Andante-Cantabile.ly (6806B)
1 \version "2.19" 2 \language "english" 3 4 Andante-Cantabile = \relative c' { 5 \global 6 \key f \major 7 \time 3/4 8 \tempo "Andante cantabile" 4 = 60 9 \clef tenor 10 11 df2.->^2\p | 12 c2^1~ c8. f,16\upbow | \stemDown 13 bf4.^4( a8) g16( a bf g) | \stemNeutral 14 e'2^3 f8.^2( g16^1\<) | 15 16 %bar 5 17 g4->( a->\upbow bf->\upbow\!) | 18 bf2\pp a8.( gs16) | 19 gs4\downbow\<( e'^3 d\upbow) | 20 d2\! c8.^2( b16) | \break 21 22 23 c4. r8 r8. a16^3 | 24 %bar 10 25 \mark #66 26 a4. e8^1( f g) | 27 e8.( d32^4 c b4) e,8.( d'16^3^\markup{\small"II"}) | 28 d2 c8.( b16) | 29 c2 b16^3( c d^1^\markup{\small"I"} e^2) | 30 f2 g8.( d16) | 31 %bar 15 32 e4(~ \tuplet 5/4 { e16 d^4 c g e } c8.) d16_1 | \break 33 34 35 e4\<(~ e16 g_1 b^\markup{\italic"rit."} a) g( e\! a^3_\markup{\small"II"} d) | 36 \mark \default \tempo \markup{\small"a tempo"} 37 df2.^2\pp | 38 c4.( f,8) \tuplet 6/4 { f16( g e f g_1 a) } | 39 e4.( a8) g16( a b g) | 40 %bar 20 41 e'2^3 f32( g f e f16 g) | 42 g4->\downbow( a->_1\upbow b_2\upbow) | \break 43 44 45 b2^3\> gs8.^4( fs16\!) | 46 e2 e,32\pp( fs gs a b cs^1 ds e) | 47 \mark \default 48 f4.^2( e8^3) d16\<( f bf^1 c) | 49 %bar 25 50 d4.\! a8^1( bf c) | 51 a8.\>( g32^4 f e4\!) a,8.^1( g'16) | \break 52 53 54 g2 f8.( e16) | 55 f2 e16\<( f g^1 a^2) | 56 bf2^2\! c8.^3( g16^1) | 57 %bar 30 58 a4~ a16 f^2( c^4 a^4 f8. g16) | 59 a4^\markup{\italic"rit."}(~ a16 c e d) f( e a g) | \break 60 61 62 \mark \default \tempo \markup {\small"a tempo"} 63 f2.\pp | 64 e4.( a,8^0) \tuplet 6/4 { a16( b gs a^0 b c) } | 65 d4.( cs8_\markup{\italic"cresc."}) b16\upbow( cs d b) | 66 gs'2\upbow a32( b\< a gs a16 b) | 67 b4->\upbow cs-> d->\! | 68 e4.\downbow( d8\>\upbow b^3 a) | 69 g2.\p~ | 70 g2. | \pageBreak 71 72 %page break 73 74 %bar 40 75 \mark \default 76 g4\pp\(~ g32 e a^0 g^4 e c^2 g e c8.\)( e16_1) | 77 e4.( g8^2\upbow_\markup{\small"III"} c^1_\markup{\small"II"} e) | 78 e4^2 f8.^3\upbow( d16^2) g4^1\downbow_\markup{\small"I"}~ | 79 g4.\< a16^1^\markup{\italic"rit."}( b c8\! g) | 80 g4^4 f16^\markup{\italic"a tempo"}( e f g e8.) e16( | \break 81 82 83 %bar45 84 g4) f16^4( e d g e8.) e16( | 85 g4) f16( e d g e8.) e16( | 86 g4) f16\>( e d c b a g\! f) | 87 \mark \default 88 e32\p\downbow[( gs_1 a gs] a b^3 c b c[) 89 ds^1\upbow_\markup{\small"I"}( e ds] e gs^1 a gs) a^1[( b c b a8]~ | \break 90 91 92 a16) gs( a^0 e fs) e( fs d^4) d[( c b32 e^4) r e,]^1\upbow | 93 %bar 50 94 e32\p[( gs a gs] a b^3 c b c[) ds^1( e ds] e gs^1 a gs) a^1[( b c b a8]~ | \break 95 96 97 \tupletSpan 4 98 \tuplet 6/4 { a16) gs\upbow( a gs a e) fs\downbow( e fs e fs cs) 99 d\upbow( cs d b e e,) } | 100 c'8.^4 b16( a4) \tuplet 6/4 { e16_1( fs gs a_0 b c) } | 101 d8. e16\downbow( f4) e8\upbow( d) | \break 102 103 104 d4^\markup{\italic"stringendo"}(~ d16 c\upbow b c) d\downbow( c b c) | 105 %bar 55 106 f4^4\<(~ f16 ef\downbow d ef) f\upbow( ef d\! ef) | 107 \mark \default \tempo \markup{\small"a tempo"} 108 af2.^3\pp | 109 g2~ g8. c,16-.\upbow | 110 f4.^4( e8) d16_\markup{\italic"cresc."}( e f d) | \break 111 112 113 \clef treble 114 b'2 c32^2( d c b c16 e) | 115 %bar 60 116 d4\<-> e^1-> f->\upbow | 117 g4.\f( f8\upbow)( d^3 bf) | 118 bf2._\markup{\dynamic"sf"\italic"dim."}~ | 119 bf2. | 120 \mark \default 121 bf4^2\p(~ bf32 g_0 c bf g_4 ef bf_2 g_4 \clef bass ef8.\upbow)( f16) | \break 122 123 124 %bar 65 125 g4. \clef treble bf8_2( ef_1 f) | 126 g4_2( af8.\upbow f16) bf4\downbow~ | 127 bf4. c16^1\upbow( d ef8 bf) | 128 bf4^3 af16( g af bf g8.) g16( | 129 bf4) af16( g f^\thumb bf g8.) g16\upbow | \break 130 131 132 %bar 70 133 gf32_1\pp[( df_2_\markup{\small"II"} ef d c16 df]) 134 f32_\thumb( df_2 c df ef16 f) gf!32( df! ef! df c16\upbow df) | \clef bass 135 gf,32^1[( df^2 ef d c df^1 ef df]) f^4( df^2 ef df c df ef df) 136 gf^1( df^2 ef df c df ef df) | \break 137 138 139 \mark \default 140 c4_\markup{\dynamic"mf"\italic"molto espress."}(~ c16 e\upbow g c) 141 \clef treble e\<( g c_3\upbow b\!) | 142 bf4.\sfz\downbow( d,8_1\downbow) d8.\upbow\> \clef bass g,,16_3\downbow( | 143 c4_1\!) c16( e g\< c) \clef treble e( g c\upbow b\!) | 144 %bar 75 145 bf!4.\downbow\sfz( d,8\downbow) d8.\>( g16) | \break 146 147 148 f4( e8\!) r r8. g16-. | 149 g4_\markup{\italic"cresc."}( f8) r r8. af16_2-. | 150 af4( g c\upbow) | 151 bf4.\< af8->\upbow( g->^4\downbow f->\!\upbow) | 152 %bar 80 153 \mark \default 154 e2._2_\markup{\dynamic"pp"\italic"sub."} | 155 ef2_1~ ef8. af,16\upbow \pageBreak 156 157 %page break 158 159 ds4._3^\markup{\small"II"}( c8) bf16( c d bf) | 160 g'2_2^\markup{\small"I"} af32_1( bf af g_\thumb af16 bf) | 161 bf4->\< c-> cs^2->\!\upbow | 162 %bar 85 163 d2\f b8._3\>( a16) | 164 << g2 { s4 s\mf} >> g,32_4\>( a_0 b c d_1 ef f_1 g) | \break 165 166 167 \mark \default 168 af2.\pp | 169 g4( af4. g8_3) | 170 fs2. | 171 %bar 90 172 f!4( gf4. g8_2) | 173 f4_\markup{\italic"sempre"\dynamic"pp"}( df4._3\upbow c8) | \clef bass 174 bf4.( f8\downbow) g32( f e f bf^1 df^3 f^1 g) | \clef treble 175 a2~ a8. bf16\downbow | \break 176 177 178 c2.\upbow~ | 179 %bar 95 180 \mark \default 181 c4\downbow~ c32\f a_\thumb( d c a_0 f_2 c_4 a_1 f8._4\upbow) g16_1\upbow | 182 a4._3 c8_4_\markup{\italic"molto espress."}^\markup{\small"I"}( f_2 g) | 183 a4_2 bf8.( g16) c4~ | 184 c4. d16^1( e f8 c) | \break 185 186 187 c4 bf16( a bf c) a8. a16 | 188 %bar 100 189 c4 bf16_2( a g_\thumb c) a8.\downbow a16 | 190 af32\<_\thumb( ef_2^\markup{\small"II"} f ef d16 ef) 191 g32_\thumb( ef f ef f16 g) af32_1( ef f\! ef d16\upbow ef) | \break 192 193 194 \clef bass 195 af,32^1\ff( ef^2 f ef d ef f ef) g^0( ef^2 f ef d ef f ef) af^1( ef f ef d ef f ef) | 196 ef4\ff(~ ef16 g\upbow bf ef) \clef treble g_1( bf ef_3\upbow d) | 197 fs2\sfz c8.^3( bf16) | 198 %bar 105 199 a4.--\sfz r8 f8.\ff( g16) | \break 200 201 202 a4-> af4.->\>( ff8_1) | 203 \mark \default 204 df2.^4\!_\markup{\dynamic"sfp"\italic"dim."}^\markup{\small"II"} | 205 c2~ c8. f,16\upbow | 206 bf4._4( a8) g16( a bf g) | 207 %bar 110 208 << e'2 { s4 s\< } >> f32_2( g f e f16 g) | 209 g4-> a->_2 bf->\!~ | 210 bf8 g->_4^\markup{\italic"quasi cadenza"} e-> d->_4 c-> bf-> | \break 211 212 213 \clef bass 214 \tuplet 3/2 { g8( e d) c( bf g) f--( e--\upbow d--\upbow) } | 215 c4\fermata \tuplet 6/4 { c32( d e f bf_1_\markup{\small"IV"} d_3 } c8_0) 216 \tuplet 6/4 { c32^4^\markup{\small"III"}( d^0 e f bf^1^\markup{\small"II"} 217 d^3 } c8) | \clef treble 218 %bar 115 219 \clef treble 220 \tuplet 6/4 { c32\downbow( d_\thumb e f bf d_\markup{\small"I"} } c8) 221 \tuplet 6/4 { d,32_\thumb( e f g bf d } c8) 222 \tuplet 6/4 { d,32( f g a bf d } c8) | \break 223 224 225 \tupletSpan 4 226 \tuplet 6/4 { fs,16^\markup{\italic"stringendo"}( g a bf d c) 227 fs,( g a bf d c) fs,( g a bf d c) } | 228 b32^1\<( c df c) b( c d c) b( c df c) b( c d\! c) 229 b( c df c) b( c) d\downbow e\upbow | \break 230 231 232 \mark \default 233 f2^2\ff \tuplet 6/4 { e16( f g f e f) } | 234 f,2_2 \tuplet 6/4 { e16( f g f e f) } | \clef bass 235 f,2\> \tuplet 6/4 { e16( f g f e f\!) } | 236 << \stemUp{ r4 c2 | r4 c2 | r4 c2~ | c2. } 237 \\ 238 \stemDown { f,2.\p | f_\markup{\italic"dim."} | f~ | f\ppp } 239 >> \bar "||" \key a \major \time 6/8 \pageBreak 240 } 241 242 % Local Variables: 243 % custom-lilypond-master-file: "Concerto-A-Major.ly" 244 % End: