lilypond

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Terzetto.ly (20834B)


      1 \version "2.19"
      2 \language "english"
      3 
      4 \header {
      5   title = "Terzetto"
      6   subtitle = "für Violine, Violoncello und Gitarre"
      7   composer = "N. Paganini"
      8   tagline = "Violoncello"
      9 }
     10 
     11 \paper {
     12   #(set-default-paper-size "a4")
     13   page-breaking = #ly:minimal-breaking
     14 }
     15 
     16 global = {
     17   \override Score.BarNumber.font-size = #1.5
     18   \override Score.BarNumber.stencil
     19     = #(make-stencil-boxer 0.1 0.25 ly:text-interface::print)
     20   \set Score.barNumberVisibility = #all-bar-numbers-visible
     21   \override Score.BarNumber.break-visibility = #end-of-line-invisible
     22   \override Score.BarNumber.self-alignment-X = #LEFT
     23   \compressFullBarRests
     24   \override NonMusicalPaperColumn.line-break-permission = ##f
     25   \override NonMusicalPaperColumn.page-break-permission = ##f
     26 }
     27 
     28 Allegro = \relative c' {
     29   \global
     30   \key d \major
     31   \time 4/4
     32   \clef tenor
     33   \tupletSpan 4
     34   \repeat volta 2 {
     35     d2 fs |
     36     \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
     37     a2. g8 fs |
     38     fs8( ds) e2 g8 fs |
     39     e8( cs) d4. r8 r4 |
     40 %bar 5
     41     d2 fs |
     42     \clef treble
     43     d'2. cs8 b | \break
     44     b8( a) gs a cs b a gs |
     45     a8 r r4 a'8 r8 r4 |
     46     \clef bass
     47     <d,,,, a' fs'>^\markup{\italic "pizz."} r d' r |
     48 %bar 10
     49     <d, a' fs'> r d' r |
     50     cs r cs, r |
     51     d r a'' fs | \break
     52     ds r ds, r |
     53     e r g g' |
     54 %bar 15
     55     a r a, r |
     56     <d, a' fs'> r r2 |
     57     r4 d'8^\markup{\italic "arco"} r8 cs2^>( |
     58     d8) r r4 r2 |
     59     r4 d8 r cs2^>( | \break
     60 %bar 20
     61     d8) r r4 r2 |
     62     r4 b8 r as2^>( |
     63     b8) r r4 r2 |
     64     b'8^\markup{\italic "pizz."}_\markup{\italic "dolce"} r r4 d8 r8 r4 |
     65     cs8 r r4 a8 r r4 |
     66 %bar 25
     67     fs8 r r4 b,2^>^\markup{\italic "arco"}( | \break
     68     e8) r e'\f r ds r d r |
     69     cs r a r gs r a r |
     70     e r e r ds r d r |
     71     \set Score.currentBarNumber = #30
     72 %bar 30
     73     cs r a r gs r a r | \break
     74     e' r r4 r \tuplet 3/2 { b'8\f( a g) }
     75     e8 r r4 r \tuplet 3/2 { b8( a g) } |
     76     e8 r r4 r b |
     77     e8 r r4 <b' gs' e'>8 r8 r4 |
     78 %bar 35
     79     e8 r r4 \clef tenor e'2 |
     80     fs-> \afterGrace gs(\trill  { fs32 gs } | \break
     81     b8) r a2-> gs8-. fs-. |
     82     fs e e2-> d8-. b |
     83     a8 r r4 r2 |
     84     \clef bass
     85 %bar 40
     86     a,4\p^\markup{\italic "pizz."} r cs, r |
     87     d r r2 |
     88     e4 r e' r | \break
     89     a,4 r r2 |
     90     a4 r cs r |
     91 %bar 45
     92     fs r a, r |
     93     gs a b b |
     94     e, r r2 |
     95     b'4 r e, r |
     96     a r r2 | \break
     97 %bar 50
     98     b4 r e, r |
     99     a r r r8 cs |
    100     d4 r r2 |
    101     cs4 r d r |
    102     e r e, r |
    103 %bar 55
    104     a4 r r2 |
    105     gs2\p^\markup{\italic "arco"}( b8) r r4 | \pageBreak
    106 
    107     a8 r r4 r2 |
    108     gs2( b8) r r4 |
    109     a8 r r4 r r8 cs^\markup{\italic "pizz."} |
    110 %bar 60
    111     d4 r r2 |
    112     cs r d r |
    113     e r e, r | \break
    114     a4 a'8^\markup{\italic "arco"} r gs r g r |
    115     fs r b r as r a r |
    116 %bar 65
    117     gs r e r ds r d r |
    118     cs r d r e r e, r |
    119     a4 a'8 r gs r g r |
    120     fs r b r as r a r |
    121     gs r e\f^\markup{\italic "arco"} r ds r d r |
    122 %bar 70
    123     cs8 r d r e r e, r | \break
    124     a8 r r4 r \tuplet 3/2 { e''8 d b } |
    125     a8 r  r4 r \tuplet 3/2 { e8 d b } |
    126     a8 r r4 r2 |
    127     \tuplet 3/2 { a8 cs e a cs e a e cs a e cs }
    128 %bar 75
    129     a2 r | \break
    130   }
    131   \repeat volta 2 {
    132     \clef tenor
    133     fs''2_\markup{\italic "dolce"}^\markup{\italic "Solo"} as |
    134     cs2. b8( as) |
    135     as( fss) gs2 b8 a |
    136     gs8( es) fs2 r4 |
    137 %bar 80
    138     \clef bass
    139     <d,, a' fs'>4^\markup{\italic "pizz."}_\markup{\italic "dolce"} r r2 |
    140     <d a' fs'>4 r d'' r |
    141     <cs,, a'> r cs'' r | \break
    142     d,, r <d a' fs' d'> r |
    143     \clef tenor
    144 %bar 85
    145     b''2 d |
    146     fs2. e8( d) |
    147     d( bs) cs2 e8( d) |
    148     cs( as) b2 d8( c) |
    149     b8 gs a2 b8(_\markup{\italic "cresc."} c) | \break
    150     d4( g2) fs8 e |
    151 %bar 90
    152     e( cs) d2 c4 |
    153     b4( g'2) fs8 e |
    154     e8( cs) d2( c8 a) |
    155     g8 r r4 r2 |
    156     \clef bass |
    157     r4 g,8\f r fs2( | \break
    158 %bar 95
    159     g8) r r4 r2 |
    160     r4 g8 r fs2( |
    161     gs8) r r4 r2 |
    162     r4 g8 r ds2( |
    163     e8) r r4 r2 |
    164 %bar 100
    165     <c c'>4^\markup{\italic "pizz."} r c'' r |
    166     b4 r c r | \break
    167     r4 cs,8 r cs2(^\markup{\italic "arco"} |
    168     b8) r b'\f r as r a r |
    169     g r e r fs r e r |
    170 %bar 105
    171     b r b r as r a r |
    172     g r e r fs r e r | \break
    173     b'\ff r r4 e,8 r r4 |
    174     b'8 r r4 e,8 r r4
    175     b'8 r r4 r2 |
    176 %bar 110
    177     b8 r r4 b'8 r r4 |
    178     b,2 r |
    179     R1*3 |
    180 %bar 115
    181     R1 | \pageBreak
    182 
    183     \clef tenor
    184     e'2(~ e8 \acciaccatura fs e16 ds e8[) r16 fs] |
    185     g2(~ g8 \acciaccatura a g16 fs g8[) r16 a] |
    186     b2( a4. c8) |
    187     b2.. r16 c |
    188 %bar 120
    189     b2( a4) r8 b |
    190     a2( g4) r8 g | \break
    191     fs2( g8 a16 g fs8 e) |
    192     fs2. r4 |
    193     \clef bass
    194     e,,4^\markup{\italic "pizz."} r <g' b> r |
    195 %bar 125
    196     e,4 r <g' b> r |
    197     g, <g' b> d, <fs' c'>
    198     g, b' g d |
    199     g d b g | \break
    200     fs fs' d b' |
    201 %bar 130
    202     fs r fs, r |
    203     b b' r2 |
    204     \clef tenor
    205     b'2\<^\markup{\italic "arco"}(~ b8 \acciaccatura c b16 as b8[) r16 cs] |
    206     d2\> a |
    207     a4\!~ a a4.( b8) | \break
    208 %bar 135
    209     c2 g~ |
    210     g4 g g4.( a8) |
    211     b2( fs4.) fs8 |
    212     g4.( a16 g fs4) e |
    213     fs2 r |
    214 %bar 140
    215     e2(~ e8 \acciaccatura fs e16 ds e8[) r16 fs] | \break
    216     gs2(~ gs8 \acciaccatura as gs16 fs gs8[) r16 a] |
    217     b2( e4. d8) |
    218     d2 c |
    219     c->_\markup{\italic "decresc."} a4( f) |
    220 %bar 145
    221     e4.( fs8) g2~ |
    222     g4 fs \acciaccatura fs8 e4 ds | \break
    223     b'1_\markup{\italic "cresc."}( |
    224     b4 c a) f |
    225     e4._\markup{\italic "decresc."}( fs8) g2^\markup{\italic "ritard. a piacere"} |
    226 %bar 150
    227     g4 fs( c'\fermata) b |
    228     e,2^\markup{\italic "a tempo"} r |
    229     \clef bass
    230     g,,4 d'' b g |
    231     fs, fs' a d | \break
    232     f, c' a f |
    233 %bar 155
    234     e, e' g c |
    235     e, b' g e |
    236     ds, r b'' ds, |
    237     e e' c, c' |
    238     b, b' a fs |
    239 %bar 160
    240     e, e' b' gs | \break
    241     e_\markup{\italic "cresc."} b' gs e' |
    242     e b gs e |
    243     a e c a |
    244     f f' c' a |
    245 %bar 165
    246     b,_\markup{\italic "decresc."} b' g e |
    247     b r b'r |
    248     g,_\markup{\italic "cresc."} e' b g | \break
    249     a_\markup{\italic "decresc."} r r r |
    250     b b' g^\markup{\italic "rit."} e |
    251 %bar 170
    252     <b ds> r r2 |
    253     e,4 r r2 |
    254     \clef tenor
    255     e''2_\markup{\italic "dolce"}^\markup{\italic "arco"} gs |
    256     b2. a8 gs |
    257     gs( es) fs2 a8 gs | \break
    258 %bar 175
    259     fs( ds) e2 r4 |
    260     \clef bass
    261     c,,^\markup{\italic "pizz."} r g'' r |
    262     e r c r |
    263     g r b r |
    264     c r <c, g' e' c'> r |
    265 %bar 180
    266     \clef tenor
    267     a''2^\markup{\italic "arco"}_\markup{\italic "dolce"} c |
    268     e2. d8 c | \break
    269     c( as) b2 d8 cs |
    270     b( gs) a2 c8 bf |
    271     a( fs) g2 a8_\markup{\italic "cresc."} bf |
    272 %bar 185
    273     c4( f2) e8 d |
    274     d( b) c2( bf4) |
    275     a( f'2) e8 d | \pageBreak
    276 
    277     d8( b) cs2 e,4 |
    278     f8 r r4 r2 |
    279 %bar 190
    280     \clef bass
    281     r4 f,8\f r e2( |
    282     f8) r r4 r2 |
    283     r4 f8 r e2( |
    284     f8) r r4 r2 | \break
    285     r4 d8 r cs!2( |
    286 %bar 195
    287     d8) r r4 r2 |
    288     bf'8^\markup{\italic "pizz."}_\markup{\italic "dolce"} r r4 bf'8 r r4 |
    289     f8 r r4 bf,8 r r4 |
    290     bf'8 r r4 bf,2^\markup{\italic "arco"}_\markup{\italic "cresc."}( |
    291     a8) r a' r gs r g r | \break
    292 %bar 200
    293     f r d r cs! r d r |
    294     a8 r a r gs r g r |
    295     f r d r cs! r d r |
    296     a' r r4 <d, a' f'>8 r r4 | \break
    297     <cs! a' e'>8 r r4 <d a' f'>8 r r4 |
    298 %bar 205
    299     <a'_4 cs^2>8 r r4 r2 |
    300     a,8 r r4 a'8 r r4 |
    301     a8 r r4 a'2-> |
    302     b-> \afterGrace cs\trill( {b32 cs} |
    303     e8) r d2-> cs8-. b-. | \break
    304 %bar 210
    305     b8 r a2-> g8-. e-. |
    306     d r r4 r2 |
    307     d,4_\markup{\italic "dolce"}^\markup{\italic "pizz."} r fs r |
    308     g r r2 |
    309     a4 r r2 |
    310 %bar 215
    311     d,4 r r2 |
    312     d4 r fs r | \break
    313     b r d r |
    314     cs d e e, |
    315     a r r2 |
    316 %bar 220
    317     cs1\p^\markup{\italic "arco"}( |
    318     d8) r r4 r2 |
    319     cs1( |
    320     d8) r r4 r r8 fs,^\markup{\italic "pizz."} | \break
    321     g4 r r2 |
    322 %bar 225
    323     fs4 r g r |
    324     a r a r |
    325     d, r r2 |
    326     cs'2^\markup{\italic "arco"}~ cs8 r r4 |
    327     d8 r r4 r2 | \break
    328 %bar 230
    329     cs2~ cs8 r r4 |
    330     d8 r r4 r r8 fs,^\markup{\italic "pizz."} |
    331     g4 r r2 |
    332     fs4 r g r |
    333     a r a r |
    334 %bar 235
    335     d,8 r d''^\markup{\italic "arco"} r cs r c r | \break
    336     b r e r ds r d r |
    337     cs r a r gs r g r |
    338     fs r g r a r a, r|
    339     d r d r cs r c r | \break
    340 %bar 240
    341     b r e r ds r d r |
    342     cs r a'^\markup{\italic "arco"} r gs r g r|
    343     fs r g r a r a, r |
    344     d r r4 a8 r r4 |
    345     d8 r r4 <a e' cs'>8 r r4 | \break
    346 %bar 245
    347     <d d'>8 r r4 <a e' cs'>8 r r4 |
    348     <a fs' d'>8 r r4 <a e' a>8 r r4 |
    349     <d, a' d>8 r r4 r2 |
    350     \tuplet 3/2 {d8\f^\markup{\italic "arco"} fs a} \omit TupletNumber
    351       \tuplet 3/2 {d fs a d a fs d a fs} |
    352     d2 r \bar "|." \pageBreak
    353   }
    354 }
    355 
    356 Minuetto = \relative c' {
    357   \global
    358   \key d \major
    359   \clef bass
    360   \time 3/4
    361   \tempo "Allegro Vivace"
    362   \repeat volta 2 {
    363     \partial 8 r8 |
    364 %bar 1
    365     d,2._\markup{\italic "dolce"}~ |
    366   \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
    367     d8 r r4 r |
    368     d2.~ |
    369     d8 r r4 r |
    370 %bar 5
    371     d8 r r4 d8 r |
    372     r4 cs8 r r4 |
    373     cs2.( |
    374     fs,8) r r4 r | \break
    375     d'2.\fz~ |
    376 %bar 10
    377     d8 r r4 r |
    378     d2.~ |
    379     d8 r r4 r |
    380     d8_\markup{\italic "dolce"} r r4 d8 r |
    381     r4 cs8 r r4 |
    382 %bar 15
    383     cs2. |
    384     fs,8 r r4 \break
    385   }
    386   \repeat volta 2 {
    387     r4 |
    388     c''2._\markup{\italic "dolce"}( |
    389     b8) r r4 r |
    390     c2.( |
    391 %bar 20
    392     b8) r r4 r |
    393     d2.( |
    394     cs!8) r r4 r |
    395     d2.(_\markup{\italic "cresc."} |
    396     cs!8) r r4 r |
    397 %bar 25
    398     e2.( | \break
    399     d8) r r4 r |
    400     b8\p r r4 r |
    401     as2.( |
    402     a!8) r r4 r |
    403 %bar 30
    404     gs2.( |
    405     g!8) r r4 r |
    406     fs2._\markup{\italic "cresc."}( |
    407     b,8) r r4 r | \break
    408     <a e'>2.( |
    409 %bar 35
    410     <a e'>
    411     <a e'>
    412     <a e'>
    413     <a e'>8) r r4 r |
    414     R1*3/4
    415 %bar 40
    416     R1*3/4
    417     d2._\markup{\italic "dolce"}~ |
    418     d8 r r4 r |
    419     d2.~ |
    420     d8 r r4 r | \break
    421 %bar 45
    422     d8 r r4 d8 r |
    423     r4 g8 r r4 |
    424     e8 r r4 e8 r |
    425     r4 a8_\markup{\italic "cresc."} r r4 |
    426     a8 r r4 r |
    427 %bar 50
    428     b8\f r r4 r |
    429     g8 r r4 r |
    430     a8 r r4 r | \break
    431     a8 r r4 r |
    432     <d, a'>2._\markup{\italic "dolce"}( |
    433 %bar 55
    434     <d a'> |
    435     <d a'> |
    436     <d a'>) |
    437     <d,( a'(>\pp |
    438     <d a'> |
    439 %bar 60
    440     <d) a')>8 r r4 r |
    441     <a' e' cs'>8\ff r r4 r |
    442     <d, a' fs' d'>8 r r4_\markup{\bold "Fine"} \break \bar ":|."
    443   }
    444   \repeat volta 2 {
    445     \key g \major
    446     d'4-._\markup{\italic "dolce"}^\markup{\large\bold "Trio"} |
    447     \set Score.barNumberVisibility = #all-bar-numbers-visible
    448     \set Score.currentBarNumber = #1
    449 %bar 1
    450     d2.~ |
    451     \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
    452     d4 e8-. fs-. g-. a-. |
    453     b( c) d2~ |
    454     d8 r e( d) as[( b]) |
    455 %bar 5
    456     d( c) gs4( a) |
    457     r d8( c) gs[( a]) | \break
    458     c( b) fs[( g]) cs,!( d) |
    459     b4-. g^.( d'-.) |
    460     d2.~ |
    461 %bar 10
    462     d4 e8-. fs-. g-. a-. |
    463     b( c) d2-> |
    464     r4 b8 cs d e |
    465     fs( g) fs2-> | \break
    466     r4 fs,8 g fs g |
    467 %bar 15
    468     fs( g fs e cs d) |
    469     b4 r
    470   }
    471   \repeat volta 2 {
    472     cs'!8( d) |
    473     ds( e) b[( c]) gs( a) |
    474     fs4-. d-. d'\>~ |
    475     << d {s8 s\!} >> b8-. c d[( b]) | \break
    476 %bar 20
    477     c( a) g4 cs8( d) |
    478     ds( e) b[( c]) gs( a) |
    479     fs4-. d-. d'->~ |
    480     d b8-. c-. d[( b]) |
    481     c( a) g4-. fs8-. g-. |
    482 %bar 25
    483     a( g) fs( g f g) |
    484     e2 gs8-. a-. | \break
    485     b( a) gs( a e a) |
    486     g4( fs) as8-. b-. |
    487     c[( b]) as( b a b) |
    488 %bar 30
    489     g2 b8-. c-. |
    490     d( c b c) g( c) |
    491     b4( a) cs8-.( d-.) |
    492     e( d e d) c-.[( b-.]) | \pageBreak
    493 
    494     d( c d c) b[( a]) |
    495 %bar 35
    496     g[( ds]) e-. fs-. g-. a-. |
    497     b_\markup{\italic "cresc."} c ds e fs g |
    498     g( fs e) d-. cs-. d-. |
    499     e( d) b( c) a-. d-. |
    500   }
    501   \alternative {
    502     {g,2. | r4 r \break}
    503 %bar 40
    504     {g2. | r4 }
    505   }
    506   a8-. b-. c-. d-. |
    507   ds4-. e2-> |
    508   r4 e8-. d-. c-. b-. |
    509   d4 c2-. |
    510 %bar 45
    511   r4 gs8-. a-. b-. c-. | \break
    512   b( d cs d) c-.[ a-.] |
    513   b( as b g) a[ fs] |
    514   g2.~ |
    515   g4 a8( b) c-. d-. |
    516 %bar 50
    517   ds4 e2-> |
    518   r4 e8-. d-. c-. b-. | \break
    519   d4-. c2-> |
    520   r4 gs8-. a-. b-. c-. |
    521   b\f( d fs g) e-.[( c-.]) |
    522 %bar 55
    523   b( cs e d) c-.[( a-.]) |
    524   g2. |
    525   r4  r  \bar "||"
    526 }
    527 
    528 Andante = \relative c' {
    529   \global
    530   \key a \major
    531   \time 9/8
    532   \clef tenor
    533   \tempo "Cavate"
    534   \repeat volta 2 {
    535 %bar 1
    536     e4. e fs8( e ds) |
    537     \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
    538     e4.~( e4 d8) cs4 r8
    539     cs4 d8( b4 fs'->) e8 ds |
    540     e8. fs16-.( d-. e-.) cs4 r8 r4 r8 |
    541 %bar 5
    542     e4. e( a8) fs e | \break
    543     ds8. e16-.( fs-. gs-.) a4 b8 a4 g8 |
    544     b8( a) fs a( g) e gs( fs) ds |
    545     fs4.\trill e4. r4 r8 |
    546   }
    547   \repeat volta 2 {
    548     d8( cs) d b4 cs8 d( fs) e |
    549 %bar 10
    550     cs4( d16) ds e4.( a16 gs) fs-.( e-. d-. cs-.) | \break
    551     e8._>( d16) cs-.( d-.) e8._>( d16) cs-.( d-.) b8( fs'_>) e16-.[( d-.]) |
    552     cs8. cs16-.( d-. ds-.) e4 r8 a\< gs g |
    553     g4\! fs16-.( e-.) es4\>( fs16) r\! b8 as a |
    554     a4 gs16-.( fs-.) fs4 e8 fs-.( gs-. a-.) | \break
    555 %bar 15
    556     gs8. fs16-.( e-.) d( fs8.) e16-.( d-.) cs( e8.)  d16-.( cs-. b-.) |
    557   }
    558   \alternative {
    559     {\acciaccatura cs8 b4.\trill a r4 r8}
    560     {a4 r8}
    561   }
    562   cs'8._>( b16-. a-. gs-. fs-. e-. d-. cs-. b-. cs-.) |
    563   b4->( a16) r a'8.( gs16-. fs-. e-. d-. cs-. b-. a-. gs-. a-.) | \break
    564   fs4\f\> gs16-.( a-. b-. cs-. d-. e-. fs-. gs-.) \clef treble
    565     a-.( b-. cs-. d-.^\markup{\italic "ritard."} e-. fs-.\!) \clef tenor |
    566   fs,8_>^\markup{\italic "a tempo"}( e) cs-. fs8_>( e) cs-. e_>( d) b-. |
    567 %bar 20
    568   cs4 r8 cs'8._>( b16-. a-. gs-. fs-. e-. d-. cs-. b-. cs-.) | \break
    569   b4->( a16) r a'8.( gs16-. fs-. e-. d-. cs-. b-. a-. gs-. a-.) |
    570   fs4\f\> gs16-.( a-. b-. cs-. d-. e-. fs-. gs-.) \clef treble
    571     a-.( b-. cs-. d-.^\markup{\italic "ritard."} e-. fs-.\!) \clef tenor |
    572   fs,8_>^\markup{\italic "a tempo"}( e) cs-. fs8_>( e) cs-. e_>( d) b-. | \break
    573   d4 r8 fs8\pp( e) cs-. e( d) b-. |
    574 %bar 25
    575   cs4 r8 \clef treble fs'( e) cs-. e( d) b-. |
    576   a4 r8 a'4\flageolet r8 a4\flageolet r8 |
    577   a2_\markup{\italic "morendo"}~ a4 r8\fermata \bar "|." \pageBreak
    578 }
    579 
    580 Rondo = \relative c' {
    581   \global
    582   \time 6/8
    583   \key d \major
    584   \clef bass
    585   \tempo "Allegretto"
    586 
    587   \partial 8 r8
    588   d,,4_\markup{\italic "dolce"} r8 r4 r8|
    589   \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
    590   d4 r8 r4 r8|
    591   cs4 r8 r4 r8|
    592   d4 r8 r4 r8|
    593 %bar 5
    594   d4 r8 r4 r8|
    595   d4 r8 r4 r8|
    596   e4 r8 e4 r8 | \break
    597   a4 r8 r4 r8 |
    598   d,4 r8 <fs' d'>4 r8 |
    599 %bar 10
    600   d,4 r8 <fs' d'>4 r8 |
    601   cs,4 r8 <e' cs'>4 r8 |
    602   d,4 r8 <fs' d'>4 r8 |
    603   d,4 r8 <fs' d'>4 r8 |
    604   d,4 r8 <fs' d'>4 r8 |
    605 % bar 15
    606   <e, e' a>4 r8 <e b' gs'>4 r8 | \break
    607   a4 r8 r4 a'8^\markup{\italic "arco"}_\markup{\italic "dolce"} |
    608   e'4( fs8-.) g4( fs8-.) |
    609   e4.( a,8) r a |
    610   \appoggiatura {a32 cs} b4( a8) a-. b-. cs-. |
    611 %bar 20
    612   d8-.[( r e-.]) fs8 r r |
    613   b,4\f r8 cs4 r8 |
    614   d4 r8 e,4 fs16( g) | \break
    615   a8.( b16) cs-. d-. e8( g) cs, |
    616   d d-.( \acciaccatura fs e-.) d8 r a_\markup{\italic "dolce"} |
    617 %bar 25
    618   e'4( fs8-.) g4( fs8-.) |
    619   e4.( a,8) r a |
    620   \appoggiatura {a32 cs} b4 a8 a b cs |
    621   d4( e8-.) fs r r | \break
    622   b,4\f r8 cs4 r8 |
    623 %bar 30
    624   d4 r8 e,4 fs16( g) |
    625   a8.( b16) cs-. d-. e8( g) cs, |
    626   d,,\ff <fs' d'> r d, <fs' d'> r |
    627   d, <fs' d'> r d, r r |
    628   <cs a'>[ r <cs a'>] r <cs a'> r | \break
    629 %bar 35
    630   <cs a'>4.~ <cs a'>8 r r |
    631   d <fs' d'> r d, <fs' d'> r |
    632   d, <fs' d'> r d, r r |
    633   <as' fs'>8[ r <as fs'>] r <as fs'> r |
    634   <as fs'>4.~ <as fs'>8 r r |
    635 %bar 40
    636   b8 b' r d, r r | \break
    637   e4.( gs8) r r |
    638   a, a' r a, r r |
    639   b4.( b'8) r r |
    640   e,2.~ |
    641 %bar 45
    642   e |
    643   e,~ |
    644   e~ |
    645   e8 r r r4 r8 |
    646   a4.~\ff a8 r r | \break
    647 %bar 50
    648   gs8 r r a r r |
    649   d r r e r r |
    650   a, r r r4 r8 |
    651   \clef treble
    652   cs''4._\markup{\italic "dolce"}~ cs8 d-.( cs-.) |
    653   b4.~ b4 fs8 |
    654 %bar 55
    655   gs4. \grace a8 g-.( fs-. e-.) | \break
    656   e4.( a4) r8 |
    657   cs4.~ cs8 bs-.( cs-.) |
    658   e4.~ e4 cs8 |
    659   bs4( cs8) ds( fs) e |
    660 %bar 60
    661   cs2. |
    662   b4.~ b8 cs-.d-. |
    663   fs8 e4.-> d8-. cs-. | \break
    664   cs8-. as-. b4-> d8-.( cs-.) |
    665   gs-.( a-.) e4-> r8 r |
    666 %bar 65
    667   b'4.~ b8 cs-.( d-.) |
    668   fs8 e4.-> d8-. cs-. |
    669   cs8-. as-. b4 d8-.( cs-.) |
    670   a8 r r a\f( b) a-. | \pageBreak
    671 
    672   a8 r r a( b) a-. |
    673 %bar 70
    674   a8 r a'4-> gs8-.( fs-.) |
    675   fs( e) cs-. e( d) b-. |
    676   bs4 cs8 a8( b) a-. |
    677   bs4 cs8 a8( b) a-. |
    678   a'2.\ff | \break
    679 %bar 75
    680   a4 fs8( a) gs fs-. |
    681   e4 fs16( gs) a( gs fs) e-. ds-. e-. |
    682   fs16( e d!) cs-. bs-. cs-. d-. cs-. b-. a-. gs-. fs-. |
    683   e8-. e'-. cs-. a'-. a,-. d-. | \break
    684   \acciaccatura cs8 b2.\trill |
    685 %bar 80
    686   a4. r4 r8 |
    687   \clef bass
    688   a,,4^\markup{\italic "pizz."}_\markup{\italic "dolce"} r8 a'4 r8 |
    689   ds,,4 r8 <b' fs'> 4 r8 |
    690   e,4 r8 <e' d'>4 r8 |
    691   a,4 r8 <e' cs'>4 r8 |
    692 %bar 85
    693   a,4 r8 a'4 r8 |
    694   gs,4 r8 cs'4 r8 | \break
    695   gs,4 r8 bs'4 r8 |
    696   cs4 r8 cs,4 r8 |
    697   d4 r8 e4 r8 |
    698 %bar 90
    699   cs4 r8 b4 r8 |
    700   gs4 r8 e4 r8 |
    701   a4 r8 cs4 r8 |
    702   d4 r8 e4 r8 | \break
    703   cs4 r8 a4 r8 |
    704 %bar 95
    705   gs4 r8 e4 r8 |
    706   a4 r8 g'!8^\markup{\italic "arco"} r r |
    707   fs r r cs r r |
    708   d r r ds4.( |
    709   e8) r r e, r r | \break
    710 %bar 100
    711   a8 r r g'! r r |
    712   fs r r cs r r |
    713   f\ff r r e r r |
    714   ds4.~ ds8 r r |
    715   e4 r8 r4 r8 |
    716 %bar 105
    717   R1*6/8
    718   e,8 r r r4 r8 | \break
    719   e'8 e r e, r r |
    720   a r r r4 r8 |
    721   d4.\ff\>~ d8\! r r |
    722 %bar 110
    723   a8 r r r4 r8 |
    724   d4.\ff~ d8 r r |
    725   a8 r r d4.\ff-> |
    726   a8 r r d4.-> | \break
    727   a8 r r r4 r8 |
    728 %bar 115
    729   R1*6/8*2
    730   d,4^\markup{\italic "pizz."}_\markup{\italic "dolce"} r8 r4 r8 |
    731   d4 r8 r4 r8 |
    732   cs4 r8 r4 r8 |
    733 %bar 120
    734   d4 r8 r4 r8 |
    735   d4 r8 <fs' d'>4 r8 | \break
    736   d,4 r8 <fs' d'>4 r8 |
    737   <e, cs' a'>4 r8 <e b'gs'>4 r8 |
    738   a4 r8 r4^\markup{\italic "arco"} a'8_\markup{\italic "dolce"} |
    739 %bar 125
    740   e'4( fs8-.) g4( fs8-.) |
    741   e4.( a,8) r a |
    742   \appoggiatura {a32 cs} b4( a8) a b cs |
    743   d-.[( r e-.]) fs r r | \break
    744   b,4\f r8 cs4 r8 |
    745 %bar 130
    746   d4 r8 r4 fs,16( g) |
    747   a8.( b16) cs-. d-. e8( g) cs, |
    748   d d-.( \acciaccatura fs e-.) d r a_\markup{\italic "dolce"} |
    749   e'4( fs8-.) g4( fs8-.) |
    750   e4.( a,8) r a | \break
    751 %bar 135
    752   \appoggiatura {a32 cs} b4( a8) a b cs |
    753   d-.[( r e-.]) fs r r |
    754   b,4\f r8 cs4 r8 |
    755   d4 r8 e,4 fs16( g) |
    756   a8.( b16) cs-. d-. e8( g) cs, |
    757 %bar 140
    758   d4. r4 \bar "||" \pageBreak
    759 
    760   \key g \major
    761   \set Score.barNumberVisibility = ##f
    762   r8^\markup{\large\bold "Trio"} |
    763   \set Score.barNumberVisibility = #all-bar-numbers-visible
    764   \set Score.currentBarNumber = #1
    765   R1*6/8*3
    766   \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
    767   g,,8^\markup{\italic "pizz."}_\markup{\italic "dolce"} b d g[ d]
    768   \repeat volta 2 {
    769     b8 |
    770 %bar 5
    771     g4 r8 g'4 r8 |
    772     c,,4 r8 c'4 r8 |
    773     g4 r8 g'4 r8 |
    774     d,4 r8 d' c a | \break
    775     g4 r8 g'4 r8 |
    776 %bar 10
    777     c,,4 r8 c'4 r8 |
    778     d4 r8 d,4 r8 |
    779     g'8 d b g4
    780   }
    781   \repeat volta 2 {
    782     r8 |
    783     b2.\p^\markup{\italic "arco"}~ |
    784     b8 r r r4 r8 |
    785 %bar 15
    786     b' r r b, r r | \break
    787     e r r r4 r8 |
    788     a,2.~ |
    789     a8 r r r4 r8 |
    790     a' r r a, r r |
    791 %bar 20
    792     d r r r4 r8 |
    793     g,4^\markup{\italic "pizz."} r8 g'4 r8 |
    794     c,,4 r8 c'4 r8 |
    795     g4 r8 g'4 r8 | \break
    796     d,4 r8 d' c a |
    797 %bar 25
    798     g4 r8 g'4 r8 |
    799     c,,4 r8 c'4 r8 |
    800     d4 r8 d,4 r8 |
    801   }
    802   \alternative {
    803     {g'8 d b g4}
    804     {g8\ff^\markup{\italic "arco"}[ g']}
    805   }
    806   r8 f r r |
    807   e4. r4 r8 |
    808 %bar 30
    809   a, a' r g r r |
    810   fs4. r4 r8 |
    811   b, b' r a r r |
    812   g r r g r r |
    813   fs2.~ |
    814 %bar 35
    815   fs2. |
    816   fs,2.~ |
    817   fs2.~ | \break
    818   fs8 r r r4 r8 |
    819   b4.\ff->~ b8 r r |
    820 %bar 40
    821   fs r r r4 r8 |
    822   b4.\ff->~ b8 r r |
    823   fs r r b4.-> |
    824   fs8 r r b4.-> |
    825   fs8 r r r4 r8 |
    826 %bar 45
    827   R1*6/8*4  \bar "||" \break
    828   \key d \major
    829   d4^\markup{\italic "pizz."} r8 r4 r8 |
    830 %bar 50
    831   d4 r8 r4 r8 |
    832   cs4 r8 r4 r8 |
    833   d4 r8 r4 r8 |
    834   d4 r8 <fs' d'>4 r8 |
    835   d,4 r8 <fs' d'>4 r8 |
    836 %bar 55
    837   <e, cs' a'>4 r8 <e b' gs'>4 r8 |
    838   a4 r8 r4 a'8^\markup{\italic "arco"} | \break
    839   e'4_\markup{\italic "dolce"}( fs8-.) g4( fs8-.) |
    840   e4.( a,8) r a |
    841   \appoggiatura {a32 cs} b4( a8) a b cs |
    842 %bar 60
    843   d-.[( r e-.]) fs r r |
    844   b,4\f r8 cs4 r8 |
    845   d4 r8 e,4 fs16( g) |
    846   a8.( b16) cs-. d-. e8( g) cs, | \break
    847   d d( \acciaccatura fs e-.) d r a_\markup{\italic "dolce"} |
    848 %bar 65
    849   e'4( fs8-.) g4( fs8-.) |
    850   e4.( a,8) r a |
    851   \appoggiatura {a32 cs} b4( a8) a b cs |
    852   d-.[( r e-.]) fs r r |
    853   b,4\f r8 cs4 r8 |
    854 %bar 70
    855   d4 r8 e,4 fs16( g) | \break
    856   a8.( b16) cs-. d-. e8( g) cs, |
    857   d\ff d r as r r |
    858   b b r fs r r |
    859   g g r gs r r |
    860 %bar 75
    861   a2. |
    862   d,8 d r as r r | \break
    863   b b r fs r r |
    864   g g r gs r r |
    865   a2. |
    866 %bar 80
    867   d8\ff d' r <a, e' cs'> r r |
    868   <a fs' d'> r r <a e' a> r r |
    869   d, d' r  <cs, a' e'> r r | \break
    870   <d b' fs'> r r <cs a' e'> r r |
    871   <d a' d>4 r8 r4 r8 |
    872 %bar 85
    873   r4 r8 r4 a''8\ff-> |
    874   fs4-> d8-> a4-> fs8-> |
    875   d4. r4\fermata_\markup{\large\bold "Fine"} \bar "|." \pageBreak
    876 %fin
    877 }
    878 
    879 \markup \abs-fontsize #20 {
    880   1. Allegro con brio
    881 }
    882 \markup \abs-fontsize #8 {
    883   "(numbers from bar 30 are shown one bar ahead. e.g. bar \"40\" is actually bar 39)"
    884 }
    885 
    886 \score {
    887   \new Staff \Allegro
    888 }
    889 
    890 \markup \abs-fontsize #20 {
    891   2. Minuetto
    892 }
    893 
    894 \score {
    895   \new Staff \Minuetto
    896 }
    897 
    898 \markup \abs-fontsize #20 {
    899   3. Andante Larghetto
    900 }
    901 
    902 \score {
    903   \new Staff \Andante
    904 }
    905 
    906 \markup \abs-fontsize #20 {
    907   4. Rondo
    908 }
    909 
    910 \score {
    911   \new Staff \Rondo
    912    \layout {
    913     \context {
    914       \Score
    915       \override NonMusicalPaperColumn.line-break-permission = ##f
    916       \override NonMusicalPaperColumn.page-break-permission = ##f
    917     }
    918   }
    919 }