etudes.org (11903B)
1 #+title: Popper Études 2 #+date: <2020-06-20 Sat> 3 #+options: num:nil toc:nil 4 5 I have gone through the effort of typesetting the first 20 of Popper's 6 cello études using [[https://lilypond.org][GNU LilyPond]]. The source code is available on both 7 [[https://gitlab.com/jamzattack/popper-etudes][Gitlab]] and [[https://git.jamzattack.xyz/popper][my git server]] , released to public domain. I encourage you 8 to make copies for yourself or your students. 9 10 If you find any errors, please don't hesitate to send me an [[mailto:jdb@jamzattack.xyz][email]]. 11 12 #+name: version-and-paper 13 #+begin_src LilyPond :exports none 14 \version "2.20" 15 \language "english" 16 \paper{ 17 indent=0\mm 18 line-width=170\mm 19 oddFooterMarkup=##f 20 oddHeaderMarkup=##f 21 bookTitleMarkup=##f 22 scoreTitleMarkup=##f 23 } 24 #+end_src 25 26 * All Etudes 27 28 - [[file:pdf/etudes.pdf][As a single PDF (40 pages, 5.7M)]] 29 - [[file:pdf/etudes.tar.gz][As a tarball (3.1M)]] 30 - [[file:pdf/etudes.zip][As a zip archive (3.1M)]] 31 32 * [[file:pdf/01.pdf][Étude No. 1]] 33 34 #+begin_src lilypond :file "preview/01.png" :noweb yes 35 <<version-and-paper>> 36 \relative c { 37 \tempo "Allegro molto moderato" 38 \key c \major 39 \time 4/4 40 \clef "bass" 41 \omit TupletNumber 42 \override TupletBracket.bracket-visibility = ##f 43 \tuplet 3/2 { % All notes but the last bar are triplets 44 % bar 1 45 c8\mf\upbow c' b a c g 46 f a e d f c | 47 b8\upbow d' c b d a 48 g b f e g d | 49 c8-2\upbow e'-4 d c-1 e b-1 50 a-0 c g f a e | \break 51 } 52 } 53 #+end_src 54 55 #+RESULTS: 56 [[file:preview/01.png]] 57 58 * [[file:pdf/02.pdf][Étude No. 2]] 59 60 #+begin_src lilypond :file "preview/02.png" :noweb yes 61 <<version-and-paper>> 62 \relative c { 63 \tempo "Andante" 64 \key g \major 65 \time 4/4 66 \clef "bass" 67 68 g16-0\p( d' b'-1 a c b d b 69 a g b g e d g d) | 70 g,16( d' b' a c b d b 71 a g b g e d g d) | \break 72 } 73 #+end_src 74 75 #+RESULTS: 76 [[file:preview/02.png]] 77 78 * [[file:pdf/03.pdf][Étude No. 3]] 79 80 #+begin_src lilypond :file "preview/03.png" :noweb yes 81 <<version-and-paper>> 82 \relative c' { 83 \key bf \minor 84 \time 4/4 85 \tempo "Andante" 86 \clef "bass" 87 88 df16\mf-4( a-0 bf-1 f-3 gf-4 e-2 f-3 bf 89 df) a( bf f gf e f bf | 90 df16) a-0( bf f'-4 ef df-1 c-3 bf 91 a) ef-1( gf-2 f af-4 gf f-1 c-2) | \break 92 } 93 #+end_src 94 95 #+RESULTS: 96 [[file:preview/03.png]] 97 98 * [[file:pdf/04.pdf][Étude No. 4]] 99 100 #+begin_src lilypond :file "preview/04.png" :noweb yes 101 <<version-and-paper>> 102 \relative c { 103 \tempo "Andante con moto" 104 \key fs \major 105 \time 3/4 106 \clef "bass" 107 \omit TupletNumber 108 \override TupletBracket.bracket-visibility = ##f 109 \tuplet 3/2 { % This one is also mostly triplets 110 % bar 1 111 cs8\p-1( as'-2 fs\thumb ds-2 b'-3 fs\thumb b,\thumb gs'-1 fs | 112 cs8-1 as' fs\thumb ds-2 b'-3 fs b,\thumb gs'-1 fs) | 113 cs8-1( as' fs\thumb cs'\thumb as-2 fs'-3 cs \clef "tenor" as'-2 fs\thumb | 114 cs'8-4 b-3 gs-1 b as fs\thumb as gs es-3) | \break 115 }} 116 #+end_src 117 118 #+RESULTS: 119 [[file:preview/04.png]] 120 121 * [[file:pdf/05.pdf][Étude No. 5]] 122 123 #+begin_src lilypond :file "preview/05.png" :noweb yes 124 <<version-and-paper>> 125 \relative c' { 126 \tempo "Allegro non troppo" 127 \key a \major 128 \time 6/8 129 \clef "bass" 130 131 % bar 1 132 e8.-1\downbow_\markup{\dynamic "mf" \italic "scherzando"} fs16 a,8-0 b8.-1 cs16 e,8 | 133 fs8.-3 a16-0 cs8-1 e8.-4 d16 a'8-2-0 | \clef "tenor" 134 gs8.-1 b16 fs8\thumb e8.-3 gs16-1 d8 | 135 cs8.-1 e16 b8\thumb a8.-3_G cs16-1 gs8-2 | 136 fs8.-1-> a16-3 cs8-1 fs8.\thumb gs16 a8 | \break 137 } 138 #+end_src 139 140 #+RESULTS: 141 [[file:preview/05.png]] 142 143 * [[file:pdf/06.pdf][Étude No. 6]] 144 145 #+begin_src lilypond :file "preview/06.png" :noweb yes 146 <<version-and-paper>> 147 \relative c { 148 \tempo "Allegro" 149 \key f \major 150 \time 4/4 151 \clef "bass" 152 153 % bar 1 154 f16 a d c b c a f 155 e g d' c b c g e | 156 d16-0 f c' b a-0 b f d 157 e-1 g d' c b c bf g | 158 } 159 #+end_src 160 161 #+RESULTS: 162 [[file:preview/06.png]] 163 164 * [[file:pdf/07.pdf][Étude No. 7]] 165 166 #+begin_src lilypond :file "preview/07.png" :noweb yes 167 <<version-and-paper>> 168 \relative c' { 169 \tempo "Lebhaft" 170 \key a \major 171 \time 4/4 172 \clef "bass" 173 \override TupletBracket.bracket-visibility = ##f 174 175 176 \tuplet 3/2 { % upbeat - triplet number is shown 177 \partial 4. 178 fs8-4\f( es e | 179 } 180 181 \omit TupletNumber % no triplet number for the rest of the piece 182 \tuplet 3/2 { 183 % bar 1 184 ds8-1 fs a,-0 c-2 b a 185 gs-1 b-4 d,-0 f-2 e d | 186 cs8-4) e-1( a-0 cs-3 b a 187 d-4 cs b e-4 d cs) | \break 188 }} 189 #+end_src 190 191 #+RESULTS: 192 [[file:preview/07.png]] 193 194 * [[file:pdf/08.pdf][Étude No. 8]] 195 196 #+begin_src lilypond :file "preview/08.png" :noweb yes 197 <<version-and-paper>> 198 \relative c' { 199 \tempo "Andante" 200 \key c \major 201 \time 4/4 202 \clef "treble" 203 204 % bar 1 205 c16\mf\thumb( d-1 e-2 g\thumb c-3 g a-1 e 206 g c, e-2 gf,-1 g-1 c\thumb d e) | 207 c16\thumb( d e g\thumb c-2 g a-1 e-2 208 g c, e-2 fs,-1 g-4 c\thumb d e) | \break 209 } 210 #+end_src 211 212 #+RESULTS: 213 [[file:preview/08.png]] 214 215 * [[file:pdf/09.pdf][Étude No. 9]] 216 217 #+begin_src lilypond :file "preview/09.png" :noweb yes 218 <<version-and-paper>> 219 \relative c' { 220 \tempo "Andante sostenuto" 221 \key ef \major 222 \time 2/4 223 \clef "treble" 224 \partial 8 225 226 << 227 { 228 g'16\thumb\downbow af-1 | 229 % bar 1 230 bf8\thumb c16-1 bf g8\thumb g16 af-1 | 231 bf16\thumb bf c bf ef8 g,16\thumb af-1 | 232 bf8\thumb c16-1 bf g8\thumb g16 af | \break 233 } 234 { 235 236 237 ef16_2_( f_3 | 238 % bar 1 239 g8_2) af16_3_( g ef8_2) ef16_( f_3 | 240 g16) g_( af g ef8) ef16_2_( f_3 | 241 g8) af16_3_( g ef8) ef16_( f | \break 242 } 243 >> 244 } 245 #+end_src 246 247 #+RESULTS: 248 [[file:preview/09.png]] 249 250 * [[file:pdf/10.pdf][Étude No. 10]] 251 252 #+begin_src lilypond :file "preview/10.png" :noweb yes 253 <<version-and-paper>> 254 \relative c, { 255 \tempo "Appassionato" 256 \key c \minor 257 \time 4/4 258 \clef "bass" 259 260 % bar 1 261 c16\f_0( g'_0 ef'_4 d c d c g_0) 262 f_2( g f ef_2 d_1 ef d c) | 263 b'16-2( af'-4 fs g ef'8.-4-> d16) 264 bf,16-1( af'-4 fs-2 g-3 df'8.-2-> c16) | \break 265 } 266 #+end_src 267 268 #+RESULTS: 269 [[file:preview/10.png]] 270 271 * [[file:pdf/11.pdf][Étude No. 11]] 272 273 #+begin_src lilypond :file "preview/11.png" :noweb yes 274 <<version-and-paper>> 275 \relative c, { 276 \tempo "Moderato" 277 \key f \major 278 \time 4/4 279 \clef "bass" 280 281 % hide triplet things, as this one is mostly triplets 282 \omit TupletNumber 283 \override TupletBracket.bracket-visibility = ##f 284 285 % bar 1 286 \tuplet 3/2 { 287 f8\mf a' e f d' c 288 c, a' e f d' cs | 289 d,8 bf' fs-3 g-3 ef'-4 d 290 d,-0 bf'-4 g df-2 bf' g | \break 291 }} 292 #+end_src 293 294 #+RESULTS: 295 [[file:preview/11.png]] 296 297 * [[file:pdf/12.pdf][Étude No. 12]] 298 299 #+begin_src lilypond :file "preview/12.png" :noweb yes 300 <<version-and-paper>> 301 \relative c'' { 302 \tempo "Allegro" 303 \key c \major 304 \time 4/4 305 \clef "treble" 306 \autoPageBreaksOff % Lilypond was trying to put the last line on its own page 307 308 % bar 1 309 c16\f-3( g\thumb e-2 c\thumb ds-1-> fs-3 a-1 c-3) 310 c( g\thumb e c d-> f a c) | 311 c16( g\thumb e c\thumb e\thumb g-2 c-1 e-3) 312 e( c g e g\thumb c-3 e-1 g-3) | \break 313 } 314 #+end_src 315 316 #+RESULTS: 317 [[file:preview/12.png]] 318 319 * [[file:pdf/13.pdf][Étude No. 13]] 320 321 #+begin_src lilypond :file "preview/13.png" :noweb yes 322 <<version-and-paper>> 323 \relative c' { 324 \tempo "Allegro molto moderato" 325 \key ef \major 326 \time 6/8 327 \clef "tenor" 328 \autoPageBreaksOff 329 330 % bar 1 331 << 332 { 333 ef8-3^I^( f-3 g-3) g^( af-3 bf-3) | 334 bf8-3^( c-3 d-3) ef4.-3\upbow | 335 ef8 bf\thumb^( c-1 bf) g\thumb^( af-1 | 336 g8\thumb) ef\thumb^( f-1 ef4.\thumb) | \break 337 } 338 { 339 ef,8\f_"II"_\thumb f_\thumb g_\thumb g_\thumb af_\thumb bf_\thumb | 340 bf8_\thumb c_\thumb d_\thumb ef4._\thumb | 341 ef8_\thumb g_2 af_3 g ef_2 c_\thumb | 342 ef8_2 c_2 af_\thumb c4._2 | \break 343 } 344 >> 345 346 } 347 #+end_src 348 349 #+RESULTS: 350 [[file:preview/13.png]] 351 352 * [[file:pdf/14.pdf][Étude No. 14]] 353 354 #+begin_src lilypond :file "preview/14.png" :noweb yes 355 <<version-and-paper>> 356 \relative c' { 357 \tempo "Moderato" 358 \key d \major 359 \time 4/4 360 \clef "tenor" 361 362 % bar 1 363 d16\mf_"I"\downbow( d'-4) cs\upbow( b a_0\thumb gs-3_II fs e 364 d_0\thumb cs-3_III b a g_0\thumb fs-3_IV e-2 d-1 | 365 e16\< fs g\thumb a-1 b cs d\thumb e-1 366 fs-2 g-3 a\thumb b-1\! a8) r | \break 367 } 368 #+end_src 369 370 #+RESULTS: 371 [[file:preview/14.png]] 372 373 * [[file:pdf/15.pdf][Étude No. 15]] 374 375 #+begin_src lilypond :file "preview/15.png" :noweb yes 376 <<version-and-paper>> 377 \relative c'' { 378 \tempo "Allegro Scherzando" 379 \key g \major 380 \time 6/8 381 \clef "treble" 382 \autoPageBreaksOff 383 384 % bar 1 385 d8-2_I b-.\thumb( fs-.-1_II) g-2->( e'-3_I) d-. | 386 b8-2 g-.\thumb( ds-1-.) e-2->( c'-3) b-. | 387 g8-2 e-.\thumb( b-1) c-2->( a'-3) g-. | \clef "tenor" 388 e8-2 c-.\thumb( gs-1-.) a-2->( f'-3) e-. | \clef "bass" 389 a,8-0\<( c) g-.-4 fs( c'-2) e,-. | \break 390 } 391 #+end_src 392 393 #+RESULTS: 394 [[file:preview/15.png]] 395 396 * [[file:pdf/16.pdf][Étude No. 16]] 397 398 #+begin_src lilypond :file "preview/16.png" :noweb yes 399 <<version-and-paper>> 400 \relative c { 401 \tempo "Allegro moderato" 402 \key c \major 403 \time 3/4 404 \clef "bass" 405 \autoPageBreaksOff 406 407 % Again, this one is invisible triplets 408 \omit TupletNumber 409 \override TupletBracket.bracket-visibility = ##f 410 \tuplet 3/2 { 411 412 % bar 1 413 c8-1^>_\markup{\dynamic {p} \italic "(capriccioso)"}( e-4) g,-0 414 c e-4 g-1 a-3 e-.-1 g-. | 415 a8->-0( c-2) e, a-0 c e-1 f c-.-4 e-. | 416 a,8-0\<( c) fs,-3 a-.-0 c-. e-.-1 fs-. c-4 e-. | \break 417 }} 418 #+end_src 419 420 #+RESULTS: 421 [[file:preview/16.png]] 422 423 * [[file:pdf/17.pdf][Étude No. 17]] 424 425 #+begin_src lilypond :file "preview/17.png" :noweb yes 426 <<version-and-paper>> 427 \relative c' { 428 \tempo "Con brio" 429 \key c \minor 430 \time 4/4 431 \clef "bass" 432 \autoPageBreaksOff 433 434 << 435 { 436 s8 c16-3( d-3 ef4-4->) s8 c16( d ef4->) | 437 s8 c16-3( d-3 ef-4 f-3 fs-4 g-3 438 af-4) g-3( fs-3 g-4 f-4) e-3( d-3 e-3) | 439 s8 f16-4( g-3 af4-4->) s8 f16( g af4->) | \break 440 } 441 { 442 \stemDown 443 c,,,8\f ef'16_1 f_1 g4_3 c,,8 ef'16 f g4 | 444 c,,8 ef'16_1 f_1 g_3 af_1 a_2 bf_1 445 c_3 bf_1 a_1 bf_2 af_2 g_1 f_1 g_1 | 446 f,8-1 af'16_2 bf_1 c4_3 f,,8-1 af'16 bf c4 | \break 447 } 448 >> 449 } 450 #+end_src 451 452 #+RESULTS: 453 [[file:preview/17.png]] 454 455 * [[file:pdf/18.pdf][Étude No. 18]] 456 457 #+begin_src lilypond :file "preview/18.png" :noweb yes 458 <<version-and-paper>> 459 \relative c'' { 460 \tempo "Allegro molto moderato" 461 \key d \major 462 \time 6/8 463 \clef "treble" 464 \override Fingering.staff-padding = #'() 465 466 \stemUp 467 \partial 8 468 a16_0_\thumb\p fs_2 | \bar ".|:" 469 % bar 1 470 b16_1 g_3 e_1 d' cs_2 e_0_4 471 d_3 a_0_\thumb fs_2 d_0_\thumb a'_0_\thumb fs_2 | 472 b16_1 g e d' cs e d a fs d a' fs | \break 473 } 474 #+end_src 475 476 #+RESULTS: 477 [[file:preview/18.png]] 478 479 * [[file:pdf/19.pdf][Étude No. 19]] 480 481 #+begin_src lilypond :file "preview/19.png" :noweb yes 482 <<version-and-paper>> 483 \relative c { 484 \tempo "Allegro" 485 \key ef \major 486 \time 4/4 487 \clef "bass" 488 \autoPageBreaksOff 489 490 % All but last bar is triplets 491 \omit TupletNumber 492 \override TupletBracket.bracket-visibility = ##f 493 \tuplet 3/2 { 494 495 % bar 1 496 r8 bf-3\upbow d-0 ef-1 bf d ef bf d ef bf'-4 g | 497 ef'8 g, bf ef,-1 g bf, ef g, bf ef, g bf | 498 af8 c e f c e f c e f-1 c' af-4 | \break 499 }} 500 #+end_src 501 502 #+RESULTS: 503 [[file:preview/19.png]] 504 505 * [[file:pdf/20.pdf][Étude No. 20]] 506 507 #+begin_src lilypond :file "preview/20.png" :noweb yes 508 <<version-and-paper>> 509 \relative c { 510 \tempo "Allegro Appassionato" 511 \key g \minor 512 \time 4/4 513 \clef "bass" 514 515 \autoPageBreaksOff 516 \omit TupletNumber 517 \override TupletBracket.bracket-visibility = ##f 518 % bar 1 519 g16-0\f( bf-2 cs-1 e-4 g-1_II bf-4 cs-1_I e-4\< \clef "tenor" 520 g-1) bf( a g fs-1 g-2 a-3 g-2) | 521 fs16-1( ef'-3 d-2 cs-1 c-2 a\thumb-0 fs-3_II ef-1) 522 d4.\thumb-0\upbow r8 | \clef "bass" \break 523 } 524 #+end_src 525 526 #+RESULTS: 527 [[file:preview/20.png]] 528 529