ef-2 c f-1 ef\thumb af ef\thumb
    208   a,-1_II) gf'-3_I( f-2 df'-3 c a\thumb-0 f-2_II a,-1) | \break
    209 
    210 % bar 63
    211   bf16-2( df\thumb_"I" f-2 df gf-1 f\thumb bf-3 f
    212   b,-1_II) af'-3_I( g-2 ef'-3 d-2 b\thumb g-2_II b,-1) |
    213   c16-2( ef\thumb_"I" g-2 ef af-1 g\thumb c-3 g\thumb
    214   cs,-1_II) bf'-3_I( a-2 f'-3 e cs\thumb a-2_II g-1) | \break
    215 
    216 % bar 65
    217   f!16\thumb( e'-2 d-1 a'-4) e,\thumb( d'-2 c!-1 g'-4)
    218   d,\thumb( c'-2 b!-1 f'-4) c,\thumb( b'-2 a-1 e'-4) |
    219   b,16\thumb( a'-2 g-1 d'-3 c-2 a\thumb-0 e-1_II fs-2
    220   g-3) fs-2( f-2 d\thumb-0 \clef "bass" b-2_III g-0\thumb f-3_IV d-1) | \break
    221 
    222 % bar 67
    223   c16\f-0_IV\thumb( e-2 g-0_III\thumb b-2 \clef "tenor" c-3 e-1_II g-3 c-2_I
    224   df-3) bf-1( af\thumb f-2_II df\thumb bf-2_III af-1 f-3_IV) |
    225   d!16-1\<( fs-3 a!-1_III cs-3 d!\thumb-0_II fs a\thumb_"I" d-3
    226   ef-3) c-1( bf\thumb g-2_II ef\thumb c-2_III bf-1 g-3_IV) | \break
    227 
    228 % bar 69
    229   e16-1( gs-3 b-1_III ds-3 e!\thumb_"II" gs-2 \clef "treble" b!\thumb_"I" e!-3
    230   f!-3) d-1( c\thumb a-2_II f\thumb d-2_III c-1 a-1) |
    231   g16\thumb( g'-3_II fs-2 g a-0\thumb g-3 fs g
    232   gs-3) gs( a\thumb) a( bf-1) bf( b-2) b( | \break
    233 
    234 % bar 71
    235   c16_3\ff)( g_\thumb e_2 c ds_>_1 fs_3 a_1 c_3)
    236   c( g e c ds_> fs a c) |
    237   c16( g e c e_\thumb g_2 c_1 e_3)
    238   e( c g e g\thumb c-3 e-1 g-3) | \break
    239 
    240 % bar 73
    241   g16( e c g c\thumb e-2 g\thumb c-3)
    242   c\upbow( g e c) c\downbow( e g c) |
    243   c16\ff\upbow
    244   <<
    245     {
    246       c-3\downbow( b-3 a-3 g-3 f-3 e-3 d \clef "tenor"
    247       c-3) c\upbow( b-3 a-3 g-3 f-3 e-3 d-3) |
    248     }
    249     {
    250       c'_\thumb b_\thumb a_\thumb g_\thumb f_\thumb e_\thumb d_\thumb \clef "tenor"
    251       c_\thumb c b_\thumb a_\thumb g_\thumb f_\thumb e_\thumb d_\thumb |
    252     }
    253   >>
    254   \clef "bass" <c,_0 c'-4>1\fermata \bar "|." \pageBreak
    255 % end
    256 }
    257 
    258 \score {
    259   \new Staff \twelve
    260   \header {
    261     title = "12"
    262   }
    263   \layout { }
    264   \midi {}
    265 }
    266 
    267 % Local Variables:
    268 % compile-command: "make -B 12.pdf"
    269 % End: