lilypond

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Andante-Cantabile.ly (6806B)


      1 \version "2.19"
      2 \language "english"
      3 
      4 Andante-Cantabile = \relative c' {
      5   \global
      6   \key f \major
      7   \time 3/4
      8   \tempo "Andante cantabile" 4 = 60
      9   \clef tenor
     10 
     11   df2.->^2\p |
     12   c2^1~ c8. f,16\upbow | \stemDown
     13   bf4.^4( a8) g16( a bf g) | \stemNeutral
     14   e'2^3 f8.^2( g16^1\<) |
     15 
     16 %bar 5
     17   g4->( a->\upbow bf->\upbow\!) |
     18   bf2\pp a8.( gs16) |
     19   gs4\downbow\<( e'^3 d\upbow) |
     20   d2\! c8.^2( b16) | \break
     21 
     22 
     23   c4. r8 r8. a16^3 |
     24 %bar 10
     25   \mark #66
     26   a4. e8^1( f g) |
     27   e8.( d32^4 c b4) e,8.( d'16^3^\markup{\small"II"}) |
     28   d2 c8.( b16) |
     29   c2 b16^3( c d^1^\markup{\small"I"} e^2) |
     30   f2 g8.( d16) |
     31 %bar 15
     32   e4(~ \tuplet 5/4 { e16 d^4 c g e } c8.) d16_1 | \break
     33   
     34 
     35   e4\<(~ e16 g_1 b^\markup{\italic"rit."} a) g( e\! a^3_\markup{\small"II"} d) |
     36   \mark \default \tempo \markup{\small"a tempo"}
     37   df2.^2\pp |
     38   c4.( f,8) \tuplet 6/4 { f16( g e f g_1 a) } |
     39   e4.( a8) g16( a b g) |
     40 %bar 20
     41   e'2^3 f32( g f e f16 g) |
     42   g4->\downbow( a->_1\upbow b_2\upbow) | \break
     43   
     44 
     45   b2^3\> gs8.^4( fs16\!) |
     46   e2 e,32\pp( fs gs a b cs^1 ds e) |
     47   \mark \default
     48   f4.^2( e8^3) d16\<( f bf^1 c) |
     49 %bar 25
     50   d4.\! a8^1( bf c) |
     51   a8.\>( g32^4 f e4\!) a,8.^1( g'16) | \break
     52   
     53 
     54   g2 f8.( e16) |
     55   f2 e16\<( f g^1 a^2) |
     56   bf2^2\! c8.^3( g16^1) |
     57 %bar 30
     58   a4~ a16 f^2( c^4 a^4 f8. g16) |
     59   a4^\markup{\italic"rit."}(~ a16 c e d) f( e a g) | \break
     60   
     61 
     62   \mark \default \tempo \markup {\small"a tempo"}
     63   f2.\pp |
     64   e4.( a,8^0) \tuplet 6/4 { a16( b gs a^0 b c) } |
     65   d4.( cs8_\markup{\italic"cresc."}) b16\upbow( cs d b) |
     66   gs'2\upbow a32( b\< a gs a16 b) |
     67   b4->\upbow cs-> d->\! |
     68   e4.\downbow( d8\>\upbow b^3 a) |
     69   g2.\p~ |
     70   g2. | \pageBreak
     71 
     72 %page break
     73 
     74 %bar 40
     75   \mark \default
     76   g4\pp\(~ g32 e a^0 g^4 e c^2 g e c8.\)( e16_1) |
     77   e4.( g8^2\upbow_\markup{\small"III"} c^1_\markup{\small"II"} e) |
     78   e4^2 f8.^3\upbow( d16^2) g4^1\downbow_\markup{\small"I"}~ |
     79   g4.\< a16^1^\markup{\italic"rit."}( b c8\! g) |
     80   g4^4 f16^\markup{\italic"a tempo"}( e f g e8.) e16( | \break
     81   
     82 
     83 %bar45
     84   g4) f16^4( e d g e8.) e16( |
     85   g4) f16( e d g e8.) e16( |
     86   g4) f16\>( e d c b a g\! f) |
     87   \mark \default
     88   e32\p\downbow[( gs_1 a gs] a b^3 c b c[)
     89     ds^1\upbow_\markup{\small"I"}( e ds] e gs^1 a gs) a^1[( b c b a8]~ | \break
     90   
     91 
     92   a16) gs( a^0 e fs) e( fs d^4) d[( c b32 e^4) r e,]^1\upbow |
     93 %bar 50
     94   e32\p[( gs a gs] a b^3 c b c[) ds^1( e ds] e gs^1 a gs) a^1[( b c b a8]~ | \break
     95   
     96 
     97   \tupletSpan 4
     98   \tuplet 6/4 { a16) gs\upbow( a gs a e) fs\downbow( e fs e fs cs)
     99     d\upbow( cs d b e e,) } |
    100   c'8.^4 b16( a4) \tuplet 6/4 { e16_1( fs gs a_0 b c) } |
    101   d8. e16\downbow( f4) e8\upbow( d) | \break
    102   
    103 
    104   d4^\markup{\italic"stringendo"}(~ d16 c\upbow b c) d\downbow( c b c) |
    105 %bar 55
    106   f4^4\<(~ f16 ef\downbow d ef) f\upbow( ef d\! ef) |
    107   \mark \default \tempo \markup{\small"a tempo"}
    108   af2.^3\pp |
    109   g2~ g8. c,16-.\upbow |
    110   f4.^4( e8) d16_\markup{\italic"cresc."}( e f d) | \break
    111   
    112 
    113   \clef treble
    114   b'2 c32^2( d c b c16 e) |
    115 %bar 60
    116   d4\<-> e^1-> f->\upbow |
    117   g4.\f( f8\upbow)( d^3 bf) |
    118   bf2._\markup{\dynamic"sf"\italic"dim."}~ |
    119   bf2. |
    120   \mark \default
    121   bf4^2\p(~ bf32 g_0 c bf g_4 ef bf_2 g_4 \clef bass ef8.\upbow)( f16) | \break
    122   
    123 
    124 %bar 65
    125   g4. \clef treble bf8_2( ef_1 f) |
    126   g4_2( af8.\upbow f16) bf4\downbow~ |
    127   bf4. c16^1\upbow( d ef8 bf) |
    128   bf4^3 af16( g af bf g8.) g16( |
    129   bf4) af16( g f^\thumb bf g8.) g16\upbow | \break
    130   
    131 
    132 %bar 70
    133   gf32_1\pp[( df_2_\markup{\small"II"} ef d c16 df])
    134     f32_\thumb( df_2 c df ef16 f) gf!32( df! ef! df c16\upbow df) | \clef bass
    135   gf,32^1[( df^2 ef d c df^1 ef df]) f^4( df^2 ef df c df ef df)
    136   gf^1( df^2 ef df c df ef df) | \break
    137   
    138 
    139   \mark \default
    140   c4_\markup{\dynamic"mf"\italic"molto espress."}(~ c16 e\upbow g c)
    141     \clef treble e\<( g c_3\upbow b\!) |
    142   bf4.\sfz\downbow( d,8_1\downbow) d8.\upbow\> \clef bass g,,16_3\downbow( |
    143   c4_1\!) c16( e g\< c) \clef treble e( g c\upbow b\!) |
    144 %bar 75
    145   bf!4.\downbow\sfz( d,8\downbow) d8.\>( g16) | \break
    146   
    147 
    148   f4( e8\!) r r8. g16-. |
    149   g4_\markup{\italic"cresc."}( f8) r r8. af16_2-. |
    150   af4( g c\upbow) |
    151   bf4.\< af8->\upbow( g->^4\downbow f->\!\upbow) |
    152 %bar 80
    153   \mark \default
    154   e2._2_\markup{\dynamic"pp"\italic"sub."} |
    155   ef2_1~ ef8. af,16\upbow \pageBreak
    156 
    157 %page break
    158 
    159   ds4._3^\markup{\small"II"}( c8) bf16( c d bf) |
    160   g'2_2^\markup{\small"I"} af32_1( bf af g_\thumb af16 bf) |
    161   bf4->\< c-> cs^2->\!\upbow |
    162 %bar 85
    163   d2\f b8._3\>( a16) |
    164   << g2 { s4 s\mf} >> g,32_4\>( a_0 b c d_1 ef f_1 g) | \break
    165   
    166 
    167   \mark \default
    168   af2.\pp |
    169   g4( af4. g8_3) |
    170   fs2. |
    171 %bar 90
    172   f!4( gf4. g8_2) |
    173   f4_\markup{\italic"sempre"\dynamic"pp"}( df4._3\upbow c8) | \clef bass
    174   bf4.( f8\downbow) g32( f e f bf^1 df^3 f^1 g) | \clef treble
    175   a2~ a8. bf16\downbow | \break
    176   
    177 
    178   c2.\upbow~ |
    179 %bar 95
    180   \mark \default
    181   c4\downbow~ c32\f a_\thumb( d c a_0 f_2 c_4 a_1 f8._4\upbow) g16_1\upbow |
    182   a4._3 c8_4_\markup{\italic"molto espress."}^\markup{\small"I"}( f_2 g) |
    183   a4_2 bf8.( g16) c4~ |
    184   c4. d16^1( e f8 c) | \break
    185   
    186 
    187   c4 bf16( a bf c) a8. a16 |
    188 %bar 100
    189   c4 bf16_2( a g_\thumb c) a8.\downbow a16 |
    190   af32\<_\thumb( ef_2^\markup{\small"II"} f ef d16 ef)
    191   g32_\thumb( ef f ef f16 g) af32_1( ef f\! ef d16\upbow ef) | \break
    192   
    193 
    194   \clef bass
    195   af,32^1\ff( ef^2 f ef d ef f ef) g^0( ef^2 f ef d ef f ef) af^1( ef f ef d ef f ef) |
    196   ef4\ff(~ ef16 g\upbow bf ef) \clef treble g_1( bf ef_3\upbow d) |
    197   fs2\sfz c8.^3( bf16) |
    198 %bar 105
    199   a4.--\sfz r8 f8.\ff( g16) | \break
    200   
    201 
    202   a4-> af4.->\>( ff8_1) |
    203   \mark \default
    204   df2.^4\!_\markup{\dynamic"sfp"\italic"dim."}^\markup{\small"II"} |
    205   c2~ c8. f,16\upbow |
    206   bf4._4( a8) g16( a bf g) |
    207 %bar 110
    208   << e'2 { s4 s\< } >> f32_2( g f e f16 g) |
    209   g4-> a->_2 bf->\!~ |
    210   bf8 g->_4^\markup{\italic"quasi cadenza"} e-> d->_4 c-> bf-> | \break
    211   
    212 
    213   \clef bass
    214   \tuplet 3/2 { g8( e d) c( bf g) f--( e--\upbow d--\upbow) } |
    215   c4\fermata \tuplet 6/4 { c32( d e f bf_1_\markup{\small"IV"} d_3 } c8_0)
    216     \tuplet 6/4 { c32^4^\markup{\small"III"}( d^0 e f bf^1^\markup{\small"II"}
    217     d^3 } c8) | \clef treble
    218 %bar 115
    219   \clef treble
    220   \tuplet 6/4 { c32\downbow( d_\thumb e f bf d_\markup{\small"I"} } c8)
    221     \tuplet 6/4 { d,32_\thumb( e f g bf d } c8)
    222   \tuplet 6/4 { d,32( f g a bf d } c8) | \break
    223   
    224 
    225   \tupletSpan 4
    226   \tuplet 6/4 { fs,16^\markup{\italic"stringendo"}( g a bf d c)
    227     fs,( g a bf d c) fs,( g a bf d c) } |
    228   b32^1\<( c df c) b( c d c) b( c df c) b( c d\! c)
    229   b( c df c) b( c) d\downbow e\upbow | \break
    230   
    231 
    232   \mark \default
    233   f2^2\ff \tuplet 6/4 { e16( f g f e f) } |
    234   f,2_2 \tuplet 6/4 { e16( f g f e f) } | \clef bass
    235   f,2\> \tuplet 6/4 { e16( f g f e f\!) } |
    236   << \stemUp{ r4 c2 | r4 c2 | r4 c2~ | c2. }
    237     \\
    238      \stemDown { f,2.\p | f_\markup{\italic"dim."} | f~ | f\ppp }
    239   >> \bar "||" \key a \major \time 6/8 \pageBreak
    240 }
    241 
    242 % Local Variables:
    243 % custom-lilypond-master-file: "Concerto-A-Major.ly"
    244 % End: