09.ly (6800B)
1 \version "2.20" 2 \language "english" 3 4 \paper { 5 print-all-headers = ##t 6 tagline = ##f 7 } 8 9 %% Commentary: 10 % Every note in this piece is a double-stop. Therefore, I have 11 % created two parts: top and bottom, which are joined together in the 12 % \score block. Because they are in the same voice, commands like 13 % \slurUp don't work so all placements must be explicit. For 14 % consistency, I have chosen to declare all dynamics in the bottom 15 % part, while bowings and other miscellaneous markings are in the top 16 % part. 17 18 global = { 19 \tempo "Andante sostenuto" 20 \key ef \major 21 \time 2/4 22 \clef "treble" 23 \partial 8 24 } 25 26 top = \relative c' { 27 \global 28 29 g'16\thumb\downbow af-1 | 30 % bar 1 31 bf8\thumb c16-1 bf g8\thumb g16 af-1 | 32 bf16\thumb bf c bf ef8 g,16\thumb af-1 | 33 bf8\thumb c16-1 bf g8\thumb g16 af | \break 34 35 % bar 4 36 bf16\thumb bf c-1 bf ef8-3 c16-1 ef-3 | 37 af,8-1 af16 c16-3 f,8-1 \clef "tenor" f16\thumb^( af-3 | 38 g16-3 fs-3 g-4 f-4) ef8-2\upbow \clef "bass" d16-2\downbow^( ef-2 | \break 39 40 % bar 7 41 b8-2) b16-2^( c-3 gf8-3) f16-2^( c'-4 | 42 bf16) bf,-2\upbow c8-4 bf\fermata^\markup{\italic "longa"} bf'16-1\downbow^([ d-4] | 43 f8-3) e16-3^( ef-4 d8-3) bf16-1^( d-4 | \clef "tenor" \break 44 45 % bar 10 46 af'8-4) g16-3^( fs-4 f8-3) d16-3^( ef-2 | 47 f8-4) ef16-2^( f-4 fs8-3) es16-3^( fs-3 | 48 g!8-4) fs16-3^( f-4 ef8-2) ef16\thumb^( f-1 | \break 49 50 % bar 13 51 f8\thumb) f16^( g-1 g8\thumb) g16^( af | 52 af8\thumb) af16^( bf-1 bf8\thumb) bf16^( ef-3 | 53 c8-1) a16\thumb^( d bf8-1) g16\thumb^( c-3 | 54 af!8-1) f16\thumb^( bf-3 g8-1) 55 \new Voice { 56 \stemUp 57 ef8-3^D^( | \break 58 59 % bar 17 60 f8\thumb^A) f-3^( g\thumb) 61 } 62 af16-1 c-3 | \clef "treble" 63 bf16-1 d-3 bf d c-1 ef-3 ef c-1 | 64 af16-3^D f-1 d'-3^A bf-1 g-3^D ef-1 \clef "tenor" c'[^A^( af-1] | \break 65 66 % bar 20 67 f16-3^D d-1) bf'-3^A^( g-1 ef-3^D c-1) \clef "bass" gf16.-3^( f32-2) | 68 f4.\fermata r8 | 69 a16-0^( ef'-4 a, ef' a, gf'-3) f8-2\upbow 70 a,16-0^( ef'-4 a, ef' a, gf'-3) f8-2 | \pageBreak 71 72 % PAGE TWO 73 74 % bar 24 75 a,16-0^( ef'-3 a, ef' a, bf'-3) a8-3 | 76 a,16-0^( ef'-3 a, ef' a, bf'-3) a8-3 | 77 g16-2^( af-3 g af) g^( df-3 c8-2) | \break 78 79 % bar 27 80 f16-3^( gf-4 f gf) f^( cf-2 bf8-1) | 81 \new Voice { 82 \stemUp 83 bf16-1^( g'8 f16-4 ef-2) ef8-4^( d16-3) | 84 c16-1^( af'8-4 g16-3 f-4) f8^( ef16-2) | \break 85 } 86 87 % bar 30 88 d16-2^( ef-3 d-2 b-1 c-2 df-3 c a-0) | 89 bf4-1^( \clef "tenor" af'8-1\fermata \clef "treble" g16\thumb\downbow af-1 90 bf8\thumb c16-1 bf g8\thumb g16 af-1 | 91 bf16\thumb bf c bf ef8-3 g,16\thumb af-1 | \break 92 93 % bar 34 94 bf8\thumb c16 bf g8\thumb g16 af | 95 bf16\thumb bf c bf ef8-3 c16-1 ef-3 | 96 af,8-1 af16 c-3 f,8-1 \clef "tenor" f16\thumb^( af-3 | 97 g16-3 fs-3 g-4 f-3) ef8-2\upbow \clef "bass" d16-2^( ef-3 | \break 98 99 % bar 38 100 b8-2) b16-2^( c-3 gf8-3) f16^( c'-4 | 101 bf16-2) bf, c8 bf8\fermata^\markup{\italic longa} bf'16-1\downbow^( d-4 | 102 f8-4) e16-3^( ef-4 d8-3) bf16-1^( d-4 | \clef "tenor" 103 af'!8-4) g16-3( fs-4 f8-3) d16-3^( ef-2 | \break 104 105 % bar 42 106 f8-4) ef16-2^( f fs8-3) es16-3^( fs-3 | 107 g!8-4) fs16-3^( f-4 ef8-2) ef16\thumb\downbow^( f-1 | 108 f8\thumb) f16^( g-1 g8\thumb) g16^( af-1 | 109 af8\thumb) af16^( bf-1 bf8\thumb) bf16^( ef | \break 110 111 % bar 46 112 c8-1) a16\thumb^( d bf8-1) g16\thumb^( c-3 | 113 af8-1) f16\thumb^( bf-3 g8-1) 114 \new Voice { 115 \stemUp 116 ef8-3^D^( | 117 f8^A\thumb) f-3^D^( g^A\thumb) af^D-3^( | \clef "treble" 118 bf8^A\thumb) af^D-3^( bf^A\thumb) bf16^( ef-3 | \break 119 120 % bar 50 121 c8-1 a16\thumb) d-3^( bf8-1 g16\thumb) c-3^( | 122 af!8-1 f16\thumb) bf-3^( g8-1\upbow) \clef "bass" 123 } 124 df16\downbow^( ef-4 | 125 c8-1) af16-2\upbow^( bf-4 g8-1) df16-2 ef-4 | 126 c8-1 af4-1 bf8-2 | 127 g2-0\fermata \bar "|." \pageBreak 128 } 129 130 bottom = \relative c' { 131 \global 132 133 ef16_2_( f_3 | 134 % bar 1 135 g8_2) af16_3_( g ef8_2) ef16_( f_3 | 136 g16) g_( af g ef8) ef16_2_( f_3 | 137 g8) af16_3_( g ef8) ef16_( f | \break 138 139 % bar 4 140 g16_2) g_( af_3 g ef8_\thumb) ef16_( g_2 | 141 c,8_\thumb) c16_( ef_2 af,8_\thumb) \clef "tenor" af16_1 c_2 | 142 bf16_1 a_1 bf_2 af_2 g8 \clef "bass" fs16_1 g_2 | \break 143 144 % bar 7 145 d8 d16-> ef bf8_2 a16_1 ef'_2 | 146 d16\p d,_1_( f8_4 d) d'16\mf-0 f_2 | 147 af8_2 g16_1 gf_2 f8_1\< d16_0 f_2 | \clef "tenor" \break 148 149 % bar 10 150 c'8_3 bf16_1 a_2\! af8_1 f16_1\> g_1 | 151 af8_2 g16_1 af_2 a8 gs16_1 a_1 | 152 bf8_2 a16_1 af_2 g8_1\! c16_2\p af_\thumb | \break 153 154 % bar 13 155 d8_2 d16 bf_\thumb ef8\< ef16 c_\thumb | 156 f8_2 f16 d_0_\thumb g8_2\! g16 ef_\thumb\> | 157 af8_3 fs16_2 d_\thumb g8_3 ef16_2 c_\thumb | 158 f!8_3 d16_2 bf_\thumb ef8\mf_3 ef,16_G_\thumb_( g | \break 159 160 % bar 17 161 bf16_D_\thumb d_2) f,_G_\thumb_( af_2 c_\thumb_"D" ef_2) c_\thumb_( ef_2 | \clef "treble" 162 d16_\thumb f_2) d_( f ef_\thumb g_2) g_( ef_\thumb | 163 c16_G_2 af_\thumb) f'_2_D_( d_\thumb bf_2_G g) \clef "tenor" ef'_2_D c_\thumb | \break 164 165 % bar 20 166 af16_2_G f_\thumb d'_2_D bf_\thumb g_2 ef_\thumb \clef "bass" bf16._2 a32_1 | 167 a4. r8 | 168 f'16_1\p gf_2 f gf f bf_2 a8_1 | 169 f16_1 gf_2 f gf f bf_2 a8_1 | \pageBreak 170 171 % PAGE TWO 172 173 % bar 24 174 fs16_1 g!_2 fs g fs d'_2 c8_1 | 175 fs,16\< g! fs g fs d'_2 c8_1 | 176 b16_1\f d,_0 b' d, b' f_2 e8_1 | \break 177 178 % bar 27 179 a16_2 af_1 a\> af a ef_1 d8_0 | 180 <g,_0 ef'>16\!_( bf'_2 a_1 af_2 g_1) gf_2_( f8_1) | 181 af!16_4_( c_3 b_2 bf_1 a_3) af_2_( g8_1) | \break 182 183 % bar 30 184 fs16\>_1 g_2 fs_1 f_2 e_1 f_2 e_1 ef_1 | 185 d4_0 \clef "tenor" d'8_2)_\markup{\italic "longa"} \clef "treble" ef16_2\mf_( f_3 | 186 g8_2) af16_3_( g ef8_\thumb) ef16_2 f_3_( | 187 g16) g_( af g ef8_\thumb) ef16_2_( ef_3 | \break 188 189 % bar 34 190 g8_2) af16_3_( g ef8_2) ef16_( f_3 | 191 g16_2) g_( af g ef8) ef16_\thumb_( g_2 | 192 c,8_\thumb) c16_( ef_2 af,8) \clef "tenor" af16_1 c_2 | 193 bf16_1 a_1 bf_2 af_2 g8_1 \clef "bass" fs16_2 g_2 | \break 194 195 % bar 38 196 d8_0 d16\> ef_1 bf8_2 a16_1 ef'_2 | 197 d16_1 d,\pp_( f8 d8) d'16_0\mf f_2 | 198 af!8_2 g16_1 gf_2\< f8_1 d16_0 f_2 | \clef "tenor" 199 c'8_3 bf16_1 a_2 af8_1 f!16_1 g_1 | \break 200 201 % bar 42 202 af8\!_2 g16_1 af a8 gs16_1 g_1 | 203 bf8_2 a16_1\> af_2 g8_1 c16_2\p af_\thumb | 204 d8_2\< d16 bf_\thumb ef8_2 ef16 c_\thumb | 205 f8_2 f16 d_\thumb_0 g8_2\! g16 ef_\thumb | \break 206 207 % bar 46 208 af8 fs16_2\> d_\thumb g8_3 ef16_2 c_\thumb | 209 f8_3 d16_2 bf_\thumb ef8_3 ef,16_G_\thumb_( g_2 | 210 \stemDown % while the top part is in another voice 211 bf16_D_\thumb\! d_2) f,_D_\thumb_( af_2 c_"D"_\thumb ef_2) af,_G_\thumb_( c_2 | \clef "treble" 212 ef16_D_\thumb g_2) af,_G_\thumb_( c_2 ef_"D"_\thumb g_2) g ef_\thumb | \break 213 214 % bar 50 215 af16_3 g_2 fs_2 d_\thumb g_3 f_2 ef_2 c_\thumb | 216 f16_3 ef_2 d_2 bf_\thumb ef8_3 \clef "bass" \stemNeutral f,16\p_1 g_3 | 217 af8_4 c,16_1\> d!_3 ef8_4 f,16_1_( g_3 | 218 af8_4) c,4_( d!8_1\!) | 219 ef2\pp_2 \bar "|." \pageBreak 220 % end 221 } 222 223 \score { 224 \new Voice << \top \bottom >> 225 \header { 226 title = "9" 227 } 228 \layout {} 229 \midi {} 230 } 231 232 % Local Variables: 233 % compile-command: "make -B 09.pdf" 234 % End: