Terzetto.ly (20834B)
1 \version "2.19" 2 \language "english" 3 4 \header { 5 title = "Terzetto" 6 subtitle = "für Violine, Violoncello und Gitarre" 7 composer = "N. Paganini" 8 tagline = "Violoncello" 9 } 10 11 \paper { 12 #(set-default-paper-size "a4") 13 page-breaking = #ly:minimal-breaking 14 } 15 16 global = { 17 \override Score.BarNumber.font-size = #1.5 18 \override Score.BarNumber.stencil 19 = #(make-stencil-boxer 0.1 0.25 ly:text-interface::print) 20 \set Score.barNumberVisibility = #all-bar-numbers-visible 21 \override Score.BarNumber.break-visibility = #end-of-line-invisible 22 \override Score.BarNumber.self-alignment-X = #LEFT 23 \compressFullBarRests 24 \override NonMusicalPaperColumn.line-break-permission = ##f 25 \override NonMusicalPaperColumn.page-break-permission = ##f 26 } 27 28 Allegro = \relative c' { 29 \global 30 \key d \major 31 \time 4/4 32 \clef tenor 33 \tupletSpan 4 34 \repeat volta 2 { 35 d2 fs | 36 \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5) 37 a2. g8 fs | 38 fs8( ds) e2 g8 fs | 39 e8( cs) d4. r8 r4 | 40 %bar 5 41 d2 fs | 42 \clef treble 43 d'2. cs8 b | \break 44 b8( a) gs a cs b a gs | 45 a8 r r4 a'8 r8 r4 | 46 \clef bass 47 <d,,,, a' fs'>^\markup{\italic "pizz."} r d' r | 48 %bar 10 49 <d, a' fs'> r d' r | 50 cs r cs, r | 51 d r a'' fs | \break 52 ds r ds, r | 53 e r g g' | 54 %bar 15 55 a r a, r | 56 <d, a' fs'> r r2 | 57 r4 d'8^\markup{\italic "arco"} r8 cs2^>( | 58 d8) r r4 r2 | 59 r4 d8 r cs2^>( | \break 60 %bar 20 61 d8) r r4 r2 | 62 r4 b8 r as2^>( | 63 b8) r r4 r2 | 64 b'8^\markup{\italic "pizz."}_\markup{\italic "dolce"} r r4 d8 r8 r4 | 65 cs8 r r4 a8 r r4 | 66 %bar 25 67 fs8 r r4 b,2^>^\markup{\italic "arco"}( | \break 68 e8) r e'\f r ds r d r | 69 cs r a r gs r a r | 70 e r e r ds r d r | 71 \set Score.currentBarNumber = #30 72 %bar 30 73 cs r a r gs r a r | \break 74 e' r r4 r \tuplet 3/2 { b'8\f( a g) } 75 e8 r r4 r \tuplet 3/2 { b8( a g) } | 76 e8 r r4 r b | 77 e8 r r4 <b' gs' e'>8 r8 r4 | 78 %bar 35 79 e8 r r4 \clef tenor e'2 | 80 fs-> \afterGrace gs(\trill { fs32 gs } | \break 81 b8) r a2-> gs8-. fs-. | 82 fs e e2-> d8-. b | 83 a8 r r4 r2 | 84 \clef bass 85 %bar 40 86 a,4\p^\markup{\italic "pizz."} r cs, r | 87 d r r2 | 88 e4 r e' r | \break 89 a,4 r r2 | 90 a4 r cs r | 91 %bar 45 92 fs r a, r | 93 gs a b b | 94 e, r r2 | 95 b'4 r e, r | 96 a r r2 | \break 97 %bar 50 98 b4 r e, r | 99 a r r r8 cs | 100 d4 r r2 | 101 cs4 r d r | 102 e r e, r | 103 %bar 55 104 a4 r r2 | 105 gs2\p^\markup{\italic "arco"}( b8) r r4 | \pageBreak 106 107 a8 r r4 r2 | 108 gs2( b8) r r4 | 109 a8 r r4 r r8 cs^\markup{\italic "pizz."} | 110 %bar 60 111 d4 r r2 | 112 cs r d r | 113 e r e, r | \break 114 a4 a'8^\markup{\italic "arco"} r gs r g r | 115 fs r b r as r a r | 116 %bar 65 117 gs r e r ds r d r | 118 cs r d r e r e, r | 119 a4 a'8 r gs r g r | 120 fs r b r as r a r | 121 gs r e\f^\markup{\italic "arco"} r ds r d r | 122 %bar 70 123 cs8 r d r e r e, r | \break 124 a8 r r4 r \tuplet 3/2 { e''8 d b } | 125 a8 r r4 r \tuplet 3/2 { e8 d b } | 126 a8 r r4 r2 | 127 \tuplet 3/2 { a8 cs e a cs e a e cs a e cs } 128 %bar 75 129 a2 r | \break 130 } 131 \repeat volta 2 { 132 \clef tenor 133 fs''2_\markup{\italic "dolce"}^\markup{\italic "Solo"} as | 134 cs2. b8( as) | 135 as( fss) gs2 b8 a | 136 gs8( es) fs2 r4 | 137 %bar 80 138 \clef bass 139 <d,, a' fs'>4^\markup{\italic "pizz."}_\markup{\italic "dolce"} r r2 | 140 <d a' fs'>4 r d'' r | 141 <cs,, a'> r cs'' r | \break 142 d,, r <d a' fs' d'> r | 143 \clef tenor 144 %bar 85 145 b''2 d | 146 fs2. e8( d) | 147 d( bs) cs2 e8( d) | 148 cs( as) b2 d8( c) | 149 b8 gs a2 b8(_\markup{\italic "cresc."} c) | \break 150 d4( g2) fs8 e | 151 %bar 90 152 e( cs) d2 c4 | 153 b4( g'2) fs8 e | 154 e8( cs) d2( c8 a) | 155 g8 r r4 r2 | 156 \clef bass | 157 r4 g,8\f r fs2( | \break 158 %bar 95 159 g8) r r4 r2 | 160 r4 g8 r fs2( | 161 gs8) r r4 r2 | 162 r4 g8 r ds2( | 163 e8) r r4 r2 | 164 %bar 100 165 <c c'>4^\markup{\italic "pizz."} r c'' r | 166 b4 r c r | \break 167 r4 cs,8 r cs2(^\markup{\italic "arco"} | 168 b8) r b'\f r as r a r | 169 g r e r fs r e r | 170 %bar 105 171 b r b r as r a r | 172 g r e r fs r e r | \break 173 b'\ff r r4 e,8 r r4 | 174 b'8 r r4 e,8 r r4 175 b'8 r r4 r2 | 176 %bar 110 177 b8 r r4 b'8 r r4 | 178 b,2 r | 179 R1*3 | 180 %bar 115 181 R1 | \pageBreak 182 183 \clef tenor 184 e'2(~ e8 \acciaccatura fs e16 ds e8[) r16 fs] | 185 g2(~ g8 \acciaccatura a g16 fs g8[) r16 a] | 186 b2( a4. c8) | 187 b2.. r16 c | 188 %bar 120 189 b2( a4) r8 b | 190 a2( g4) r8 g | \break 191 fs2( g8 a16 g fs8 e) | 192 fs2. r4 | 193 \clef bass 194 e,,4^\markup{\italic "pizz."} r <g' b> r | 195 %bar 125 196 e,4 r <g' b> r | 197 g, <g' b> d, <fs' c'> 198 g, b' g d | 199 g d b g | \break 200 fs fs' d b' | 201 %bar 130 202 fs r fs, r | 203 b b' r2 | 204 \clef tenor 205 b'2\<^\markup{\italic "arco"}(~ b8 \acciaccatura c b16 as b8[) r16 cs] | 206 d2\> a | 207 a4\!~ a a4.( b8) | \break 208 %bar 135 209 c2 g~ | 210 g4 g g4.( a8) | 211 b2( fs4.) fs8 | 212 g4.( a16 g fs4) e | 213 fs2 r | 214 %bar 140 215 e2(~ e8 \acciaccatura fs e16 ds e8[) r16 fs] | \break 216 gs2(~ gs8 \acciaccatura as gs16 fs gs8[) r16 a] | 217 b2( e4. d8) | 218 d2 c | 219 c->_\markup{\italic "decresc."} a4( f) | 220 %bar 145 221 e4.( fs8) g2~ | 222 g4 fs \acciaccatura fs8 e4 ds | \break 223 b'1_\markup{\italic "cresc."}( | 224 b4 c a) f | 225 e4._\markup{\italic "decresc."}( fs8) g2^\markup{\italic "ritard. a piacere"} | 226 %bar 150 227 g4 fs( c'\fermata) b | 228 e,2^\markup{\italic "a tempo"} r | 229 \clef bass 230 g,,4 d'' b g | 231 fs, fs' a d | \break 232 f, c' a f | 233 %bar 155 234 e, e' g c | 235 e, b' g e | 236 ds, r b'' ds, | 237 e e' c, c' | 238 b, b' a fs | 239 %bar 160 240 e, e' b' gs | \break 241 e_\markup{\italic "cresc."} b' gs e' | 242 e b gs e | 243 a e c a | 244 f f' c' a | 245 %bar 165 246 b,_\markup{\italic "decresc."} b' g e | 247 b r b'r | 248 g,_\markup{\italic "cresc."} e' b g | \break 249 a_\markup{\italic "decresc."} r r r | 250 b b' g^\markup{\italic "rit."} e | 251 %bar 170 252 <b ds> r r2 | 253 e,4 r r2 | 254 \clef tenor 255 e''2_\markup{\italic "dolce"}^\markup{\italic "arco"} gs | 256 b2. a8 gs | 257 gs( es) fs2 a8 gs | \break 258 %bar 175 259 fs( ds) e2 r4 | 260 \clef bass 261 c,,^\markup{\italic "pizz."} r g'' r | 262 e r c r | 263 g r b r | 264 c r <c, g' e' c'> r | 265 %bar 180 266 \clef tenor 267 a''2^\markup{\italic "arco"}_\markup{\italic "dolce"} c | 268 e2. d8 c | \break 269 c( as) b2 d8 cs | 270 b( gs) a2 c8 bf | 271 a( fs) g2 a8_\markup{\italic "cresc."} bf | 272 %bar 185 273 c4( f2) e8 d | 274 d( b) c2( bf4) | 275 a( f'2) e8 d | \pageBreak 276 277 d8( b) cs2 e,4 | 278 f8 r r4 r2 | 279 %bar 190 280 \clef bass 281 r4 f,8\f r e2( | 282 f8) r r4 r2 | 283 r4 f8 r e2( | 284 f8) r r4 r2 | \break 285 r4 d8 r cs!2( | 286 %bar 195 287 d8) r r4 r2 | 288 bf'8^\markup{\italic "pizz."}_\markup{\italic "dolce"} r r4 bf'8 r r4 | 289 f8 r r4 bf,8 r r4 | 290 bf'8 r r4 bf,2^\markup{\italic "arco"}_\markup{\italic "cresc."}( | 291 a8) r a' r gs r g r | \break 292 %bar 200 293 f r d r cs! r d r | 294 a8 r a r gs r g r | 295 f r d r cs! r d r | 296 a' r r4 <d, a' f'>8 r r4 | \break 297 <cs! a' e'>8 r r4 <d a' f'>8 r r4 | 298 %bar 205 299 <a'_4 cs^2>8 r r4 r2 | 300 a,8 r r4 a'8 r r4 | 301 a8 r r4 a'2-> | 302 b-> \afterGrace cs\trill( {b32 cs} | 303 e8) r d2-> cs8-. b-. | \break 304 %bar 210 305 b8 r a2-> g8-. e-. | 306 d r r4 r2 | 307 d,4_\markup{\italic "dolce"}^\markup{\italic "pizz."} r fs r | 308 g r r2 | 309 a4 r r2 | 310 %bar 215 311 d,4 r r2 | 312 d4 r fs r | \break 313 b r d r | 314 cs d e e, | 315 a r r2 | 316 %bar 220 317 cs1\p^\markup{\italic "arco"}( | 318 d8) r r4 r2 | 319 cs1( | 320 d8) r r4 r r8 fs,^\markup{\italic "pizz."} | \break 321 g4 r r2 | 322 %bar 225 323 fs4 r g r | 324 a r a r | 325 d, r r2 | 326 cs'2^\markup{\italic "arco"}~ cs8 r r4 | 327 d8 r r4 r2 | \break 328 %bar 230 329 cs2~ cs8 r r4 | 330 d8 r r4 r r8 fs,^\markup{\italic "pizz."} | 331 g4 r r2 | 332 fs4 r g r | 333 a r a r | 334 %bar 235 335 d,8 r d''^\markup{\italic "arco"} r cs r c r | \break 336 b r e r ds r d r | 337 cs r a r gs r g r | 338 fs r g r a r a, r| 339 d r d r cs r c r | \break 340 %bar 240 341 b r e r ds r d r | 342 cs r a'^\markup{\italic "arco"} r gs r g r| 343 fs r g r a r a, r | 344 d r r4 a8 r r4 | 345 d8 r r4 <a e' cs'>8 r r4 | \break 346 %bar 245 347 <d d'>8 r r4 <a e' cs'>8 r r4 | 348 <a fs' d'>8 r r4 <a e' a>8 r r4 | 349 <d, a' d>8 r r4 r2 | 350 \tuplet 3/2 {d8\f^\markup{\italic "arco"} fs a} \omit TupletNumber 351 \tuplet 3/2 {d fs a d a fs d a fs} | 352 d2 r \bar "|." \pageBreak 353 } 354 } 355 356 Minuetto = \relative c' { 357 \global 358 \key d \major 359 \clef bass 360 \time 3/4 361 \tempo "Allegro Vivace" 362 \repeat volta 2 { 363 \partial 8 r8 | 364 %bar 1 365 d,2._\markup{\italic "dolce"}~ | 366 \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5) 367 d8 r r4 r | 368 d2.~ | 369 d8 r r4 r | 370 %bar 5 371 d8 r r4 d8 r | 372 r4 cs8 r r4 | 373 cs2.( | 374 fs,8) r r4 r | \break 375 d'2.\fz~ | 376 %bar 10 377 d8 r r4 r | 378 d2.~ | 379 d8 r r4 r | 380 d8_\markup{\italic "dolce"} r r4 d8 r | 381 r4 cs8 r r4 | 382 %bar 15 383 cs2. | 384 fs,8 r r4 \break 385 } 386 \repeat volta 2 { 387 r4 | 388 c''2._\markup{\italic "dolce"}( | 389 b8) r r4 r | 390 c2.( | 391 %bar 20 392 b8) r r4 r | 393 d2.( | 394 cs!8) r r4 r | 395 d2.(_\markup{\italic "cresc."} | 396 cs!8) r r4 r | 397 %bar 25 398 e2.( | \break 399 d8) r r4 r | 400 b8\p r r4 r | 401 as2.( | 402 a!8) r r4 r | 403 %bar 30 404 gs2.( | 405 g!8) r r4 r | 406 fs2._\markup{\italic "cresc."}( | 407 b,8) r r4 r | \break 408 <a e'>2.( | 409 %bar 35 410 <a e'> 411 <a e'> 412 <a e'> 413 <a e'>8) r r4 r | 414 R1*3/4 415 %bar 40 416 R1*3/4 417 d2._\markup{\italic "dolce"}~ | 418 d8 r r4 r | 419 d2.~ | 420 d8 r r4 r | \break 421 %bar 45 422 d8 r r4 d8 r | 423 r4 g8 r r4 | 424 e8 r r4 e8 r | 425 r4 a8_\markup{\italic "cresc."} r r4 | 426 a8 r r4 r | 427 %bar 50 428 b8\f r r4 r | 429 g8 r r4 r | 430 a8 r r4 r | \break 431 a8 r r4 r | 432 <d, a'>2._\markup{\italic "dolce"}( | 433 %bar 55 434 <d a'> | 435 <d a'> | 436 <d a'>) | 437 <d,( a'(>\pp | 438 <d a'> | 439 %bar 60 440 <d) a')>8 r r4 r | 441 <a' e' cs'>8\ff r r4 r | 442 <d, a' fs' d'>8 r r4_\markup{\bold "Fine"} \break \bar ":|." 443 } 444 \repeat volta 2 { 445 \key g \major 446 d'4-._\markup{\italic "dolce"}^\markup{\large\bold "Trio"} | 447 \set Score.barNumberVisibility = #all-bar-numbers-visible 448 \set Score.currentBarNumber = #1 449 %bar 1 450 d2.~ | 451 \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5) 452 d4 e8-. fs-. g-. a-. | 453 b( c) d2~ | 454 d8 r e( d) as[( b]) | 455 %bar 5 456 d( c) gs4( a) | 457 r d8( c) gs[( a]) | \break 458 c( b) fs[( g]) cs,!( d) | 459 b4-. g^.( d'-.) | 460 d2.~ | 461 %bar 10 462 d4 e8-. fs-. g-. a-. | 463 b( c) d2-> | 464 r4 b8 cs d e | 465 fs( g) fs2-> | \break 466 r4 fs,8 g fs g | 467 %bar 15 468 fs( g fs e cs d) | 469 b4 r 470 } 471 \repeat volta 2 { 472 cs'!8( d) | 473 ds( e) b[( c]) gs( a) | 474 fs4-. d-. d'\>~ | 475 << d {s8 s\!} >> b8-. c d[( b]) | \break 476 %bar 20 477 c( a) g4 cs8( d) | 478 ds( e) b[( c]) gs( a) | 479 fs4-. d-. d'->~ | 480 d b8-. c-. d[( b]) | 481 c( a) g4-. fs8-. g-. | 482 %bar 25 483 a( g) fs( g f g) | 484 e2 gs8-. a-. | \break 485 b( a) gs( a e a) | 486 g4( fs) as8-. b-. | 487 c[( b]) as( b a b) | 488 %bar 30 489 g2 b8-. c-. | 490 d( c b c) g( c) | 491 b4( a) cs8-.( d-.) | 492 e( d e d) c-.[( b-.]) | \pageBreak 493 494 d( c d c) b[( a]) | 495 %bar 35 496 g[( ds]) e-. fs-. g-. a-. | 497 b_\markup{\italic "cresc."} c ds e fs g | 498 g( fs e) d-. cs-. d-. | 499 e( d) b( c) a-. d-. | 500 } 501 \alternative { 502 {g,2. | r4 r \break} 503 %bar 40 504 {g2. | r4 } 505 } 506 a8-. b-. c-. d-. | 507 ds4-. e2-> | 508 r4 e8-. d-. c-. b-. | 509 d4 c2-. | 510 %bar 45 511 r4 gs8-. a-. b-. c-. | \break 512 b( d cs d) c-.[ a-.] | 513 b( as b g) a[ fs] | 514 g2.~ | 515 g4 a8( b) c-. d-. | 516 %bar 50 517 ds4 e2-> | 518 r4 e8-. d-. c-. b-. | \break 519 d4-. c2-> | 520 r4 gs8-. a-. b-. c-. | 521 b\f( d fs g) e-.[( c-.]) | 522 %bar 55 523 b( cs e d) c-.[( a-.]) | 524 g2. | 525 r4 r \bar "||" 526 } 527 528 Andante = \relative c' { 529 \global 530 \key a \major 531 \time 9/8 532 \clef tenor 533 \tempo "Cavate" 534 \repeat volta 2 { 535 %bar 1 536 e4. e fs8( e ds) | 537 \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5) 538 e4.~( e4 d8) cs4 r8 539 cs4 d8( b4 fs'->) e8 ds | 540 e8. fs16-.( d-. e-.) cs4 r8 r4 r8 | 541 %bar 5 542 e4. e( a8) fs e | \break 543 ds8. e16-.( fs-. gs-.) a4 b8 a4 g8 | 544 b8( a) fs a( g) e gs( fs) ds | 545 fs4.\trill e4. r4 r8 | 546 } 547 \repeat volta 2 { 548 d8( cs) d b4 cs8 d( fs) e | 549 %bar 10 550 cs4( d16) ds e4.( a16 gs) fs-.( e-. d-. cs-.) | \break 551 e8._>( d16) cs-.( d-.) e8._>( d16) cs-.( d-.) b8( fs'_>) e16-.[( d-.]) | 552 cs8. cs16-.( d-. ds-.) e4 r8 a\< gs g | 553 g4\! fs16-.( e-.) es4\>( fs16) r\! b8 as a | 554 a4 gs16-.( fs-.) fs4 e8 fs-.( gs-. a-.) | \break 555 %bar 15 556 gs8. fs16-.( e-.) d( fs8.) e16-.( d-.) cs( e8.) d16-.( cs-. b-.) | 557 } 558 \alternative { 559 {\acciaccatura cs8 b4.\trill a r4 r8} 560 {a4 r8} 561 } 562 cs'8._>( b16-. a-. gs-. fs-. e-. d-. cs-. b-. cs-.) | 563 b4->( a16) r a'8.( gs16-. fs-. e-. d-. cs-. b-. a-. gs-. a-.) | \break 564 fs4\f\> gs16-.( a-. b-. cs-. d-. e-. fs-. gs-.) \clef treble 565 a-.( b-. cs-. d-.^\markup{\italic "ritard."} e-. fs-.\!) \clef tenor | 566 fs,8_>^\markup{\italic "a tempo"}( e) cs-. fs8_>( e) cs-. e_>( d) b-. | 567 %bar 20 568 cs4 r8 cs'8._>( b16-. a-. gs-. fs-. e-. d-. cs-. b-. cs-.) | \break 569 b4->( a16) r a'8.( gs16-. fs-. e-. d-. cs-. b-. a-. gs-. a-.) | 570 fs4\f\> gs16-.( a-. b-. cs-. d-. e-. fs-. gs-.) \clef treble 571 a-.( b-. cs-. d-.^\markup{\italic "ritard."} e-. fs-.\!) \clef tenor | 572 fs,8_>^\markup{\italic "a tempo"}( e) cs-. fs8_>( e) cs-. e_>( d) b-. | \break 573 d4 r8 fs8\pp( e) cs-. e( d) b-. | 574 %bar 25 575 cs4 r8 \clef treble fs'( e) cs-. e( d) b-. | 576 a4 r8 a'4\flageolet r8 a4\flageolet r8 | 577 a2_\markup{\italic "morendo"}~ a4 r8\fermata \bar "|." \pageBreak 578 } 579 580 Rondo = \relative c' { 581 \global 582 \time 6/8 583 \key d \major 584 \clef bass 585 \tempo "Allegretto" 586 587 \partial 8 r8 588 d,,4_\markup{\italic "dolce"} r8 r4 r8| 589 \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5) 590 d4 r8 r4 r8| 591 cs4 r8 r4 r8| 592 d4 r8 r4 r8| 593 %bar 5 594 d4 r8 r4 r8| 595 d4 r8 r4 r8| 596 e4 r8 e4 r8 | \break 597 a4 r8 r4 r8 | 598 d,4 r8 <fs' d'>4 r8 | 599 %bar 10 600 d,4 r8 <fs' d'>4 r8 | 601 cs,4 r8 <e' cs'>4 r8 | 602 d,4 r8 <fs' d'>4 r8 | 603 d,4 r8 <fs' d'>4 r8 | 604 d,4 r8 <fs' d'>4 r8 | 605 % bar 15 606 <e, e' a>4 r8 <e b' gs'>4 r8 | \break 607 a4 r8 r4 a'8^\markup{\italic "arco"}_\markup{\italic "dolce"} | 608 e'4( fs8-.) g4( fs8-.) | 609 e4.( a,8) r a | 610 \appoggiatura {a32 cs} b4( a8) a-. b-. cs-. | 611 %bar 20 612 d8-.[( r e-.]) fs8 r r | 613 b,4\f r8 cs4 r8 | 614 d4 r8 e,4 fs16( g) | \break 615 a8.( b16) cs-. d-. e8( g) cs, | 616 d d-.( \acciaccatura fs e-.) d8 r a_\markup{\italic "dolce"} | 617 %bar 25 618 e'4( fs8-.) g4( fs8-.) | 619 e4.( a,8) r a | 620 \appoggiatura {a32 cs} b4 a8 a b cs | 621 d4( e8-.) fs r r | \break 622 b,4\f r8 cs4 r8 | 623 %bar 30 624 d4 r8 e,4 fs16( g) | 625 a8.( b16) cs-. d-. e8( g) cs, | 626 d,,\ff <fs' d'> r d, <fs' d'> r | 627 d, <fs' d'> r d, r r | 628 <cs a'>[ r <cs a'>] r <cs a'> r | \break 629 %bar 35 630 <cs a'>4.~ <cs a'>8 r r | 631 d <fs' d'> r d, <fs' d'> r | 632 d, <fs' d'> r d, r r | 633 <as' fs'>8[ r <as fs'>] r <as fs'> r | 634 <as fs'>4.~ <as fs'>8 r r | 635 %bar 40 636 b8 b' r d, r r | \break 637 e4.( gs8) r r | 638 a, a' r a, r r | 639 b4.( b'8) r r | 640 e,2.~ | 641 %bar 45 642 e | 643 e,~ | 644 e~ | 645 e8 r r r4 r8 | 646 a4.~\ff a8 r r | \break 647 %bar 50 648 gs8 r r a r r | 649 d r r e r r | 650 a, r r r4 r8 | 651 \clef treble 652 cs''4._\markup{\italic "dolce"}~ cs8 d-.( cs-.) | 653 b4.~ b4 fs8 | 654 %bar 55 655 gs4. \grace a8 g-.( fs-. e-.) | \break 656 e4.( a4) r8 | 657 cs4.~ cs8 bs-.( cs-.) | 658 e4.~ e4 cs8 | 659 bs4( cs8) ds( fs) e | 660 %bar 60 661 cs2. | 662 b4.~ b8 cs-.d-. | 663 fs8 e4.-> d8-. cs-. | \break 664 cs8-. as-. b4-> d8-.( cs-.) | 665 gs-.( a-.) e4-> r8 r | 666 %bar 65 667 b'4.~ b8 cs-.( d-.) | 668 fs8 e4.-> d8-. cs-. | 669 cs8-. as-. b4 d8-.( cs-.) | 670 a8 r r a\f( b) a-. | \pageBreak 671 672 a8 r r a( b) a-. | 673 %bar 70 674 a8 r a'4-> gs8-.( fs-.) | 675 fs( e) cs-. e( d) b-. | 676 bs4 cs8 a8( b) a-. | 677 bs4 cs8 a8( b) a-. | 678 a'2.\ff | \break 679 %bar 75 680 a4 fs8( a) gs fs-. | 681 e4 fs16( gs) a( gs fs) e-. ds-. e-. | 682 fs16( e d!) cs-. bs-. cs-. d-. cs-. b-. a-. gs-. fs-. | 683 e8-. e'-. cs-. a'-. a,-. d-. | \break 684 \acciaccatura cs8 b2.\trill | 685 %bar 80 686 a4. r4 r8 | 687 \clef bass 688 a,,4^\markup{\italic "pizz."}_\markup{\italic "dolce"} r8 a'4 r8 | 689 ds,,4 r8 <b' fs'> 4 r8 | 690 e,4 r8 <e' d'>4 r8 | 691 a,4 r8 <e' cs'>4 r8 | 692 %bar 85 693 a,4 r8 a'4 r8 | 694 gs,4 r8 cs'4 r8 | \break 695 gs,4 r8 bs'4 r8 | 696 cs4 r8 cs,4 r8 | 697 d4 r8 e4 r8 | 698 %bar 90 699 cs4 r8 b4 r8 | 700 gs4 r8 e4 r8 | 701 a4 r8 cs4 r8 | 702 d4 r8 e4 r8 | \break 703 cs4 r8 a4 r8 | 704 %bar 95 705 gs4 r8 e4 r8 | 706 a4 r8 g'!8^\markup{\italic "arco"} r r | 707 fs r r cs r r | 708 d r r ds4.( | 709 e8) r r e, r r | \break 710 %bar 100 711 a8 r r g'! r r | 712 fs r r cs r r | 713 f\ff r r e r r | 714 ds4.~ ds8 r r | 715 e4 r8 r4 r8 | 716 %bar 105 717 R1*6/8 718 e,8 r r r4 r8 | \break 719 e'8 e r e, r r | 720 a r r r4 r8 | 721 d4.\ff\>~ d8\! r r | 722 %bar 110 723 a8 r r r4 r8 | 724 d4.\ff~ d8 r r | 725 a8 r r d4.\ff-> | 726 a8 r r d4.-> | \break 727 a8 r r r4 r8 | 728 %bar 115 729 R1*6/8*2 730 d,4^\markup{\italic "pizz."}_\markup{\italic "dolce"} r8 r4 r8 | 731 d4 r8 r4 r8 | 732 cs4 r8 r4 r8 | 733 %bar 120 734 d4 r8 r4 r8 | 735 d4 r8 <fs' d'>4 r8 | \break 736 d,4 r8 <fs' d'>4 r8 | 737 <e, cs' a'>4 r8 <e b'gs'>4 r8 | 738 a4 r8 r4^\markup{\italic "arco"} a'8_\markup{\italic "dolce"} | 739 %bar 125 740 e'4( fs8-.) g4( fs8-.) | 741 e4.( a,8) r a | 742 \appoggiatura {a32 cs} b4( a8) a b cs | 743 d-.[( r e-.]) fs r r | \break 744 b,4\f r8 cs4 r8 | 745 %bar 130 746 d4 r8 r4 fs,16( g) | 747 a8.( b16) cs-. d-. e8( g) cs, | 748 d d-.( \acciaccatura fs e-.) d r a_\markup{\italic "dolce"} | 749 e'4( fs8-.) g4( fs8-.) | 750 e4.( a,8) r a | \break 751 %bar 135 752 \appoggiatura {a32 cs} b4( a8) a b cs | 753 d-.[( r e-.]) fs r r | 754 b,4\f r8 cs4 r8 | 755 d4 r8 e,4 fs16( g) | 756 a8.( b16) cs-. d-. e8( g) cs, | 757 %bar 140 758 d4. r4 \bar "||" \pageBreak 759 760 \key g \major 761 \set Score.barNumberVisibility = ##f 762 r8^\markup{\large\bold "Trio"} | 763 \set Score.barNumberVisibility = #all-bar-numbers-visible 764 \set Score.currentBarNumber = #1 765 R1*6/8*3 766 \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5) 767 g,,8^\markup{\italic "pizz."}_\markup{\italic "dolce"} b d g[ d] 768 \repeat volta 2 { 769 b8 | 770 %bar 5 771 g4 r8 g'4 r8 | 772 c,,4 r8 c'4 r8 | 773 g4 r8 g'4 r8 | 774 d,4 r8 d' c a | \break 775 g4 r8 g'4 r8 | 776 %bar 10 777 c,,4 r8 c'4 r8 | 778 d4 r8 d,4 r8 | 779 g'8 d b g4 780 } 781 \repeat volta 2 { 782 r8 | 783 b2.\p^\markup{\italic "arco"}~ | 784 b8 r r r4 r8 | 785 %bar 15 786 b' r r b, r r | \break 787 e r r r4 r8 | 788 a,2.~ | 789 a8 r r r4 r8 | 790 a' r r a, r r | 791 %bar 20 792 d r r r4 r8 | 793 g,4^\markup{\italic "pizz."} r8 g'4 r8 | 794 c,,4 r8 c'4 r8 | 795 g4 r8 g'4 r8 | \break 796 d,4 r8 d' c a | 797 %bar 25 798 g4 r8 g'4 r8 | 799 c,,4 r8 c'4 r8 | 800 d4 r8 d,4 r8 | 801 } 802 \alternative { 803 {g'8 d b g4} 804 {g8\ff^\markup{\italic "arco"}[ g']} 805 } 806 r8 f r r | 807 e4. r4 r8 | 808 %bar 30 809 a, a' r g r r | 810 fs4. r4 r8 | 811 b, b' r a r r | 812 g r r g r r | 813 fs2.~ | 814 %bar 35 815 fs2. | 816 fs,2.~ | 817 fs2.~ | \break 818 fs8 r r r4 r8 | 819 b4.\ff->~ b8 r r | 820 %bar 40 821 fs r r r4 r8 | 822 b4.\ff->~ b8 r r | 823 fs r r b4.-> | 824 fs8 r r b4.-> | 825 fs8 r r r4 r8 | 826 %bar 45 827 R1*6/8*4 \bar "||" \break 828 \key d \major 829 d4^\markup{\italic "pizz."} r8 r4 r8 | 830 %bar 50 831 d4 r8 r4 r8 | 832 cs4 r8 r4 r8 | 833 d4 r8 r4 r8 | 834 d4 r8 <fs' d'>4 r8 | 835 d,4 r8 <fs' d'>4 r8 | 836 %bar 55 837 <e, cs' a'>4 r8 <e b' gs'>4 r8 | 838 a4 r8 r4 a'8^\markup{\italic "arco"} | \break 839 e'4_\markup{\italic "dolce"}( fs8-.) g4( fs8-.) | 840 e4.( a,8) r a | 841 \appoggiatura {a32 cs} b4( a8) a b cs | 842 %bar 60 843 d-.[( r e-.]) fs r r | 844 b,4\f r8 cs4 r8 | 845 d4 r8 e,4 fs16( g) | 846 a8.( b16) cs-. d-. e8( g) cs, | \break 847 d d( \acciaccatura fs e-.) d r a_\markup{\italic "dolce"} | 848 %bar 65 849 e'4( fs8-.) g4( fs8-.) | 850 e4.( a,8) r a | 851 \appoggiatura {a32 cs} b4( a8) a b cs | 852 d-.[( r e-.]) fs r r | 853 b,4\f r8 cs4 r8 | 854 %bar 70 855 d4 r8 e,4 fs16( g) | \break 856 a8.( b16) cs-. d-. e8( g) cs, | 857 d\ff d r as r r | 858 b b r fs r r | 859 g g r gs r r | 860 %bar 75 861 a2. | 862 d,8 d r as r r | \break 863 b b r fs r r | 864 g g r gs r r | 865 a2. | 866 %bar 80 867 d8\ff d' r <a, e' cs'> r r | 868 <a fs' d'> r r <a e' a> r r | 869 d, d' r <cs, a' e'> r r | \break 870 <d b' fs'> r r <cs a' e'> r r | 871 <d a' d>4 r8 r4 r8 | 872 %bar 85 873 r4 r8 r4 a''8\ff-> | 874 fs4-> d8-> a4-> fs8-> | 875 d4. r4\fermata_\markup{\large\bold "Fine"} \bar "|." \pageBreak 876 %fin 877 } 878 879 \markup \abs-fontsize #20 { 880 1. Allegro con brio 881 } 882 \markup \abs-fontsize #8 { 883 "(numbers from bar 30 are shown one bar ahead. e.g. bar \"40\" is actually bar 39)" 884 } 885 886 \score { 887 \new Staff \Allegro 888 } 889 890 \markup \abs-fontsize #20 { 891 2. Minuetto 892 } 893 894 \score { 895 \new Staff \Minuetto 896 } 897 898 \markup \abs-fontsize #20 { 899 3. Andante Larghetto 900 } 901 902 \score { 903 \new Staff \Andante 904 } 905 906 \markup \abs-fontsize #20 { 907 4. Rondo 908 } 909 910 \score { 911 \new Staff \Rondo 912 \layout { 913 \context { 914 \Score 915 \override NonMusicalPaperColumn.line-break-permission = ##f 916 \override NonMusicalPaperColumn.page-break-permission = ##f 917 } 918 } 919 }