popper

Popper ├ętudes 1-20
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09.ly (6800B)


      1 \version "2.20"
      2 \language "english"
      3 
      4 \paper {
      5   print-all-headers = ##t
      6   tagline = ##f
      7 }
      8 
      9 %% Commentary:
     10 % Every note in this piece is a double-stop.  Therefore, I have
     11 % created two parts: top and bottom, which are joined together in the
     12 % \score block.  Because they are in the same voice, commands like
     13 % \slurUp don't work so all placements must be explicit.  For
     14 % consistency, I have chosen to declare all dynamics in the bottom
     15 % part, while bowings and other miscellaneous markings are in the top
     16 % part.
     17 
     18 global = {
     19   \tempo "Andante sostenuto"
     20   \key ef \major
     21   \time 2/4
     22   \clef "treble"
     23   \partial 8
     24 }
     25 
     26 top = \relative c' {
     27   \global
     28   
     29   g'16\thumb\downbow af-1 |
     30 % bar 1
     31   bf8\thumb c16-1 bf g8\thumb g16 af-1 |
     32   bf16\thumb bf c bf ef8 g,16\thumb af-1 |
     33   bf8\thumb c16-1 bf g8\thumb g16 af | \break
     34 
     35 % bar 4
     36   bf16\thumb bf c-1 bf ef8-3 c16-1 ef-3 |
     37   af,8-1 af16 c16-3 f,8-1 \clef "tenor" f16\thumb^( af-3 |
     38   g16-3 fs-3 g-4 f-4) ef8-2\upbow \clef "bass" d16-2\downbow^( ef-2 | \break
     39 
     40 % bar 7
     41   b8-2) b16-2^( c-3 gf8-3) f16-2^( c'-4 |
     42   bf16) bf,-2\upbow c8-4 bf\fermata^\markup{\italic "longa"} bf'16-1\downbow^([ d-4] |
     43   f8-3) e16-3^( ef-4 d8-3) bf16-1^( d-4 | \clef "tenor" \break
     44 
     45 % bar 10
     46   af'8-4) g16-3^( fs-4 f8-3) d16-3^( ef-2 |
     47   f8-4) ef16-2^( f-4 fs8-3) es16-3^( fs-3 |
     48   g!8-4) fs16-3^( f-4 ef8-2) ef16\thumb^( f-1 | \break
     49   
     50 % bar 13
     51   f8\thumb) f16^( g-1 g8\thumb) g16^( af |
     52   af8\thumb) af16^( bf-1 bf8\thumb) bf16^( ef-3 |
     53   c8-1) a16\thumb^( d bf8-1) g16\thumb^( c-3 |
     54   af!8-1) f16\thumb^( bf-3 g8-1)
     55   \new Voice {
     56     \stemUp
     57     ef8-3^D^( | \break
     58 
     59 % bar 17
     60     f8\thumb^A) f-3^( g\thumb)
     61   }
     62   af16-1 c-3 | \clef "treble"
     63   bf16-1 d-3 bf d c-1 ef-3 ef c-1 |
     64   af16-3^D  f-1 d'-3^A bf-1 g-3^D ef-1 \clef "tenor" c'[^A^( af-1] | \break
     65 
     66 % bar 20
     67   f16-3^D d-1) bf'-3^A^( g-1 ef-3^D c-1) \clef "bass" gf16.-3^( f32-2) |
     68   f4.\fermata r8 |
     69   a16-0^( ef'-4 a, ef' a, gf'-3) f8-2\upbow
     70   a,16-0^( ef'-4 a, ef' a, gf'-3) f8-2 | \pageBreak
     71 
     72 % PAGE TWO
     73 
     74 % bar 24
     75   a,16-0^( ef'-3 a, ef' a, bf'-3) a8-3 |
     76   a,16-0^( ef'-3 a, ef' a, bf'-3) a8-3 |
     77   g16-2^( af-3 g af) g^( df-3 c8-2) | \break
     78 
     79 % bar 27
     80   f16-3^( gf-4 f gf) f^( cf-2 bf8-1) |
     81   \new Voice {
     82     \stemUp
     83     bf16-1^( g'8 f16-4 ef-2) ef8-4^( d16-3) |
     84     c16-1^( af'8-4 g16-3 f-4) f8^( ef16-2) | \break
     85   }
     86 
     87 % bar 30
     88   d16-2^( ef-3 d-2 b-1 c-2 df-3 c a-0) |
     89   bf4-1^( \clef "tenor" af'8-1\fermata \clef "treble" g16\thumb\downbow af-1
     90   bf8\thumb c16-1 bf g8\thumb g16 af-1 |
     91   bf16\thumb bf c bf ef8-3 g,16\thumb af-1 | \break
     92 
     93 % bar 34
     94   bf8\thumb c16 bf g8\thumb g16 af |
     95   bf16\thumb bf c bf ef8-3 c16-1 ef-3 |
     96   af,8-1 af16 c-3 f,8-1 \clef "tenor" f16\thumb^( af-3 |
     97   g16-3 fs-3 g-4 f-3) ef8-2\upbow \clef "bass" d16-2^( ef-3 | \break
     98 
     99 % bar 38
    100   b8-2) b16-2^( c-3 gf8-3) f16^( c'-4 |
    101   bf16-2) bf, c8 bf8\fermata^\markup{\italic longa} bf'16-1\downbow^( d-4 |
    102   f8-4) e16-3^( ef-4 d8-3) bf16-1^( d-4 | \clef "tenor"
    103   af'!8-4) g16-3( fs-4 f8-3) d16-3^( ef-2 | \break
    104 
    105 % bar 42
    106   f8-4) ef16-2^( f fs8-3) es16-3^( fs-3 |
    107   g!8-4) fs16-3^( f-4 ef8-2) ef16\thumb\downbow^( f-1 |
    108   f8\thumb) f16^( g-1 g8\thumb) g16^( af-1 |
    109   af8\thumb) af16^( bf-1 bf8\thumb) bf16^( ef | \break
    110 
    111 % bar 46
    112   c8-1) a16\thumb^( d bf8-1) g16\thumb^( c-3 |
    113   af8-1) f16\thumb^( bf-3 g8-1)
    114   \new Voice {
    115     \stemUp
    116     ef8-3^D^( |
    117     f8^A\thumb) f-3^D^( g^A\thumb) af^D-3^( | \clef "treble"
    118     bf8^A\thumb) af^D-3^( bf^A\thumb) bf16^( ef-3 | \break
    119     
    120 % bar 50
    121     c8-1 a16\thumb) d-3^( bf8-1 g16\thumb) c-3^( |
    122     af!8-1 f16\thumb) bf-3^( g8-1\upbow) \clef "bass"
    123   }
    124   df16\downbow^( ef-4 |
    125   c8-1) af16-2\upbow^( bf-4 g8-1) df16-2 ef-4 |
    126   c8-1 af4-1 bf8-2 |
    127   g2-0\fermata \bar "|." \pageBreak
    128 }
    129 
    130 bottom = \relative c' {
    131   \global
    132 
    133   ef16_2_( f_3 |
    134 % bar 1
    135   g8_2) af16_3_( g ef8_2) ef16_( f_3 |
    136   g16) g_( af g ef8) ef16_2_( f_3 |
    137   g8) af16_3_( g ef8) ef16_( f | \break
    138 
    139 % bar 4
    140   g16_2) g_( af_3 g ef8_\thumb) ef16_( g_2 |
    141   c,8_\thumb) c16_( ef_2 af,8_\thumb) \clef "tenor" af16_1 c_2 |
    142   bf16_1 a_1 bf_2 af_2 g8 \clef "bass" fs16_1 g_2 | \break
    143 
    144 % bar 7
    145   d8 d16-> ef bf8_2 a16_1 ef'_2 |
    146   d16\p d,_1_( f8_4 d) d'16\mf-0 f_2 |
    147   af8_2 g16_1 gf_2 f8_1\< d16_0 f_2 | \clef "tenor" \break
    148 
    149 % bar 10
    150   c'8_3 bf16_1 a_2\! af8_1 f16_1\> g_1 |
    151   af8_2 g16_1 af_2 a8 gs16_1 a_1 |
    152   bf8_2 a16_1 af_2 g8_1\! c16_2\p af_\thumb | \break
    153 
    154 % bar 13
    155   d8_2 d16 bf_\thumb ef8\< ef16 c_\thumb |
    156   f8_2 f16 d_0_\thumb g8_2\! g16 ef_\thumb\> |
    157   af8_3 fs16_2 d_\thumb g8_3 ef16_2 c_\thumb |
    158   f!8_3 d16_2 bf_\thumb ef8\mf_3 ef,16_G_\thumb_( g | \break
    159 
    160 % bar 17
    161   bf16_D_\thumb d_2) f,_G_\thumb_( af_2 c_\thumb_"D" ef_2) c_\thumb_( ef_2 | \clef "treble"
    162   d16_\thumb f_2) d_( f ef_\thumb g_2) g_( ef_\thumb |
    163   c16_G_2 af_\thumb) f'_2_D_( d_\thumb bf_2_G g) \clef "tenor" ef'_2_D c_\thumb | \break
    164 
    165 % bar 20
    166   af16_2_G f_\thumb d'_2_D bf_\thumb g_2 ef_\thumb \clef "bass" bf16._2 a32_1 |
    167   a4. r8 |
    168   f'16_1\p gf_2 f gf f bf_2 a8_1 |
    169   f16_1 gf_2 f gf f bf_2 a8_1 | \pageBreak
    170 
    171 % PAGE TWO
    172 
    173 % bar 24
    174   fs16_1 g!_2 fs g fs d'_2 c8_1 |
    175   fs,16\< g! fs g fs d'_2 c8_1 |
    176   b16_1\f d,_0 b' d, b' f_2 e8_1 | \break
    177 
    178 % bar 27
    179   a16_2 af_1 a\> af a ef_1 d8_0 |
    180   <g,_0 ef'>16\!_( bf'_2 a_1 af_2 g_1) gf_2_( f8_1) |
    181   af!16_4_( c_3 b_2 bf_1 a_3) af_2_( g8_1) | \break
    182 
    183 % bar 30
    184   fs16\>_1 g_2 fs_1 f_2 e_1 f_2 e_1 ef_1 |
    185   d4_0 \clef "tenor" d'8_2)_\markup{\italic "longa"} \clef "treble" ef16_2\mf_( f_3 |
    186   g8_2) af16_3_( g ef8_\thumb) ef16_2 f_3_( |
    187   g16) g_( af g ef8_\thumb) ef16_2_( ef_3 | \break
    188 
    189 % bar 34
    190   g8_2) af16_3_( g ef8_2) ef16_( f_3 |
    191   g16_2) g_( af g ef8) ef16_\thumb_( g_2 |
    192   c,8_\thumb) c16_( ef_2 af,8) \clef "tenor" af16_1 c_2 |
    193   bf16_1 a_1 bf_2 af_2 g8_1 \clef "bass" fs16_2 g_2 | \break
    194 
    195 % bar 38
    196   d8_0 d16\> ef_1 bf8_2 a16_1 ef'_2 |
    197   d16_1 d,\pp_( f8 d8) d'16_0\mf f_2 |
    198   af!8_2 g16_1 gf_2\< f8_1 d16_0 f_2 | \clef "tenor"
    199   c'8_3 bf16_1 a_2 af8_1 f!16_1 g_1 | \break
    200 
    201 % bar 42
    202   af8\!_2 g16_1 af a8 gs16_1 g_1 |
    203   bf8_2 a16_1\> af_2 g8_1 c16_2\p af_\thumb |
    204   d8_2\< d16 bf_\thumb ef8_2 ef16 c_\thumb |
    205   f8_2 f16 d_\thumb_0 g8_2\! g16 ef_\thumb | \break
    206 
    207 % bar 46
    208   af8 fs16_2\> d_\thumb g8_3 ef16_2 c_\thumb |
    209   f8_3 d16_2 bf_\thumb ef8_3 ef,16_G_\thumb_( g_2 |
    210   \stemDown % while the top part is in another voice
    211   bf16_D_\thumb\! d_2) f,_D_\thumb_( af_2 c_"D"_\thumb ef_2) af,_G_\thumb_( c_2 | \clef "treble"
    212   ef16_D_\thumb g_2) af,_G_\thumb_( c_2 ef_"D"_\thumb g_2) g ef_\thumb | \break
    213 
    214 % bar 50
    215   af16_3 g_2 fs_2 d_\thumb g_3 f_2 ef_2 c_\thumb |
    216   f16_3 ef_2 d_2 bf_\thumb ef8_3 \clef "bass" \stemNeutral f,16\p_1 g_3 |
    217   af8_4 c,16_1\> d!_3 ef8_4 f,16_1_( g_3 |
    218   af8_4) c,4_( d!8_1\!) |
    219   ef2\pp_2 \bar "|." \pageBreak
    220 % end
    221 }
    222 
    223 \score {
    224   \new Voice << \top \bottom >>
    225   \header {
    226     title = "9"
    227   }
    228   \layout {}
    229   \midi {}
    230 }
    231 
    232 % Local Variables:
    233 % compile-command: "make -B 09.pdf"
    234 % End: